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Meu Coração Tem Dono

Título original: Duchess of Idaho
  • 1950
  • Approved
  • 1 h 38 min
AVALIAÇÃO DA IMDb
6,3/10
685
SUA AVALIAÇÃO
Van Johnson, John Lund, and Esther Williams in Meu Coração Tem Dono (1950)
Assistir a Official Trailer
Reproduzir trailer2:39
1 vídeo
15 fotos
Romantic ComedyComedyMusicalRomance

Adicionar um enredo no seu idiomaEllen secretly loves her boss Douglas. Her roommate Chris pretends to pursue Douglas in Sun Valley to get him to call Ellen, posing as his fake fiancee. Chris attracts band leader Dick, form... Ler tudoEllen secretly loves her boss Douglas. Her roommate Chris pretends to pursue Douglas in Sun Valley to get him to call Ellen, posing as his fake fiancee. Chris attracts band leader Dick, forming a love triangle.Ellen secretly loves her boss Douglas. Her roommate Chris pretends to pursue Douglas in Sun Valley to get him to call Ellen, posing as his fake fiancee. Chris attracts band leader Dick, forming a love triangle.

  • Direção
    • Robert Z. Leonard
  • Roteiristas
    • Dorothy Cooper
    • Jerry Davis
    • Sid Fields
  • Artistas
    • Esther Williams
    • Van Johnson
    • John Lund
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    685
    SUA AVALIAÇÃO
    • Direção
      • Robert Z. Leonard
    • Roteiristas
      • Dorothy Cooper
      • Jerry Davis
      • Sid Fields
    • Artistas
      • Esther Williams
      • Van Johnson
      • John Lund
    • 20Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:39
    Official Trailer

    Fotos15

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    Elenco principal60

    Editar
    Esther Williams
    Esther Williams
    • Christine Riverton Duncan
    Van Johnson
    Van Johnson
    • Dick Layn
    John Lund
    John Lund
    • Douglas J. Morrison, Jr.
    Paula Raymond
    Paula Raymond
    • Ellen Hallet
    Clinton Sundberg
    Clinton Sundberg
    • Matson
    Connie Haines
    Connie Haines
    • Peggy Elliot
    Mel Tormé
    Mel Tormé
    • Cyril
    • (as Mel Torme)
    Amanda Blake
    Amanda Blake
    • Linda Kinston
    Tommy Farrell
    Tommy Farrell
    • Chuck
    Sig Arno
    Sig Arno
    • Monsieur Le Blanche
    Dick Simmons
    Dick Simmons
    • Alec I. Collins
    Lena Horne
    Lena Horne
    • Lena Horne
    Eleanor Powell
    Eleanor Powell
    • Eleanor Powell
    The Jubalaires
    The Jubalaires
    • Train Porters
    Richard Allan
    Richard Allan
    • Water Ballet Swimmer
    • (não creditado)
    • …
    William Bailey
    William Bailey
    • Dance Contestant
    • (não creditado)
    Herman Boden
    • Water Ballet Swimmer
    • (não creditado)
    • …
    Gene Brown
    • Swiss Waitress
    • (não creditado)
    • Direção
      • Robert Z. Leonard
    • Roteiristas
      • Dorothy Cooper
      • Jerry Davis
      • Sid Fields
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários20

    6,3685
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    10

    Avaliações em destaque

    7rossco-3

    From the 1940s into the '50s

    DUCHESS OF IDAHO (1950) is one of those lesser-known MGM/Joe Pasternak musicals that bridge the marathon musical spectaculars of the 1940s (BATHING BEAUTY, TWO GIRLS AND A SAILOR) and the more streamlined editions of the 1950s (EASY TO LOVE, Texas CARNIVAL, etc). But as with many of the '40s films DUCHESS is still more concerned with wit, music, and pure style than any kind of cohesive plot line. Musically we're still in the '40s big band mode here, and the songs, by some of MGM's lesser-hyped tunesmiths, are catchy, serviceable, and very 40-ish. (JAILHOUSE ROCK and Presley were still seven years in the future). A highlight is "Let's Choo Choo Choo to Idaho," arranged by Skip Martin, and performed on a train on route to Sun Valley by vivacious band singer Connie Haines, Van Johnson, and an African American quartet called the Jubalaires.

    Lena Horne is also on hand with a few numbers, as is Eleanor Powell for one of her last big solo dances on film, and comedian Red Skelton also puts in a guest appearance. A none-singing Mel Torme briefly appears (as a bellhop), and ditto "Gunsmoke's" titian-haired Amanda Blake as one of Lund's rejected girlfriends). In the second female lead Paula Raymond is one of those obscure but promising MGM personalities who, however, never quite made a break through. In DUCHESS she shows glimmers of charm but is seriously handicapped by some of the clunkiest outfits in the usually impeccable MGM wardrobe.

    The look of DUCHESS anticipates the peak Technicolor styling of such early 50s MGMs as LOVELY TO LOOK AT, YOUNG BESS, and SCARAMOUCHE. Many of the interiors are keyed to soft beiges and earth tones against which Esther's always-modish outfits (one of which includes slipper socks!) stand out in jolts of brilliance. And of course it wouldn't be an Esther Williams picture without a few aqua numbers though those featured here are some of her most restrained. (A nocturnal ski run with multi-colored torches also provides a trippy visual/musical interlude mid-film).

    Someone once said about Esther that "Wet she's a star, but dry she ain't," but on the whole DUCHESS showcases the star's under-rated acting skills and her often-ironic sense of humor. ("You'll see Esther Williams swim and ski and skate and do a dozen thrilling things!" the movie book ads proclaimed). While as noted the plot is not the strongest, the dialogue (by three credited screenwriters) is witty, often sophisticated, and well-delivered by all involved, including deadpan MGM character staple, Clinton Sundberg, who mutters an on-going chorus of grumbling asides as Lund's much put-upon man Friday. DUCHESS OF IDAHO is the cover story for the August, 1950 issue of "Screen Stories" which also includes a full-page ad for the film in the prime MGM spot right next to the contents, indicating that the studio considered this one of their key box-office attractions for the summer.
    6Doylenf

    Better than usual Esther Williams in plush Sun Valley surroundings...

    "You always have to have a plot. There's never an easy way of doing things." So says JOHN LUND in this typical ESTHER WILLIAMS movie based on the familiar mix-ups involved when nobody tells the truth.

    The mix-ups begin when Esther offers to help secretary PAULR RAYMOND catch a rich playboy (Lund), suggesting a trip to romantic surroundings in Sun Valley, Idaho would help. Esther, in the meantime, is pursued by VAN JOHNSON, a bandleader at the resort, who soon melts her heart. In the interim, there are guest appearances by RED SKELTON (at a potato square-dance contest that is deftly done) and ELEANOR POWELL, who does a guest spot in the usual MGM manner of at first coyly refusing to dance when requested. Then she rips into an impromptu routine that had to be rehearsed for at least three weeks. So much for reality.

    It's a strictly fun, escapist musical, which is all it pretends to be. ESTHER WILLIAMS and PAUL RAYMOND look gorgeous in their various Technicolor outfits and Esther gets to do a couple of swimming numbers in her usual charming manner. JOHN LUND and VAN JOHNSON do nicely in the romantic comedy department as the love interest for the gals.

    If you like Esther, this one is for you.
    8LiquidPoetry1921

    An enjoyable feel good movie!

    Watching this movie made for a very pleasant Sunday morning. It's a typical boy-gets-girl...boy-loses-girl...etc., film, but wholesome in its content and dialog. How refreshing to see Esther Williams portray a thoughtful friend in trying to assist in her roommate's quest for her bosses affection, with no malice or self serving interest. The chef to this boss provides some amusing lines - but some real smiles come when you see that Van Johnson's band isn't really playing their instruments (if you look close, you will see that the piano player only taps the tops of the keys!). Of course, there are the gratuitous swimming scenes to showcase Esther Williams ~ but you find yourself watching her movies to see how they'll weave in this angle each time! This movie serves the purpose for which it was intended - a little light hearted fluff to put a smile on your face. All in all, a pleasant way to accompany a cup of coffee on a Sunday morning.
    8TheLittleSongbird

    Charming, jolly and highly polished entertainment

    Of the Esther Williams films seen so far, which is a vast majority of them, 'Duchess of Idaho' stands out as one of the best ones. As well as having one of her best performances.

    Its only real faults are the story, which is very flimsy and with the odd implausible moment, and the waste of Mel Torme, a very talented performer with a beautiful voice with very little to do which is pretty shameful.

    Conversely, Williams is captivating in a role that suits her perfectly, one of her best performances as aforementioned without a shadow of a doubt.

    She is well supported by an appealing John Lund, charming Paula Raymond and a more at ease than usual Van Johnson, and she shares great chemistry with all three. 'Duchess of Idaho' is significant for being the last film of Eleanor Powell, who dances up a storm, while Lena Horne sings sublimely in one of the film's better songs.

    'Duchess of Idaho' is shot in glorious Technicolor and sumptuously designed (the costumes are of the usual MGM glamour), while the direction goes at a bright and breezy pace and the film is full of jolly fun and emotive charm. The songs are pleasant and lively, and choreographed with grace and enthusiasm, and the script is amusing.

    In summary, very entertaining and well done. Not a great film, but a very good one. 8/10 Bethany Cox
    6ron-fernandez-pittsburgh

    Old fashion fun

    DUCHESS OF IDAHO is a product of its time. Lavish costumes and settings done the MGM way. No one get dirty, everyone, including the men, are clean, made-up and stylishly dressed. Plot is fun...again, a plot that is a 'product' of its day. ESTHER WILLIAMS is really good in this one. I think she was an underrated actress. If you want pure escapist enjoyment, see DUCHESS OF IDAHO. And just look at that nightclub with its giant swimming pool. How on earth could the patrons see all the underwater stuff? And what nightclub could even afford something as extravagant as that. OH, I forgot...this is an MGM film. And if it's MGM in the 40's or 50's, don't expect realism. But that's the great thing about MGM..especially the musicals. Who wants reality??

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Although conventional everyday pantyhose would not be invented until 1959, sheer stage tights, such as Eleanor Powell wears in her dance number, had been in use for decades by those in the entertainment industry.
    • Erros de gravação
      When Christine first spots Ellen dancing with the robe, the boom mic is barely visible.
    • Citações

      Ellen Hallet: I don't want him to go. I want him to stay.

      Christine Riverton Duncan: What?

      Ellen Hallet: You can live your own life if you want to, but leave - mine - alone.

    • Cenas durante ou pós-créditos
      In the opening credits, each actor's name is sung as part of the opening song.
    • Conexões
      Featured in American Masters: Lena Horne: In Her Own Voice (1996)
    • Trilhas sonoras
      Let's Choo Choo Choo to Idaho
      Written by Al Rinker and Floyd Huddleston

      Sung by Van Johnson, Connie Haines and The Jubalaires

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    Perguntas frequentes15

    • How long is Duchess of Idaho?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de julho de 1950 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Duchess of Idaho
    • Locações de filme
      • Sun Valley, Idaho, EUA
    • Empresa de produção
      • Loew's
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 38 minutos
    • Proporção
      • 1.33 : 1

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