O Homem das Sombras

A curious film hampered by an overwritten and stagy script, Man With a Cloak starts off looking like it might deserve to be as forgotten as it apparently is. However it recovers nicely when we see its plot unfold. Joseph Cotten plays Dupin, an intellectual, fond of drinking, but without a steady income, who spends much of his time in the local establishment owned by the kindly yet pragmatic Flaherty (Jim Backus). The young French woman Madeline Minot (Leslie Caron) arrives in New York from France with a letter of introduction from her fiancée, now manning the barricades in Paris, to his grandfather, the wealthy but dying Charles Therverner (Louis Calhern) who must spend his last days surrounded by the avaricious staff of the house, who impatiently await his death, in the vain hope that they will somehow get his money. Barbara Stanwick, as the head of the house, and Joe De Santis as the brutish and menacing butler, along with Margaret Wycherly as the housekeeper, have waited years for the old man to die, and are now confronted with the arrival of Madeline Minot, who is also seeking the old man's fortune although for the altruistic purpose of aiding the establishment of a republic in France. While the dialog tends towards the verbose, the story maintains your interest, especially the unlikely romance of sorts between Stanwick and De Santis, a romance based not on any mutual attraction, but on their shameless complicity in hastening along the dying process. Cotten, as Dupin, manages to come between them and in the process infuriates the butler though his anger is played with taut control by De Santis, whose performance is memorable. All in all, it is one of those films, that if you can catch it on TCM, is definitely worth watching.

While not in the top drawer of mystery films of the era, the film should come as a pleasant surprise for those interested in the period and definitely will register with films of the noir genre. The plot is difficult to sum up quickly but rest assured that it is literary and interesting, involves at least one or two good twists and sports a fine cast of players better known for work in more famous films. Joseph Cotten is particularly fine as the man of mystery who foils an attempt to rob the inheritance related to the demise of an old reprobate (Louis Calhern) in 1840's New York. Throw in Barbara Stanwyck at her most sultry and Leslie Carone at her most innocent and you have a film that does not exactly match the excitement generated by the opening scenes but holds one's attention nonetheless.

Thank goodness for TCM, because every once in a while we catch a forgotten gem not yet available on DVD, and this is one of those. Sure it's a somewhat lightweight film, but it has its heavy moments, and sometimes you don't feel like watching "War and Peace," you just want something entertaining and substantive enough to keep you watching. I thoroughly enjoyed this.

The setting in 1848 New York was interesting. I like stories with time periods and settings not usually thought of. When you mention the 1800s most Americans are thinking cowboys and Indians and the Old West, or else the Civil War. Yet there were whole regions and eras in our country's history not usually covered that surely are brimming with stories.

Some have criticized the movie for its stilted dialog, but hey, that's the way upper crust people talked back then. Just try reading a book written in 1848 by a more cultured author, and you'll see what I mean. I found it interesting to listen to. The cast was great, too. I have never thought of Joseph Cotten as a particularly handsome actor, but that mustache made him look rather dashing! He should have worn it more often. And then there's Jim Backus... Ususally stereotyped as Mr. Magoo or Thurston Howell III, here he showed us his depth as an actor by making the serious character of Flaherty seem so real and natural.

There's a murder in this mystery, but it's not at all what you would think. There are several plot twists that. while not spectacular, are still suspenseful and entertaining. You may or may not be caught by surprise by the revelation at the end, but many viewers will be. I highly recommend this film and hope it is soon available on DVD.

I suspect that this was thought of as a small production by MGM at the time, but it's got two of my favorites, both of whom were perhaps not quite as "big" as they had been a few years earlier: Stanwyck and Cotten (maybe the only time he was mustachioed on film?). This film has a lot going for it: wonderful score by David Raksin, the rich voices of the principals, Louis Calhern chewing up all of the period scenery, and strong black-and-white photography. It's a period thriller, but a leisurely one, with a nice sense of atmosphere. The script has some lively exchanges between characters, although the artifice shows a bit sometimes. Stanwyck's character is a little ambiguous, but that seems appropriate in a way. Always-reliable supporting players Joe DeSantis and Margaret Wycherly (the terrifying mum in "White Heat") are fine as the cohorts of Stanwyck's "Lorna Bounty"--what a great name! And there's a beautiful raven too. What more can you ask for?

Joseph Cotten, Barbara Stanwyck, Louis Calhern, and Leslie Caron star in "The Man with a Cloak," a 1951 thriller set in 1848 New York. A young woman (Caron) comes to New York to get money for her boyfriend's political cause from his grandfather (Calhern). Grandpa is in the clutches of his ex-girlfriend turned housekeeper (Stanwyck) and a surly butler (Joe De Santis) who are waiting for the old man to die so they can get his money. The Caron character thinks they are trying to kill him, so she appeals to an apparent ne'er do well who hangs at the local bar, Dupin (Cotten) for help.

This is a slow-moving story for sure, but Cotten has some great dialogue nonetheless. Stanwyck looks beautiful and is very good as the duplicitous woman. Alas, these are film careers on the wane, as evidenced by the smallness of the film. Caron is quite young and appealing, and of course, her star would go up and up. The ending has a twist that is quite fun. I have no idea if it's historically preposterous or not, but this movie needed a kick and it was a good one. Certainly worth seeing for its stars.