Fúria de Paixões

This is a likable but significantly frail B noir offering, made for Universal, directed by George Sherman, starring Richard Conte, Shirley Winters, Charles Bickford, John McIntyre, and Stephen McNally. Conte fairs better than usual in the role of a fugitive murderer, Bruno, that hides in a fishing boat, ultimately settling in the boat and becoming of one of the fishermen. Sherley Winters looks OK as the heartbroken girl of Bruno. John McIntyre as the penniless old beggar looks really creepy. Bickford with his unusual Swedish accent is fun to watch. The narrative moves back and forth between the chaotic urban city and the quiet serene setting on the shores, where learning something about fishing becomes more fascinating than crime itself.

The opening scenes of "Raging Tide" are outstanding, filled with suspense and intrigue. It opens with a long shot of a nocturnal street and then the camera pans to the right and stops at a window in a secluded building, where Bruno is gunning down a man. We don't see who is being murdered but only Bruno as he looks at his victim. And then he tips the police about his crime and runs away. As he runs and runs, his voice-over enters the soundtrack, speaking about his condition and circumstances, but then oddly the voice-over vanishes when the film settles in the nearby sea.

"Raging Tide" has a warm, appealing moments, complemented by an enjoyable black-and-white photography (by Russell Metty), but it ultimately wafts into the air when it is over. You get the impression that it could have been better.

"The Raging Tide" from 1951 is set in San Franciso and stars Richard Conte, Charles Bickford, Alex Nicol, S helley Winters, John McIntire, and Stephen McNally.

Conte is a mobster Bruno Felkin who murders someone and goes on the run. Lieutenant Kelsey (McNally) isn't concerned. There are only three ways out of San Francisco, and he's got them blocked off.

He forgot about the fourth - the ocean. Felkin hides on a fishing boat belonging to Hamil Linder (Bickford). His only crew is his son Carl (Nicol). When he's found, he offers to work, and Linder takes him on. Kelsey then tries to locate Bruno through his girlfriend, Connie (Winters)

Carl hates working on the boat - it's part of a deal he made with the prosecutor rather than go to prison for five years. He has to work for a year. Not only does he hate it, but he resents his father and isn't very nice to him. This bothers Bruno, who feels that Linder is a good guy and doesn't deserve the treatment.

Eventually he hires Carl to be a collector for his various organizations. Carl then meets Connie and becomes interested in her. Bruno, resenting Carl, comes up with a plan to keep him out of his and Connie's lives.

This actually isn't a crime drama at all, and the show is completely stolen by Charles Bickford, who is wonderful as Linder, a hard-working immigrant who feels as though his son is lost to him and becomes close to Bruno. Conte does a great job. He's tough as nails but softens working on the boat close to Linder. Linder has given him something he never had, while Carl is throwing it away.

Alex Nicol was an accomplished stage actor who was discovered by George Sherman, who directed this film. He gets to show a multilayered personality. Shelley Winters is Connie, a lonely woman in love with Bruno even though she knows it's a mistake. Young with a beautiful figure, she was always a good actress.

A lovely film, not what I expected. When you see the name Conte in the credits, you figure it's a crime drama. Not really.

Bruno (Richard Conte) is a career criminal and early in the film, he kills one of his rivals. Not surprisingly, he is soon on the run from the law...and he hides out on a fishing boat. And, for some time, he manages to evade the police by hopping aboard a fishing boat. Soon, he manages to impress the skipper and he becomes a trusted member of the crew. In the meantime, the police are pressuring Bruno's girlfriend (Shelley Winters), but she's a tough character and manages to hold them at bay. What's to become of the pair?

The best thing about this film is watching Shelley Winters and she's an excellent femme fatale. In one scene, a guy is getting fresh with her and she lets him have it! Overall, an enjoyable noir movie...mostly because of her.

Winters great as a tough dame.

I liked it more than most of the other reviewers. The San Francisco scenes were great, and all the character actors were good. I always like Richard Conte, and Shelley Winters was surprisingly good. The ending wasn't quite believable but it didn't ruin my enjoyment of the film as a whole.

... which is disappointing since this is allegedly a film noir. It starts off with a bang - literally - as small time collection racket hood Bruno Felkin (Richard Conte) shoots and kills Marty Prince. Then he does an odd thing. Bruno calls the police to say that Marty has just been murdered. Why? He is going to run to his girlfriend Connie's (Shelley Winters) place, be there in seven minutes, and thus have an alibi for the murder. The reasoning behind this being that Bruno had a motive to kill Prince so the police will come looking for him pretty much out of the gate. But Connie isn't at home, and her building is the kind you need to be "buzzed" into by a resident. Bruno didn't think this out very well ahead of time, did he?

So now he's on the run and there are roadblocks on every avenue leading out of San Francisco. The police could do these things 70 years ago when there was a murder a month. So Bruno hides out on a fishing boat. When he is discovered by the owner, Hamill Linder (Charles Bickford), Bruno claims to be a salesman who was walking by, got overpoweringly sleepy, fell asleep aboard the vessel, and only woke up once they were at sea.

So now this film transitions into something like Captains Courageous where the bad guy ( not that bad in Courageous!) finds honest hard work and the father figure he never had at sea. But it is not all smooth sailing, because Hamill has his own problems. Primarily his problem is that his son is a hood in the making, and he is not nearly as smooth or smart as he thinks that he is.

Meanwhile, back in San Francisco, Detective Kelsey is investigating this murder and looking for Bruno, all the while spouting dialogue that sounds like it was written for Detective Frank Drebin of Police Squad, but sounding obnoxious versus having Drebin's clueless adorable presence. Shelley Winters doesn't have lots of screen time as Bruno's cynical girlfriend, but she makes that time count.

There are a couple of goofs/odd things going on. For one, that door buzzer, a key plot point, disappears after Bruno is foiled by the thing as people wander effortlessly into Connie's building and right up to her door. Also, there is a group of perpetually drunk fishermen on the wharf, to what end I have no idea. Fishermen are a hard working lot and don't have time for such loitering.

On the bright side, there are lots of good shots of mid 20th century San Francisco to the point I'm surprised Eddie Muller, film noir aficionado and native of that city, hasn't had this one restored for old times sake. There are also lots of shots of what working on a fishing boat at that time looked like without it turning into a documentary.

I'd mildly recommend this one if only for the performances from Bickford, Conte, and Winters. Just realize going in that it is much too sentimental for a noir.