Chained for Life

Chained For Life (1951)

** 1/2 (out of 4)

The Hilton Sisters of FREAKS fame were brought back to the screen in this, at the time, controversial film that tries to take a closer look at their lives. The two sisters are part of a theater group and to make money their manager sets up a marriage. When the man hurts one of the sisters the other kills him and it's up to a judge to see how this should be handled. Unlike FREAKS, this caught me off guard because it wasn't simply an exploitation film, which is what I was expecting. The film shows the personally lives of these Siamese twins and it's all rather interesting. I think it would have been better had the film not started in the courtroom and then replayed the events as they happened. Either way, those fans of the Browning film should certainly check this one out.

Director Harry L. Fraser, who gave us the unforgettable "I Accuse My Parents," went over the top with Hollywood's first (and, I suspect, lone) drama of the travails of two women who truly were, both in the film and in real life, inseparable.

Teen actresses and major merchandising mavens Ashley and Mary-Kate Olsen have been described as joined at the hip. That was the reality for former vaudevillians Violet and Daisy Hilton, the Siamese twins starring in this crime film. Violet is Vivian and Daisy is Dorothy, not that it matters much.

The twins, a bit long in the tooth when the movie was made, reprise their old hoofer routine in a show that includes a master marksman and his gal, a beautiful on-stage assistant. Having Vivian get married is a publicity idea which she accepts enthusiastically, her close sibling less so. But she comes around hoping for her sister's connubial joy. The intended groom is the show's Dead Eye Dick. His motive: money to go through with the wedding.

Complications arise including the refusal of a number of states to issue marriage licenses on the tenuous, indeed unsustainable, grounds that a marriage by one of the twins would constitute bigamy. Nonsense. In fact Siamese twins in the nineteenth century, never mind later, got married in the U.S. Vivian is jilted on her wedding night so we don't get to see any conjugal maneuvering (not that we would have seen much in a 1951 feature).

Vivian and Dorothy watch the marksman do his act and Dorothy casually shoots the guy dead. The film begins with a judge asking, from his desk, for help from moviegoers in deciding whether to find the homicidal woman guilty, the sentence then either requiring that the other also be executed or, if a lesser charge was sustained, both would go to the slammer. I imagine conversations going on long into the night by folks who viewed the film and couldn't stop talking about the jurist's dilemma. This is a film with a question about justice-unfortunately it's too arcane for any serious discussion.

Court scenes alternate with recounting of the tale. The courtroom is as fake as the plot. And the Alpha Video DVD cover's posters from the original release promise licentious tidbits that never come close to surfacing. "Joined Together How Can They Make Love?" "What Happens in Their Intimate Moments?" That's what I wanted to know and why I forked out $4.99 for the disc. Phooey.

4/10 (for its curiosity value)

"Chained for Life" is the story of two Siamese twin sisters, who at this point appear to be in their late 40s, as one sister falls in love. The film stars real life Siamese twins Daisy and Violet Hilton. The twins are connected at the lower back, and are able to function as normal people except that they are connected. It makes one wonder that if they were to have been alive today, would they have been able to be separated? The sisters made a living as vaudeville singers, not actors, and the best parts of this film are the musical numbers, both sisters had beautiful voices. When the sisters act, well lets just say its very fake and stilted.

The plot is simple, as a publicity stunt a trick shooter in the same vaudeville show as the sisters decides to marry one of the sisters, only to divorce her the next day. As revenge the other sister shoots to death her ex in law, and the film is told in flash back as a courtroom trial.

It is an interesting question posed to the audience, and one that I wonder how it would be answered in real life. If one conjoined Siamese twin commits murder, a crime punishable by death, the other sister will die too, meaning the state is committing murder. An interesting questions, and one that the audience is asked to answer. Sadly, its one answer I don't have.

The film is not quite exploitation, as the sisters are not exploited as freaks. This film is in the public domain and is available on VHS and DVD.

If you've missed "Chained for Life," you haven't missed much. Based loosely (very loosely) on Siamese twins Daisy and Violent Hilton's lives, Chained For Life is low melodrama at its lamest. The starring ladies did, however, sing very sweetly, and their musical performances are worth sitting through the rest of the movie.

The movie opens with a judge begging the audience for help in resolving a terrible dilemma. The action moves to a courtroom, where conjoined twin Vivian Hamilton is on trial for the shooting death of her sister Dorothy's two-timing husband. The story unfolds in flashback as various characters are called to testify about how a publicity stunt turned to cruel heartbreak and eventually murder.

With a premise close to the sisters' real-life romances, "Chained for Life" could have been compelling drama in the hands of competent writers, a competent cast, and a director capable of pulling adequate performances out of Daily and Violet. We're left with a pure exploitation film, memorable only for its novelty.

One has to really feel sorry for the Hilton sisters. Fine vaudeville singers, they were screwed over throughout their whole lives due to the fact that they were conjoined (siamese) twins. It should be fitting then, that they took the lead roles in this film, based on their lives.

CHAINED FOR LIFE tells the story (typical of the time, in "flashback") of Vivian and Dorothy Hamilton (couldn't they be a little less obvious with the names?), conjoined twins who sing in a vaudeville show, but are humiliated by their manager through a publicity marriage stunt that goes horribly wrong when one of the twins genuinely falls in love with the "husband" Andre, only to have her heart broken when he takes the pay advance promised him for the stunt, reveals he never loved her, and annuls the marriage to marry his "normal" lover. The other twin, who never liked him anyway, avenges her sister's sorrow by shooting him during one of his final presentations with his own pistol (he was the show's trick shooter). A single judge in court has to hear the case and decide the fate of both twins, the guilty and the innocent.

Sounds interesting right? I thought so too, unfortunately this film totally ditches the court-room aspect which pulled me in, focusing instead on the re-telling of the plight of the heartbreak and the marriage stunt. In retrospect, this was probably a good thing, because the film is boring, and limiting it to the court room would be the only thing that could make the film even worse. The acting is totally dry, and, although the film attempts to address the morality of the situation and has some interesting/thoughtful quotes in monologues towards the end, the script is humdrum, exactly the same as all the other dull, low-budget '50s "thrillers", only with conjoined twins!

One can't really blame the Hilton sisters though. They deliver the goods in several musical sequences in the film, which have no purpose whatsoever other than to show us that, though bad actors, the Hilton sisters are great singers; this is really the only reason to watch the film, to see the "amazing singing siamese twins". Really, it's sad that this film and FREAKS were the only way the Hiltons could be preserved, since neither film shows their true potential, as prejudice against them had ensured that they would never get a proper recording or film contract. This is why the film itself is ironic, since its only appeal to the audience is to gawk at the siamese twins (save for those short times when we are swept up in song and hear the voices, ignoring the bodies they came from) and its overlying message is about how they have suffered throughout their lives and how this gawking and exploitation is wrong.