Têmpera de Vencedora

First I read the book by Laura Hillenbrand, then I saw the 2003 film in a theater, and finally I saw this wonderful warm film on DVD titled The Story of Seabiscuit. Being from Ireland, I certainly didn't mind the Barry Fitzzgerald and Shirley Temple intrusion, which does take away from the historical value of the film, but also adds a love story which actually holds the film together.

In the latest version, The legendary Seabiscuit does not appear until all the leading characters are introduced. In this film, all the background information comes in the form of dialogue, which flows smoothly from the brogue of Fitzgeralds charming Irish horse trainer, Sean O'Hara. Barry has a way of drawing you into a film, and sets up Shirley Temple's character, his niece, and also holds together the love story, between her and a jockey, played by Lon McCallister.

Although some of the real names were changed, Seabiscuit's racing history remained true, and they used the actual black and white footage of the match race with War Admiral, which the 2003 film did not.

Considering that this film was made 54 years ago, It holds up very well, with the vibrant color only adding to the film's beauty. Trying to compare these two films, is like comparing apples and oranges. This one is a Hollywood film and the 2003 version is closer to a documentary. Both are well worth seeing, but not comparing.

Had to see the movie after reading the wonderful bestseller about Seabiscuit. Supposedly uses the real footage of the match race between War Admiral and Seabiscuit. Acting aside, the historic race alone is worth viewing the movie.

Although the fine version from 2003 about Seabiscuit that Jeff Bridges and Tobey Maguire brought to the screen is far more factual, this B film that stars Barry Fitzgerald and Shirley Temple should please fans of the sport of kings. Considering what the costs are to maintain horse racing as a sport only royalty or those considered royal in their societies can afford to participate other than at the $2.00 parimutuel window at the track.

For reasons not quite clear Barry Fitzgerald together with niece Shirley Temple are brought over from Ireland because stable owner William Forrest has heard of Fitzgerald's legendary ability to judge thoroughbred horseflesh. Of course that brings him into contact with Donald MacBride who is already Forrest's trainer and they disagree over a yearling that Fitzgerald sees promise in and MacBride doesn't. Barry leaves and goes to work for Pierre Watkin and Rosemary DeCamp and later on they acquire the horse now named Seabiscuit.

A young jockey played by Lon McCallister, the part Tobey Maguire played in 2003 is interested in Shirley Temple and the fictional romance doesn't interfere with Seabiscuit's legendary exploits on the track. Newsreel footage of the famous match race with Triple Crown winner War Admiral is shown in its entirety with Clem McCarthy's famous call of the race. Including McCarthy who was one of the great sports announcers of all time really captures the flavor of the period. McCarthy's voice is also the one covering the famous second and very short Joe Louis/Max Schmeling fight. Horse racing was his first love however and McCarthy covered and called every major race in a 20 year period.

It's not as good as the newer film, but The Story Of Seabiscuit while its characters are superficial does capture the racing scene of the time.

Shirley Temple was just 21 during filming in 1946 and with another movie that year marked the end of her film career. Here she plays a fictional character, Margaret O'Hara. She and her uncle traveled from Ireland to Kentucky, he to assist in horse training and she to study to become a nurse. Seems that it was rumored her uncle had a special skill and maybe spoke to Leprechauns to gain insight into how a horse will perform.

The characters are fictional, as are many of the story lines associated with them in this movie. What is factual is the actual story of Seabiscuit, a somewhat smaller racehorse, that had more and more racing success as he matured. When he was a 5-yr-old he was almost unbeatable.

The movie is in color but in a couple of scenes where actual archive racing film is used, the movie scenes are filmed in B&W to appear consistent with the old footage.

I never actually watched any movies with Sirley Temple as a child star so I can't compare, but here she does just fine. The movie is well-made and entertaining.

At home on DVD from my public library.

A grown-up Shirley Temple is the only reason for interest in this weak horse story that is certainly not in the league with films like 'National Velvet' or 'My Friend Flicka'. Only interesting aspect is provided by Shirley Temple in one of her last films as a an adult actress, a nurse with bitter feelings about racing due to the death of a brother in the sport. She's pleasant enough, nicely photographed in technicolor and sporting an Irish brogue. Barry Fitzgerald provides a few amusing moments and Lon McCallister is on hand as a jockey who falls for Shirley--but tedium sets in early on and it never quite manages to pick up any steam for what is supposed to be a rousing finish. I caught this one on Turner Classic Movies when they had a tribute to Shirley's birthday and was impressed by her charm and assurance in a basically sub-standard role. Too bad the script didn't provide her and the others with more challenging material. It's a passable film and according to Shirley, did well enough at the box-office at time of release--probably due to her personal popularity.