Adicionar um enredo no seu idiomaAn umpire-hating ex-baseball player loses many jobs because of his passion for watching ball games during working hours, but he decides to combine business with pleasure by becoming an umpir... Ler tudoAn umpire-hating ex-baseball player loses many jobs because of his passion for watching ball games during working hours, but he decides to combine business with pleasure by becoming an umpire himself.An umpire-hating ex-baseball player loses many jobs because of his passion for watching ball games during working hours, but he decides to combine business with pleasure by becoming an umpire himself.
- Direção
- Roteirista
- Artistas
Jeff Richards
- Bob Landon
- (as Richard Taylor)
Phil Adams
- Minor Role
- (não creditado)
Murray Alper
- Fireman
- (não creditado)
Walter Bacon
- Umpire
- (não creditado)
William Bailey
- Minor Role
- (não creditado)
Shirley Ballard
- Minor Role
- (não creditado)
Sam Balter
- Television Announcer
- (não creditado)
Jim Bannon
- Dusty
- (não creditado)
Richard Bartell
- Hotel Guest
- (não creditado)
Larry Barton
- Guard
- (não creditado)
Jim Baxes
- Third Baseman
- (não creditado)
Avaliações em destaque
This is a really a funny movie, something Director Lloyd Bacon produced by the carload back in "the classic era." Bacon's movies were fast-moving and entertaining, and this was no exception. If you liked William Bendix in his mid-1950s TV show, "Life Of Riley," you'll like this film.
Bacon had an especially good year in comedies in 1950 with this movie, "The Fuller Brush Girl" with Lucille Ball, and "The Good Humor Man" with Jack Carson. The director must have been a baseball fan because the year before (1949), he directed Ray Milland in another absurd-but-hilarious movie called "It Happens Every Spring." Whether you enjoy baseball or, you'll get a lot of laughs out of it, too. It's just simply a goofy and likable comedy, filled with the kind of characters you'd see in a late '40s/early '50s comedy. What's nice about the older films, too, is that you actually see whole families: dad, mom and a couple of kids.
Actually, you more you know about baseball, the more you'll just shake your in disbelief at some of the things you'll see in this story because they could never happen today, or even back in 1950. (i.e. a fan coming out of the stands and punching an umpire several times over the course of a minute, and then ump slugging him....and nobody arrested?) Anyway, Bendix is very good and the supporting case, led by underrated actor Tom D'Andrea, is fun to watch, too. D'Andrea and Bendix reminded me almost of Jack Lemmon and Tony Curtis in "Some Like It Hot." They worked well as a team and must have known that because they paired up in the aforementioned TV series, too, later in the decade.
This film also will remind older film buffs of silent movie comedies with a wild scene at the end you have to see to believe. (Hint: Bendix winds up "water skiing down city streets, being pulled by an ambulance).
It's sheer lunacy.
Bacon had an especially good year in comedies in 1950 with this movie, "The Fuller Brush Girl" with Lucille Ball, and "The Good Humor Man" with Jack Carson. The director must have been a baseball fan because the year before (1949), he directed Ray Milland in another absurd-but-hilarious movie called "It Happens Every Spring." Whether you enjoy baseball or, you'll get a lot of laughs out of it, too. It's just simply a goofy and likable comedy, filled with the kind of characters you'd see in a late '40s/early '50s comedy. What's nice about the older films, too, is that you actually see whole families: dad, mom and a couple of kids.
Actually, you more you know about baseball, the more you'll just shake your in disbelief at some of the things you'll see in this story because they could never happen today, or even back in 1950. (i.e. a fan coming out of the stands and punching an umpire several times over the course of a minute, and then ump slugging him....and nobody arrested?) Anyway, Bendix is very good and the supporting case, led by underrated actor Tom D'Andrea, is fun to watch, too. D'Andrea and Bendix reminded me almost of Jack Lemmon and Tony Curtis in "Some Like It Hot." They worked well as a team and must have known that because they paired up in the aforementioned TV series, too, later in the decade.
This film also will remind older film buffs of silent movie comedies with a wild scene at the end you have to see to believe. (Hint: Bendix winds up "water skiing down city streets, being pulled by an ambulance).
It's sheer lunacy.
What I noticed first about this flick was the opening soundtrack of 'Three Blind Mice', I thought I was watching a Three Stooges short. As the film went on, a number of characters appeared that I remember from the Stooges films (Vernon Dent, Emil Stitka, etc. Columbia Pictures released this film in 1950 at the height of the Stooges popularity. These characters are not in the movies' credits, but do appear listed on the IMDB database.
It's sort of nice when you watch a film not expecting much, but discover an entertaining story. That was the case for this film, which I saw on TCM. William Bendix is always enjoyable as a supporting actor, but in this Columbia film he starred, as an ex-baseball player addicted to baseball, who very reluctantly takes a job as an umpire. It's especially nice to see Bendix playing with Tom D'Andrea, who was also his pal in the "Life Of Riley" television series. And, other supporting actors are Ray Collins (of Perry Mason fame), Una Merkel (as the wife), and William Frawley as the owner of the school for umpires.
While I found the film entertaining, it did have its flaws. Most annoying was seeing all the major mountains in St. Petersburg and Cocoa in Florida! Apparently there's been an awfully lot of erosion in the last 60 years since this film was made! There were a few others "errors of location", as well. But, after all, this was a relatively low budget film, and if you ignore such things, you can still enjoy the story. One other problem was that the director couldn't exactly decide what kind of comedy this was. Sentimental? Sometimes. Screwball? No, in a few places (like setting fire to the hotel and the car chase segment) it got downright slapstick. But, still, it's a pleasant enough film to watch. I couldn't help thinking, however, how Red Skelton could have made so much more of the movie.
While I found the film entertaining, it did have its flaws. Most annoying was seeing all the major mountains in St. Petersburg and Cocoa in Florida! Apparently there's been an awfully lot of erosion in the last 60 years since this film was made! There were a few others "errors of location", as well. But, after all, this was a relatively low budget film, and if you ignore such things, you can still enjoy the story. One other problem was that the director couldn't exactly decide what kind of comedy this was. Sentimental? Sometimes. Screwball? No, in a few places (like setting fire to the hotel and the car chase segment) it got downright slapstick. But, still, it's a pleasant enough film to watch. I couldn't help thinking, however, how Red Skelton could have made so much more of the movie.
Bill Johnson loves baseball, so much that his following causes him to be fired from many jobs and starts to drive his wife, Betty, nuts. Bill's father in law, a former big league umpire, enrolls him in an umpire school, but Bill's main pastime at ball games is to yell at umpires so he doesn't embrace the idea. Bill does his best to get the coach at the school to send him home, but does later see the importance of umpires in the game and starts taking the game seriously. He graduates and is assigned, with his friend Roscoe Snooker, to the Texas League, where he painfully finds out how seriously Texans take their baseball. Bill calls a close play at the plate in a championship game and the home team fans want his head and Bill has to find a way to umpire the next game without getting killed beforehand. This was a very enjoyable movie with a fun and pleasant script. Bendix and D'Andrea having the same chemistry and performances from their Life of Riley days, while Merkel, Collins, and Frawley are fine support. Decent special effects camera-work with Bendix having to see double at times. A real treat. Rating, 8.
I like many others, first saw this on TV literally decades ago. I loved it. It made such an impression on me that I have looked for it off and on over the years but I haven't found it. Well wouldn't you know, I try a short cat nap late in the evening before I get a midnight snack, I wake up and page thru the listings on the channel guide. There is the title I haven't seen in 40 years. "Kill The Umpire". However, I notice that it started about 15-20 minutes ago so I didn't get to see the beginning. Then a little while later the dog wanted out, so I've got to mess with him. Long story short... I caught what I could of the movie. I've told so many people about how great it was. This was from an era of hope that swept across America after WW 2. We still had sandlot baseball, people still got dressed up to go to the ball games, we still had dinner with the family all at the same time, and people still offered second chances. This film was filled with Americana. I really miss the America it portrays even though I wasn't born until the year after this was released. I'm glad I got to watch it again. I hope someone makes a DVD of this.
Você sabia?
- CuriosidadesIncluded among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies.
- Erros de gravaçãoWhen Bill Johnson (William Bendix) is bouncing around in the locker room of the umpire school, support wires are visible during the final bounce.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Ucide arbitrul
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Kill the Umpire (1950) officially released in India in English?
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