Milagre em Milão

Miracle in Milan is a movie that has one of those heart-warming characters with an indomitable spirit who brightens the lives of everyone around him. I quite liked how Francesco Golisano played this character because he never acts as though this is a struggle for him, he simply is kind and optimistic as a part of his nature. The film starts off somewhat comical, but otherwise perfectly normal as the people living homeless in Milan seek a way to survive. I was charmed by this whole section of the film, and seeing the way that the human spirit fought to live a normal life despite not having all the modern conveniences that money provides. There is also a fun contrast when we see these poor people interacting with the rich and privileged people who want to take possession of the land. A meeting in the big city was one of the most humorous scenes in the film, as we see these homeless people in the most over-the-top opulence.

The turn for the film comes later when a magical element is added to the story. This is where things got weird. I liked the idea of empowering our hero in a unique way, but his new-found ability kind of shifted the tone and even the plot of the film. Suddenly, it was looking at how greed could entrap even those who once knew how to live with nothing. But it never felt the script fully addressed how damaging this behavior was to the people as they received everything that they thought would make life better. Also, the original plot is still happening, but it seems the importance of it is diminished. I wouldn't mind a kind of Monkey's Paw story, where someone is given magical powers that end up ruining life when it was supposed to help, but it is not the plot I was invested in from the outset. Then the ending is extremely odd and leaves me with more questions than answers. I definitely liked elements of Miracle in Milan, but if it remained focused in one direction or the other I would have enjoyed it more.

This movie was my first touch with Mr Sica so I really didn't know what to expect. But what I saw just broke all my expectations - in a good way.

The storyline is not complex and shows us a life of found boy- orphan and particularly his connection into the community of poor people who together built themselves a hood of simple metal plate houses. This little city in another city lives own life and things are going fine. But one day there is a water resource found and a rich nobles man is getting interested in the buying the place. But as the title of the movie hints - there is a miracle taking place. Our character gets a wonder dove from his dead mother. What is he going to do to protect his friends and all built city as well?

It was just a masterpiece of natural comedy. There is shown the behavior of poor people and how money and property can talk and play with people. Also many funny moments and scenes are included - at the beginning with the spot where sun is shining and many more.

So according to the fact that I m not a comedy lover you should see this movie because I liked it much

I

This film is like an allegory of the gospel. It has such direct honesty and innocence you can not possibly believe it was made after the world war when Italy was ravaged and devastated, and was filled with a huge homeless, impoverished population. It is a monument to the best qualities of the human spirit, as well as to the endless creative resources of that land of inspiration.

Toto is a character like Doestoevisky's "Idiot", a modern Christ finding his way in a big city. He is goodness and purity fortified by love, and his acts change the people he encounters, as much as the miracle working dove. The story is told in a natural manner and simple style, yet imbued with a magic that is almost a premonition of Fellini's surrealist fantasies. It is one of the most inspiring, uplifting movies ever made.

The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent.

This is a really strange film--and that is NOT a bad thing. It is a combination of a neo-realistic film about the homeless AND a fairy tale. I'm sure that some may find this movie a bit too strange, but I loved it. Once again, this director brings together a wonderful cast of everyday people (not actors) and gets a great ensemble-type performance. Although not nearly as sad as Umberto D, both movies have a very similar point to make--this one just does it in a very absurdist way. Ignore the cheesy special effects--after all, it was made in the early 1950s and special effects aren't terribly important anyway (or at least they shouldn't be in films). Instead, just sit back and enjoy the very strange and silly ride. Unless you are a total curmudgeon, you'll have a ball.

By the way, since I first reviewed this film, I have seen another DeSica directed film that is an absolute must-see and that is THE CHILDREN ARE WATCHING US. While not a fantasy or light in spirit like MIRACLE IN MILAN, a great film nevertheless.