AVALIAÇÃO DA IMDb
6,8/10
955
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter graduation, a Swedish youth goes to live with his uncle in the countryside and immediately takes a liking to a local girl.After graduation, a Swedish youth goes to live with his uncle in the countryside and immediately takes a liking to a local girl.After graduation, a Swedish youth goes to live with his uncle in the countryside and immediately takes a liking to a local girl.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Folke Sundquist
- Göran
- (as Folke Sundqvist)
Sten Mattsson
- Olle, Farm Worker
- (as Sten Mattson)
Erich Conrad
- Helge
- (as Erich Conard)
Margaretha Löwler
- Mary Ann, Göran's Girlfriend
- (as Margareta Löwler)
Olav Riégo
- Teacher
- (as Olav Riego)
Avaliações em destaque
As someone pointed out, it is a simple summer romance story, a college boy goes to a rural area (uncle's farm), where he falls in love with a girl. And to put spoke in their path are girl's guardians (boy's uncle is almost encouraging), and the various orthodox people, including the village Priest.
The web tells this movie was roundly condemned and even banned for nudity and anti-religious portrayal.
The nudity aspect is, at least on today's age, less than negligible, and anyway it isn't for the purpose what today's nudity, including exposures by 'A' rated actors, are meant to (titilation), so that aspect, if any one tries to watch it for, is going to be disappointed.
The other aspect, probably what gave rise to its allround condemnation (compounded by the nudity) was its portrayal of Church/ Clergy in negative light and making the Priest as the Villain of the story.
This on surface seems to be merited, but isn't really. Though one must note that in all the major accidents in the movie, the Priest was involved. But it would be wrong to say that he deliberately engineered them.
Here the clash was between, Freedom and Bondage. The right to live and love is freedom. Love need not necessarily be sin, as one of the protagonists mentions. The aspect of morality IMHO makes the difference - heart and flesh. The Bondage on the life is put by Religion - and in fact not really by it, but by the orthodox and pedagogical misinterpretations, which really the movie tried to depict. These misinterpretations - the pedagogical part, is due to the Priest (and in fact in real life many of them) didn't understand the underlying message and took it by word values, and the orthodoxy comes many times due to the complexity of the persons (the cousin who is slowly crossing the age) or the aunt (probably due to the child-lessness?) and as a result, not only the sermons are wrongly delivered, but also wrongly interpreted (which led to barn burning, despite the Priest never intended anything like that to happen, the 'fire and damnation' in the mind of the mentally challenged disciple led to that). The movie still provokes thoughts even in today's society, since the orthodoxy and bonds put by various widely misinterpreted religions are still there and are still making sins of virtue, victims of innocents., even condoning murders (e.g. case of Dr. Savita Halappanavar - death or murder ?) - the defense logic is always the same, as in this movie, some times harsh decisions are taken by Him, or examples made of, so that the flock don't stray - only the question remains, was that decision by Him, or his mis-ministers ?
The web tells this movie was roundly condemned and even banned for nudity and anti-religious portrayal.
The nudity aspect is, at least on today's age, less than negligible, and anyway it isn't for the purpose what today's nudity, including exposures by 'A' rated actors, are meant to (titilation), so that aspect, if any one tries to watch it for, is going to be disappointed.
The other aspect, probably what gave rise to its allround condemnation (compounded by the nudity) was its portrayal of Church/ Clergy in negative light and making the Priest as the Villain of the story.
This on surface seems to be merited, but isn't really. Though one must note that in all the major accidents in the movie, the Priest was involved. But it would be wrong to say that he deliberately engineered them.
Here the clash was between, Freedom and Bondage. The right to live and love is freedom. Love need not necessarily be sin, as one of the protagonists mentions. The aspect of morality IMHO makes the difference - heart and flesh. The Bondage on the life is put by Religion - and in fact not really by it, but by the orthodox and pedagogical misinterpretations, which really the movie tried to depict. These misinterpretations - the pedagogical part, is due to the Priest (and in fact in real life many of them) didn't understand the underlying message and took it by word values, and the orthodoxy comes many times due to the complexity of the persons (the cousin who is slowly crossing the age) or the aunt (probably due to the child-lessness?) and as a result, not only the sermons are wrongly delivered, but also wrongly interpreted (which led to barn burning, despite the Priest never intended anything like that to happen, the 'fire and damnation' in the mind of the mentally challenged disciple led to that). The movie still provokes thoughts even in today's society, since the orthodoxy and bonds put by various widely misinterpreted religions are still there and are still making sins of virtue, victims of innocents., even condoning murders (e.g. case of Dr. Savita Halappanavar - death or murder ?) - the defense logic is always the same, as in this movie, some times harsh decisions are taken by Him, or examples made of, so that the flock don't stray - only the question remains, was that decision by Him, or his mis-ministers ?
I saw this movie the first time yesterday. I´ve had the tape for about two years, but I was not so interested in it. But now I´m very glad about having watched it, because it is a great, old-fashioned love story containing a warm kind of romance, you cannot find in actual movies. The story is quite simple: student from the city falls in love with girl from the country. She is not allowed to love him, but nevertheless they do...
The scene, showing both naked taking a bath in a beautiful swedish lake, caused 1951 a scandal. Funny, about what harmless stuff people got annoyed in former times... 9/10
The scene, showing both naked taking a bath in a beautiful swedish lake, caused 1951 a scandal. Funny, about what harmless stuff people got annoyed in former times... 9/10
Swedish classic with Ulla Jacobsson and Folke Sundquist
A student (Folke Sundquist as Göran) from the city comes to work in the country over the summer. He quickly finds a connection and falls in love with the enchanting farm girl Kerstin (Ulla Jacobsson). Even if Uncle Persson (Edvin Adolphson) has sympathy for the young people, not all villagers see it that way. The priest (John Elfström) preaches powerfully against the depravity of youth. But the lovers enjoy their summer of happiness with its bright nights and skinny dipping together. Until a serious accident occurs...
This Swedish film (1951) by Arne Mattson hit like a bomb. Back then, nudity on the screen was still an outrageous sensation, and it was staged so beautifully and naturally and innocently. By the way, the film was produced by the traditional Nordisk Film, which is still active as a mini-major in the film business today. HON DANSADE EN SOMMAR was awarded the Golden Bear at the 1952 Berlinale. Ulla Jacobsson (1929-1982) then also appeared in German-language films. Folke Sundquist (1925-2009) was also in the Ingmar Bergman classic SMULTRONSTÄLLET, which won the Golden Bear in 1958. Berlin has certainly brought Folke Sundquist luck.
A beautiful film that touches the heart and celebrates the Swedish summer!
A student (Folke Sundquist as Göran) from the city comes to work in the country over the summer. He quickly finds a connection and falls in love with the enchanting farm girl Kerstin (Ulla Jacobsson). Even if Uncle Persson (Edvin Adolphson) has sympathy for the young people, not all villagers see it that way. The priest (John Elfström) preaches powerfully against the depravity of youth. But the lovers enjoy their summer of happiness with its bright nights and skinny dipping together. Until a serious accident occurs...
This Swedish film (1951) by Arne Mattson hit like a bomb. Back then, nudity on the screen was still an outrageous sensation, and it was staged so beautifully and naturally and innocently. By the way, the film was produced by the traditional Nordisk Film, which is still active as a mini-major in the film business today. HON DANSADE EN SOMMAR was awarded the Golden Bear at the 1952 Berlinale. Ulla Jacobsson (1929-1982) then also appeared in German-language films. Folke Sundquist (1925-2009) was also in the Ingmar Bergman classic SMULTRONSTÄLLET, which won the Golden Bear in 1958. Berlin has certainly brought Folke Sundquist luck.
A beautiful film that touches the heart and celebrates the Swedish summer!
This is a simple "boy meets girl" "parents/adults don't understand us" film, but a very well done one. Ulla Jacobsson is captivating in the lead. I like her performance here better than in "Smiles of a Summer Night", although the latter is the better film. I also found "One Summer of Happiness" interesting for what it said about post-war Sweden. Well done.
This charming film should be restored and reissued. Its story line is simple, perhaps a bit trite. However, the central character Kerstin presents us with a rare glimpse of the blossoming of youth, emerging from innocence to passion to tragedy in a short season. No spectacular acting here, but one senses a freshness and spontaneity rarely grasped in low budget productions. No specific message here, other than raw warmth followed by pain and despair. Too bad Ulla was not discovered and well directed later on! We missed a great actress. (We named our first daughter after her character long before she was born!)
Você sabia?
- CuriosidadesThis film was mentioned by a 1954 Memorandum of the New York State Education Department, written with regard to New York State Law 1954, Chapter 620, which added definitions of "immoral" and "incite to crime" for motion picture censorship purposes. The Memorandum cited this film as an example of a film about which the ED's Motion Picture Division had been "beset with inquiries and applications for reconsideration of motion pictures which heretofore have been regarded as contrary to the present provisions of the statute." It stated that One Summer of Happiness "contains a scene where a boy, nineteen, and a girl, seventeen, spending a vacation together, swim and embrace in the nude."
- Trilhas sonorasPsalm 355: Blott en dag, ett ögonblick i sänder
Music by Oscar Ahnfelt (as Oscar Ahnfeldt)
Lyrics by Lina Sandell
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- How long is One Summer of Happiness?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- One Summer of Happiness
- Locações de filme
- Mälaren, Sigtuna, Stockholms län, Suécia(Göran and Kerstin's nude bath)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 43 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Última Felicidade (1951) officially released in Canada in English?
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