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6,5/10
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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
S.Z. Sakall
- Miklos Teretzky
- (as Cuddles Sakall)
Marcia Mae Jones
- Katie O'Grady
- (as Marsha Jones)
John Albright
- Audience Member
- (não creditado)
Leon Alton
- Audience Member
- (não creditado)
John Barton
- Audience Member
- (não creditado)
George Boyce
- Audience Member
- (não creditado)
Jack Boyle
- Chorus Boy
- (não creditado)
Chet Brandenburg
- Audience Member
- (não creditado)
Tex Brodus
- Chorus Boy
- (não creditado)
Avaliações em destaque
The men are returning after the Spanish American War. Patricia O'Grady (June Haver) is the daughter of Irish Vaudeville performer Dennis O'Grady (James Barton). He fears that his wife legendary star Rosie was lost to the rigors of performing. He doesn't want any of his three daughters to follow in her footsteps. Despite that, Patricia falls for star performer Tony Pastor (Gordon MacRae). Debbie Reynolds plays younger sister Maureen O'Grady.
I'm only watching this to catch glimpses of Debbie Reynolds in one of her earliest roles. It's a side character, but it's still a main side. The movie itself is a rather standard musical. It's light drama and slightly charming. It's very harmless and perfectly nice. The dancing and songs are all fine if not excelling. This is fair for what it is.
I'm only watching this to catch glimpses of Debbie Reynolds in one of her earliest roles. It's a side character, but it's still a main side. The movie itself is a rather standard musical. It's light drama and slightly charming. It's very harmless and perfectly nice. The dancing and songs are all fine if not excelling. This is fair for what it is.
When GORDON MacRAE and JUNE HAVER are kicking up their heels in song and dance or GENE NELSON is demonstrating his talent as a hoofer, THE DAUGHTER OF ROSIE O'GRADY comes alive as musical entertainment of the fluffiest kind. But not too much plot-wise differentiates this one from a strong of Hollywood musicals with a backstage plot. Indeed the wisp of a plot is just about forgettable once the film is over.
Despite this, there's a good performance from JAMES BARTON, as the father of three girls (June, Debbie Reynolds and Marcia Mae Jones), an Irisman who doesn't want his girls to have anything to do with show business. Of course, the irony is that daughter June is such a natural talent that it would be criminal neglect to keep her away from a stage door and prevent her from performing.
JUNE HAVER demonstrates a talent for song and dance that has rarely been shown to such advantage in even some of her better known films (as, for example, the Marilyn Miller role in LOOK FOR THE SILVER LINING). She keeps up with GENE NELSON step for step with professional poise and ease and has a pleasant way with a song, too. She retired from films much too soon once she married Fred MacMurray.
Some old-fashioned tunes get nice treatments from the cast and David Butler's direction keeps things moving at a fairly good pace. A little too much time is given to the fumbling shenanigans of S.Z. SAKALL in one of his stereotyped roles as a Warner contract player.
Passes the time pleasantly although it's strictly a routine backstage musical, the kind done a zillion times during the '40s and '50s.
Despite this, there's a good performance from JAMES BARTON, as the father of three girls (June, Debbie Reynolds and Marcia Mae Jones), an Irisman who doesn't want his girls to have anything to do with show business. Of course, the irony is that daughter June is such a natural talent that it would be criminal neglect to keep her away from a stage door and prevent her from performing.
JUNE HAVER demonstrates a talent for song and dance that has rarely been shown to such advantage in even some of her better known films (as, for example, the Marilyn Miller role in LOOK FOR THE SILVER LINING). She keeps up with GENE NELSON step for step with professional poise and ease and has a pleasant way with a song, too. She retired from films much too soon once she married Fred MacMurray.
Some old-fashioned tunes get nice treatments from the cast and David Butler's direction keeps things moving at a fairly good pace. A little too much time is given to the fumbling shenanigans of S.Z. SAKALL in one of his stereotyped roles as a Warner contract player.
Passes the time pleasantly although it's strictly a routine backstage musical, the kind done a zillion times during the '40s and '50s.
Pleasant, light headed nonsense still has its pleasures. Chief among them is Gordon MacRae singing beautifully and so handsome. He really should have been at MGM with the Freed unit to take advantage of his gifts, Warners never had the quality productions his talent deserved.
Even though made on loan-out to Warners this was made at the height of 20th Century Fox's big push to make June Haver the new Betty Grable. June had a pleasing way about her, sang and danced adequately but didn't have the punch of Grable nor the vulnerability or flesh impact of the girl who would replace her within a couple of years, Marilyn Monroe. She's serviceable in the lead but not memorable.
Debbie Reynolds in her first featured part is pert and bursting with her special brand of energy. Her role is small but even with that she registers on screen in a way Haver never does. A good illustration of star quality and the lack of it in one film. Gene Nelson stands out in the dance department although he is made to look ridiculous in some awful costumes but his footwork compensates.
The rest of the cast all perform well and the film is loaded with color but it's all a bunch of malarkey.
Even though made on loan-out to Warners this was made at the height of 20th Century Fox's big push to make June Haver the new Betty Grable. June had a pleasing way about her, sang and danced adequately but didn't have the punch of Grable nor the vulnerability or flesh impact of the girl who would replace her within a couple of years, Marilyn Monroe. She's serviceable in the lead but not memorable.
Debbie Reynolds in her first featured part is pert and bursting with her special brand of energy. Her role is small but even with that she registers on screen in a way Haver never does. A good illustration of star quality and the lack of it in one film. Gene Nelson stands out in the dance department although he is made to look ridiculous in some awful costumes but his footwork compensates.
The rest of the cast all perform well and the film is loaded with color but it's all a bunch of malarkey.
"The Daughter of Rosie O'Grady" is a musical with many of the usual cliches. It also has some nice music and performances as well as some nice actors (such as the always enjoyable Cuddles Sakal in support). But it also suffers from perhaps a song or two too many and a plot that seemed to drag as the film progressed.
The story is about an ex-vaudevillian who has not only given up on performing but who has become rabidly against acting and singing and dancing. Why? Mostly the stage reminds him of his pain, as he and his wife were a famous singing and dancing team long ago....and he doesn't want to think about this past life. This means that when his middle daughter (June Haver) and her falling in love with a song and dance man (Gordon MacRae), the father goes nuts! He also can't handle that his oldest has secretly become married and his 'little girl' (Debbie Reynolds) isn't so little any more. Can dad get over all his hang-ups and accept the daughters for who they are?
The story is about an ex-vaudevillian who has not only given up on performing but who has become rabidly against acting and singing and dancing. Why? Mostly the stage reminds him of his pain, as he and his wife were a famous singing and dancing team long ago....and he doesn't want to think about this past life. This means that when his middle daughter (June Haver) and her falling in love with a song and dance man (Gordon MacRae), the father goes nuts! He also can't handle that his oldest has secretly become married and his 'little girl' (Debbie Reynolds) isn't so little any more. Can dad get over all his hang-ups and accept the daughters for who they are?
Nobody can sing a song like Gordon MacRae. If you like nothing else about the movie it is worth the time just to hear him sing. I think the movie was really good. It takes you back to a time that no longer exist and it has a good story line too. June Haver is beautiful and one of the best for song and dance. She and Gene Nelson trip the light fantastic in several numbers. I think they are just fun to watch. I may be a little over the top for some of you but one of my passions are the old musicals. Then you add in Debbie Reynolds as the cute innocent little sister and the movie just keeps getting better.
I have never seen a movie that S.Z. Sakall was in that wasn't very funny. He is without a doubt one of my very favorite actors. He made appearances in so many of the old musicals and as always was great. He and James Barton who played Dennis O'Grady were really good together. All in all if you like old musicals you should love this one. I just wish they would blow off the dust and get this one out on DVD, soon!
I have never seen a movie that S.Z. Sakall was in that wasn't very funny. He is without a doubt one of my very favorite actors. He made appearances in so many of the old musicals and as always was great. He and James Barton who played Dennis O'Grady were really good together. All in all if you like old musicals you should love this one. I just wish they would blow off the dust and get this one out on DVD, soon!
Você sabia?
- CuriosidadesSpeaking debut of Debbie Reynolds; she had been in Noiva da Primavera (1948) previously, but without dialogue.
- Erros de gravaçãoThe strict censorship in force when the film was made prevented the accurate depiction of female pregnancy, which makes the revelation that eldest sister Katie O'Grady (played by Marcia Mae Jones) is expecting twins (actually triplets, as revealed in the film's finale), faintly ridiculous given that she retains the same hour-glass corseted figure of the late 1890's period setting throughout the whole of the motion picture.
- Citações
Dennis O'Grady: [Dennis goes into a saloon in shock after finding out one of his daughters is having twins, but he doesn't know which one] About how long would it take a man to drink himself to death?
Ed Powers: With our whiskey, just a matter of minutes.
[puts bottle of whiskey onto the bar]
- ConexõesReferences Trapalhadas de um Coelho (1947)
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- Data de lançamento
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- Também conhecido como
- The Daughter of Rosie O'Grady
- Locações de filme
- Empresa de produção
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- Tempo de duração1 hora 44 minutos
- Proporção
- 1.37 : 1
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