Milagre em Milão

This film is like an allegory of the gospel. It has such direct honesty and innocence you can not possibly believe it was made after the world war when Italy was ravaged and devastated, and was filled with a huge homeless, impoverished population. It is a monument to the best qualities of the human spirit, as well as to the endless creative resources of that land of inspiration.

Toto is a character like Doestoevisky's "Idiot", a modern Christ finding his way in a big city. He is goodness and purity fortified by love, and his acts change the people he encounters, as much as the miracle working dove. The story is told in a natural manner and simple style, yet imbued with a magic that is almost a premonition of Fellini's surrealist fantasies. It is one of the most inspiring, uplifting movies ever made.

The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent.

lovely. it is first word about this film. fantastic, tender, gentle, dream, it is a sentimental gem. and this is important for a gray , cold world. parable, social manifesto in sweet colors, fairy tale, it is a piece of clay for its viewer. because it is difficult to define it. so, essential is the warm emotion. the performance of Emma Gramatica. and extraordinary Toto in which the young Francesco Golisano gives all pure nuances of life joy. after many years from first meeting, it is not exactly one of my favorites but ideal drug for gloomy days. a different de Sica, it is shining and naive. or, only, isle for the short escape after stressful moments. a kind of Life is wonderful but with little substantial dose of miracle flavor.maybe, a form of Charlot universe slice. like return in childhood womb.

This movie was my first touch with Mr Sica so I really didn't know what to expect. But what I saw just broke all my expectations - in a good way.

The storyline is not complex and shows us a life of found boy- orphan and particularly his connection into the community of poor people who together built themselves a hood of simple metal plate houses. This little city in another city lives own life and things are going fine. But one day there is a water resource found and a rich nobles man is getting interested in the buying the place. But as the title of the movie hints - there is a miracle taking place. Our character gets a wonder dove from his dead mother. What is he going to do to protect his friends and all built city as well?

It was just a masterpiece of natural comedy. There is shown the behavior of poor people and how money and property can talk and play with people. Also many funny moments and scenes are included - at the beginning with the spot where sun is shining and many more.

So according to the fact that I m not a comedy lover you should see this movie because I liked it much

I

I just recently watched De Sica's Miracle in Milan and I must say it's a tragedy this film isn't more widely accessible. The film follows the curiously magical exploits of a grown up orphan who has just left his orphanage for the first time. His unstoppable optimism finally brings him to a shantytown outside of Milan. He helps to build the town into a thriving community, which soon comes under the fire of the property's owner. Through a miracle from the heavens, our optimistic orphan sets to help his fellow vagrants with their lives and their homes.

I'm not normally one for dopey family films, so I was very happy to enjoy this. It's not dopey, it's not sappy and it's not overly sentimental. The story is told with a gentle touch that De Sica is such a master with. The film is sweet, good-hearted and touching without ever relying on the corny or the melodramatic.

All in all, this film leaves you with a heart-warming feeling that only a poet like De Sica could give you. A sure recommendation.