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Sinfonia de uma Cidade

Título original: Sous le ciel de Paris
  • 1951
  • 1 h 54 min
AVALIAÇÃO DA IMDb
7,2/10
298
SUA AVALIAÇÃO
Sinfonia de uma Cidade (1951)
CrimeDrama

Adicionar um enredo no seu idiomaFates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

  • Direção
    • Julien Duvivier
  • Roteiristas
    • Julien Duvivier
    • René Lefèvre
    • Henri Jeanson
  • Artistas
    • Brigitte Auber
    • Jean Brochard
    • René Blancard
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    298
    SUA AVALIAÇÃO
    • Direção
      • Julien Duvivier
    • Roteiristas
      • Julien Duvivier
      • René Lefèvre
      • Henri Jeanson
    • Artistas
      • Brigitte Auber
      • Jean Brochard
      • René Blancard
    • 6Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos11

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    Elenco principal70

    Editar
    Brigitte Auber
    Brigitte Auber
    • Denise Lambert
    Jean Brochard
    Jean Brochard
    • Jules Hermenault
    René Blancard
    René Blancard
    • Le professeur Bertelin
    • (as Rene Blancard)
    Paul Frankeur
    Paul Frankeur
    • Milou
    Raymond Hermantier
    • Mathias, l'artiste
    Daniel Ivernel
    Daniel Ivernel
    • Georges Forestier
    Pierre Destailles
    • Michel
    Jacques Clancy
    • Armand Mestre
    • (as Jacques Clancy de la Comédie Française)
    Christiane Lénier
    • Marie-Thérèse
    • (as Christiane Lenier)
    Marie-France
    • La petite Colette Malingret
    François Périer
    François Périer
    • Récitant
    • (narração)
    • (as François Perier)
    Marcelle Praince
    Marcelle Praince
    • Madame Balthazar, la voyante
    Catherine Fonteney
    • La dame des invalides
    • (as Catherine Fonteney de la Comédie Française)
    René Génin
    René Génin
    • Le cocher
    Georgette Anys
    Georgette Anys
    • Madame Malingret
    Jane Morlet
    • La contrôleuse des vieillards
    Serge Nadaud
    • Le bijoutier
    Guy Favières
    Guy Favières
    • Le malade
    • (as Favieres)
    • Direção
      • Julien Duvivier
    • Roteiristas
      • Julien Duvivier
      • René Lefèvre
      • Henri Jeanson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários6

    7,2298
    1
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    Avaliações em destaque

    9zutterjp48

    A great film of Julien Duvivier.

    For one day we shall follow the lifes of very different persons: a young woman looking for love,an old lady taking care of cats, workers in strike, a sculptor ,a student of medicine,a policeman and by magic all their lives will be connected.A wonderful description of Paris, of its people made with poetry. The actors and actresses were really excellent: Brigitte Aubert (Denise Lambert) Sylvie (Mademoiselle Perrier), Daniel Ivernel (Georges Forestier), Paul Frankeur (Milou) Marie-France (La petite Colett Malingret) and François Périer (Narrator). Also "Sous le ciel de Paris" is a masterpiece of photography,The cinematographer Nicolas Hayer was also the cinematographer of "Le Corbeau" (1943). Another important point: "Sous le ciel de Paris" is a tale narrated with tenderness and humour by François Périer. Finally there is one song: "Sous le ciel de Paris",music by Hubert Giraud,lyrics of Jean Dréjac and sung by Jean Bretonnière: very great and famous French singer have sung once this nice song (Yves Montand,Juliette Gréco, Édith Piaf, etc).
    6gridoon2025

    Loving yet cynical homage to the City of Light (and Dark)

    "Sous Le Ciel De Paris" is uneven, episodic, unfocused, but also pioneering: it can be taken as a precursor of both the New Wave movement (it has an improvisational, let's-take-the-camera-out-and-start-filming-and-we'll-see-what-happens style), and of much later "mosaic" urban films such as Robert Altman's "Short Cuts". Its main problem is that most of the individual stories fail to captivate, until they start merging together near the end; the one highlight until then is the brilliantly edited exam sequence. The last section contains some startling surprises, so the film is worth sticking with through some of its early rough patches. **1/2 out of 4.
    7AAdaSC

    What has Fate got in store for today...

    Every morning, Fate surveys the world and plays out what people have unknowingly to deal with over the next 24 hours. This happens every day and in this film we begin with a narrator who tells us that we are going to focus on a section of Paris. We watch to see how people's lives are inter-linked and what will happen to our characters. It is not always good....

    Even though this is a French film and therefore we can expect tragedy, there is also good news for some. At one point, you may think that everyone has come to the end of the road and will be setting off on the journey to the next stage. In a way, with the passing of each day, we are all getting nearer our end. You see what French films do to me!

    I found there were a couple of annoying characters. Firstly, the cat-woman irritated me. She is weird. Why would anyone want to live with so many cats and treat them as her babies? They are not babies, they are cats! I once worked with a lady who referred to her dog as her baby, much to the annoyance of her daughter who would constantly remind and berate her that she was her baby and that her dog was a dog! Secondly, the narrator goes on for too long at the film's beginning - when is the film starting! Apart from these two, the other characters will engage you in their stories. And I only realized after the film's end that new arrival to Paris - Brigitte Auber (Denise) - was Cary Grant's French ex-girlfriend in "To Catch a Thief" (1955).

    Finally, can you think of a circumstance in which it wouldn't be ideal to win the lottery? If you are hard-pressed, then this film will give you one answer.
    10dbdumonteil

    The French fifties were great!

    It has been often mooted that the Nouvelle Vague was the Second Coming,saving French cinema from tediousness,routine,ennui,mediocrity,you name it.

    So on the site n+x comments on Godard and co,and only one on this Duvivier jewel.It's when one sees such marvels one realizes all that the New Wave has deprived French cinema of:the very substance of a film,the telling of a story.And Duvivier comes first for that;here he transcends the film made up of sketches he brilliantly pioneered in the thirties with "un carnet de bal"(1937):he uses now intertwined plots with gusto,and Paris places with taste.All his characters are endearing,and he runs the whole gamut:the young girl coming from her province (Brigitte Auber who will be in Hitchcock's "To catch a thief");you're going to say it's a cliché,but wait and see,you"ll never guess what fate is in store for her,it defies conventions;the old lady and her cats (A marvelous Sylvie),trying to make ends meet;the children who find themselves back on a boat alone on the Seine ;the student who always fails(Daniel Ivernel);a sculptor gone mad;a working man,celebrating his silver wedding,and more,and more....And all that happens in the space of one day under Paris sky (sous le ciel de Paris), all these lives run into each other,or don't,making a whole,under Duvivier's magic wand.

    Because magic is the only name that can describe such a treat.Orson Welles used to admire Duvivier,how I understand him!
    8overseer-3

    Multi-faceted story, great shots of post-war Paris

    Sous le Ciel de Paris was the second of director Julien Duvivier's 1950 French films. The story follows the grim and bloody path trod by an unknown psycho killer. Duvivier cannily plays the film's melodrama against the glamorous backdrops of fin de siecle Paris, concentrating on a handful of people whose lives are profoundly affected, directly and indirectly, by the fugitive murder. The best vignettes feature elderly character actress Sylvie as a spinster devoted to her houseful of cats, and Brigitte Auber as a wide-eyed country lass.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      French censorship visa #10.510
    • Erros de gravação
      The day after the lottery draw, the newspapers announce the winner. But they had no way of knowing the winner's identity.
    • Conexões
      Featured in Ai no onimotsu (1955)
    • Trilhas sonoras
      Sous le Ciel de Paris
      Music by Hubert Giraud

      Lyrics by Jean Dréjac

      Performed by Jean Bretonnière

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 28 de março de 1951 (França)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • Under the Paris Sky
    • Locações de filme
      • Quai de la Tournelle, Paris 5, Paris, França(Marie-Thérèse's apartment)
    • Empresas de produção
      • Regina Films
      • Filmsonor
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 54 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.33 : 1

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