Inocência à Prova

The plot is not original...Mistress is Murdered,Married Man accussed...Wife stands by him. But Sir Rex Harrison makes you believe in the story. Harrison gives an extremely fine and brilliant performance which raises the film from a typical pot boiler into the story of a regretful innocent man. Lily Palmer (at the time..Mrs. Harrison) is also in fine form as his on screen wife.

This is a pretty interesting mystery. It's not really suspenseful but it's done with style.

However, I wonder what purpose it was meant to serve for the public relations of its star Rex Harrison. His friend Carole Landis, a charming star of generally minor films, had killed herself a few years before this came out. As a result, his therefore rising box office appeal had plummeted. Indeed, the brilliant "Unfaithfully Yours" had the bad fortune to come out right after Ms. Landis had died. No one wanted to see Rex Harrison killing a woman over and over -- even if it was in his imagination. "Unfaithfully Yours" was not a success, despite director Preston Sturges's career as Hollywood (apparent) golden boy. Sturges really did not survive this failure commercially.

So, here we have a decent man accused of murdering a pretty young woman. Like the star himself, the character is married to (the very appealing) Lilli Palmer. I don't want to give away the plot. Let's just say that this is a movie that comes out against quick decisions in tabloid cases.

Can this have been a coincidence? Maybe it was. I don't know anything about its history. However, I sincerely doubt that it was.

When Arthur Groome (Rex Harrison) finds his girlfriend murdered at her Earls Court flat and becomes stricken with grief and fear, he promptly runs from the scene of the crime. Questioned by the police about the crime, Arthur, a married man, in panic denies all knowledge of the girl. Soon, however, he finds himself charged with murder and inexorably drawn towards the gallows...

Directed by Anthony Bushell and Reginald Beck, it is adapted to screenplay by Nunnally Johnson and William Fairchild from Edgar Lustgarten's novel. Harrison's real life wife at the time, Lilli Palmer, plays his loyal spouse here, while Benjamin Frankel scores the music and Wilkie Cooper is the cinematographer.

Largely ignored and underseen these days, due in the main that some critics of the time noted it has uncomfortable parallels to the real life Harrison and Carole Landis suicide affair - plus Harrison himself quickly denounced the film as dreadful - it's actually a decent wrong man court case picture often filmed in gorgeous film noir styles.

There is no mystery element here, for we know Arthur is innocent, and in fact we know who the killer is. We are given two murders in the first twenty minutes, each a year apart, the first is photographed on the outside in shadows, gaslights and upon a moist cobbled alleyway. The second, where the object of Arthur's lovelorn attention (Patricia Cutts) resides, is stifling in its cruel intensity.

It's a sly story of obsession, circumstantial devilments, manipulation and somewhat oddly, loyalty. The suspense is ramped up as Arthur gets ever deeper in the mire during the court case (look how Cooper photographs the critical sequences in court), while his loving wife is being befriended by the real murderer (a wonderfully rat faced Anthony Dawson) who has his own distorted motives that he wants to bare out.

Viewing it now the police work due to the writing comes off as being very shoddy, and the finale is just a bit too much leftfield to wholly satisfy. Yet this is a very tidy Brit-Noir styled suspenser that comes recommended to fans of leading man and noirish visuals. 7/10

A Broody, Moody Movie that is a slightly better than Average British Thriller that makes up for its slim Story and vapid Ending with Atmospheric touches and strong Characters. It has a striking Noirish beginning with very dark streets inhabited by a Serial Killer that resembles a sewer rat.

One of the Victims has a cheating Husband as a Lover and He is falsely accused of Her Murder. The middle becomes a Courtroom Melodrama with cross examinations and suspect Witnesses. This all leads to a confrontation between the real Killer and the Accused Man's Wife that is edge of your seat Suspenseful.

This Movie has a Sleazy Look and a Downbeat Tone that aside from the aforementioned Wrap Up, places it in the Realm of Foreign Film-Noir and has a Creep Factor that is exploited by the truly unsettling Murderer and dingy surroundings. Slightly underrated.

The Long Dark Hall is a crime drama starring Rex Harrison and his real- life wife (at the time), Lilli Palmer, who in the film, play husband and wife, Arthur and Mary Groome.

This seems to be a story within a story as told by a newspaper reporter to a crime novelist. But, the internal story is the one that I focused on throughout the movie.

In this story, Arthur and Mary Groome appear to be a happily married couple who live in Richmond with two young daughters. However, when a London showgirl is found dead on a night that Arthur visited her—which he admitted to everyone that he often did--he is accused of her murder. Yet, he claimed he did not kill her, and his wife, Mary, totally believes him.

His accusation and trial for her murder is based on a ton of circumstantial evidence, including his knife at the scene, witnesses, and her blood on his suit (which he admits, he in the trial, that he burned because it couldn't be dry cleaned)....