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IMDbPro

Danúbio Vermelho

Título original: The Red Danube
  • 1949
  • Approved
  • 1 h 59 min
AVALIAÇÃO DA IMDb
6,5/10
759
SUA AVALIAÇÃO
Danúbio Vermelho (1949)
Shortly after the end of World War II, British Colonel Michael S. "Hooky" Nicobar (Walter Pidgeon) is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate citizens of the Soviet Union, many of whom prefer not to return to their home country. Billeted in the convent run by Mother Auxilia (Ethel Barrymore), Nicobar, and his military aides Major John "Twingo" McPhimister (Peter Lawford) and Audrey Quail (Dame Angela Lansbury), become involved in the plight of young ballerina Olga Alexandrova (Janet Leigh), who is trying to avoid being returned to Moscow. Nicobar's sense of duty is tested as he sees first hand the plight of the people he is helping return to the Soviet Union; his lack of religious faith is also shaken by his contact with the Mother Superior.
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Tragic RomanceDramaRomanceWar

Adicionar um enredo no seu idiomaShortly after the end of World War II, British Colonel Michael S. "Hooky" Nicobar (Walter Pidgeon) is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorit... Ler tudoShortly after the end of World War II, British Colonel Michael S. "Hooky" Nicobar (Walter Pidgeon) is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate citizens of the Soviet Union, many of whom prefer not to return to their... Ler tudoShortly after the end of World War II, British Colonel Michael S. "Hooky" Nicobar (Walter Pidgeon) is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate citizens of the Soviet Union, many of whom prefer not to return to their home country. Billeted in the convent run by Mother Auxilia (Ethel Barrymore), Nicobar, a... Ler tudo

  • Direção
    • George Sidney
  • Roteiristas
    • Gina Kaus
    • Arthur Wimperis
    • Bruce Marshall
  • Artistas
    • Walter Pidgeon
    • Ethel Barrymore
    • Peter Lawford
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    759
    SUA AVALIAÇÃO
    • Direção
      • George Sidney
    • Roteiristas
      • Gina Kaus
      • Arthur Wimperis
      • Bruce Marshall
    • Artistas
      • Walter Pidgeon
      • Ethel Barrymore
      • Peter Lawford
    • 25Avaliações de usuários
    • 12Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 5 vitórias e 1 indicação no total

    Vídeos1

    Official Trailer
    Trailer 2:35
    Official Trailer

    Fotos16

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    Elenco principal45

    Editar
    Walter Pidgeon
    Walter Pidgeon
    • Col. Michael 'Hooky' Nicobar
    Ethel Barrymore
    Ethel Barrymore
    • The Mother Superior ('Mother Auxilia')
    Peter Lawford
    Peter Lawford
    • Major John 'Twingo' McPhimister
    Angela Lansbury
    Angela Lansbury
    • Audrey Quail
    Janet Leigh
    Janet Leigh
    • Maria Buhlen
    Louis Calhern
    Louis Calhern
    • Col. Piniev
    Francis L. Sullivan
    Francis L. Sullivan
    • Col. Humphrey 'Blinker' Omicron
    Melville Cooper
    Melville Cooper
    • Private David Moonlight
    Robert Coote
    Robert Coote
    • Brigadier C.M.V. Catlock
    Alan Napier
    Alan Napier
    • The General
    Roman Toporow
    • 2nd Lieut. Maxim Omansky
    Kasia Orzazewski
    Kasia Orzazewski
    • Sister Kasmira
    Tamara Shayne
    • Helena Nagard
    Konstantin Shayne
    Konstantin Shayne
    • Prof. Serge Bruloff
    Janine Perreau
    Janine Perreau
    • 'Mickey Mouse'
    Victor Wood
    Victor Wood
    • Lt. Guedalia-Wood
    • (as David Hydes)
    Geoffrey Alan
    • Major
    • (não creditado)
    George Bookasta
    • Devout Pilgrim
    • (não creditado)
    • Direção
      • George Sidney
    • Roteiristas
      • Gina Kaus
      • Arthur Wimperis
      • Bruce Marshall
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,5759
    1
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    Avaliações em destaque

    choosy

    It's a good book too.

    I had read the novel first, Vespers in Vienna, which was delightful as well as sad. The other comments miss the point completely--the focus in the novel was not Cold War propaganda but the facts of the insane policies of the US and British in their respective zones of occupation in Germany and Austria to forcibly remove or return Eastern Europeans, not just Soviet citizens, even including ethnic Germans, most of whom had endured untold horrors trying to escape to the west, safety, and 'freedom' at the end of the war. That was the bemused Walter Pigeon's problem, not 'war guilt' but having to 'obey orders.' The fact that this forceful expulsion was done because the Allies a. did not want to feed and care for refugees, and b. did want to curry favor with the Soviets at that pre-Berlin Blockade period makes the history even more poignant. Most expellees were anti-Soviet, which is why they had escaped to the west to begin with, and thus went back to a certain death. It wasn't a small part of history--it was one of the biggest Allied mistakes and betrayals, and there were many, of the Occupation. Angela Lansbury is terrific and got the character just right.
    7ResoluteGrunt

    What Propaganda?

    Just what is the propaganda in the movie?

    The following comments by "choosy" (from Seattle WA US) are, for the most part, accurate: "The other comments miss the point completely--the focus in the novel was not Cold War propaganda but the facts of the insane policies of the US and British in their respective zones of occupation in Germany and Austria to forcibly remove or return Eastern Europeans, not just Soviet citizens, even including ethnic Germans, most of whom had endured untold horrors trying to escape to the west, safety, and 'freedom' at the end of the war. That was the bemused Walter Pigeon's problem, not 'war guilt' but having to 'obey orders.' " (...AFTER the war.) "Most expellees were anti-Soviet, which is why they had escaped to the west to begin with, and thus went back to a certain death. It wasn't a small part of history--it was one of the biggest Allied mistakes and betrayals, and there were many, of the Occupation."

    Here "choosey" has a reasonably solid handle on events, regardless of the novel or the movie. But the following of "choosy's" comments are off-base, primarily because he does not consider the whole picture. "The fact that this forceful expulsion was done because the Allies a. did not want to feed and care for refugees, and b. did want to curry favor with the Soviets at that pre-Berlin Blockade period makes the history even more poignant." The US Army (including the British Army) at that time was actually TWO armies in transition, as the combat forces who had fought their way across Europe to war's end gradually turned their functions and responsibilities over to a fresh Occupation Army - fully prepared to address whatever was needed in the immediate post-war period in their respective zones of responsibility. Not wanting to feed or care for the refugees or concern about currying favor with the Soviets simply did not enter the equation, nor was there any need to; this is pure revisionism. There were diplomatic protocols signed by the highest levels of all involved governments before the war ended; it was the duty of the soldiers of those respective governments to comply with those protocols, most of which at the time they were signed had solid rationale.

    The policies mentioned in "chosey's" comments above were, in fact, in full agreement with procedures to which the Allies (US, GB, France and Russia) had worked out prior to the end of the war. Similar procedures were required of the Russians in repatriating "displaced citizens" to their proper homes in the west. Russia was seen during the war as a co-equal partner in the overall war effort on the European continent, and US combat forces (Patton's army), in fact, actually withdrew from forward positions they had reached in Austria and Czechoslovakia so that those regions could be turned over to Russian forces as per previous agreement concerning post-war occupation. (The US and UK could not have won the war in Europe without Russian participation, but all nations always exact a price for their cooperation. Russia under Stalin was no different.)

    It rapidly became apparent, however, that Russia and its military, if not its political leadership, had very deep-seated scores to settle with those population groups who were seen as having fought against Russian forces, and thus had caused such horrendous spilling of Russian blood. (Probably the most confusing group was the Ukrainians - who had repeatedly been forced to turn and fight their previous "partners", back and forth, and even each other, during the ever shifting circumstances of the war in the Ukraine.) Russian rule in the zones over which they had control after the war very rapidly became quite ruthless, and it quickly became apparent to everyone that the KGB was, in fact, calling all the shots. There is also considerable evidence that the KGB was executing policies dictated by Stalin himself. Still, US and British military personnel stationed adjacent to the Russian zones or as liaison personnel were required to assist with the "resettlement" or "repatriation" procedures - which caused considerable internal turmoil among those men that lasts to this day.

    On the other hand, there were also (fewer) numbers of people we were trying to repatriate from the Russian zones in the East to their proper homes in the West, including those warehoused in concentration camps and prisoner of war stockades. In order to accomplish that, we had to demonstrate some degree of reciprocity.

    These things were, and remain, simple facts of history. War, and its aftermath, is rarely as neat and tidy as after-the-fact armchair generals would prefer. War is always, at best, a series of compromises and constantly changing circumstances. The procedures depicted in the movie had nothing at all to do with "feeding the red scare, the rise of McCarthyism, or as propaganda" to use somewhere else in the world. These days we ALL seem to use events for our own particular agendas, simply by putting some twisted ignorant spin on them, or by creating asinine cause-and-effect scenarios to best suit our own purposes. No one stops to consider that any two-bit twit can throw cheap stones from the very safe sidelines, and what is safer than the distance of a half century? But, in the end, facts are facts. The major events shown in the movie happened. Do with them what you will, but I prefer to keep them as they actually were - simple reality, facts of life, consequences of war.

    As a life-long intelligence/liaison/diplomatic ground force professional, veteran of several wars, student of military history, who also served in Occupied West Berlin for five years watching good people die trying to get over The Wall to the West, I am .... Old Soldier
    8norise

    A better film than 6.1

    Possibly people who were not here at the beginning of the Cold War have difficulty appreciating this film. The film deserves at least an 8 for its skillful grappling with the issues which were to consume us for over forty years. The direction and script are tightly spun and intelligent; two characteristics which many later Cold War film lack. The Russian general is perhaps more caricatured than real, but this flaw is more than compensated for with sterling performances by Ethyl Barrymore and Walter Pigeon. It's also a great Christmas movie with the beautiful subplot of the little girl working the black market to survive. I wish the script were a little less rough on Angela Lansberry's character, but she somehow was able to pull it off. A good show. Recommended to be seen with "The Third Man"
    9benoit-3

    Dark, courageous film proves Leonard Maltin wrong!

    This is Leonard Maltin's assessment of this film: "Meandering drama of ballerina Leigh pursued by Russian agents, aided by amorous Lawford; heavy-handed at times." This is like saying "Titanic" (1997) is "a meandering drama of artist's model Winslet caught between fiancé and a shipboard romance; heavy-handed at times". The man is an idiot. This film is a stylish and courageous exposition of the necessary process of humanization that the Allied armies had to go through in dealing with the refugee problem in Eastern Europe following WWII. The acting is uniformly excellent, even Peter Lawford managing a moment or two to shine among the superlative performances of Walter Pidgeon, Angela Lansbury, Ethel Barrymore, Louis Calhern, Janet Leigh and a handful of others. The music is by Miklos Rozsa who must have found the subject inspirational. The lighting, photography and the director's ability to express human tragedy through human faces are transcendental. This film even has its moments of humour. Not your average war film. Highly recommended.
    kjbeirne

    Strange to call this solid film controversial with what is known now

    A solid film, which it is strange to see people calling controversial, since one would think that there would be little doubt any more about the nature of Soviet Communism, and the horrors perpetrated by Stalin. The cruelty of the allies turning over innocent expatriates to the Gulag and worse is rather convincingly portrayed. The moral dilemmas are decently examined, there are outbreaks of actual Christian faith and, of course there is a love story, because western audiences could hardly handle a movie without one. Barrymore is pungent, Leigh is beautiful, Lawford is sentimental, and Pigeon is as stiff as you could want a Brit to be. And Angela Lansbury makes a charming supportive appearance. Not a great movie, but a reasonably honest one which has nothing to do with McCarthyism and is definitely worth a viewing.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Konstantin Shayne (Professor Bruloff) and Tamara Shayne (Helena Nagard) play husband and wife; in reality are siblings.
    • Erros de gravação
      Melville Cooper's role is credited as "Private David Moonlight", but his uniform bears Sergeant's stripes throughout the movie.
    • Citações

      Mother Superior: [Referring to a previous conversation about religion and its inefficacy in wartime] Like that ladder...

      Col. Michael S. 'Hooky' Nicobar: The ladder?

      Mother Superior: There is the ladder, there is the ceiling and there is the paint. If you want the ceiling painted, someone must climb the ladder.

      Col. Michael S. 'Hooky' Nicobar: Yes, you, um, need a painter.

      Mother Superior: But suppose the painter remains at the foot of the ladder? You cannot say that the ladder has failed you, or the paint has failed you, or the ceiling has failed you.

      Col. Michael S. 'Hooky' Nicobar: No, no you can't.

      Mother Superior: I know about you more than you know about yourself. You want the ceiling painted but... all the cruelty in the world, all the horror and tragedy you see, these you do not oppose with your own courage. You do not try to replace them with your own high hopes for the world and the human race. You complain that God has failed you. No, my friend. God has not failed man- man has failed God. For every man knows what God wants him to do.

    • Conexões
      Featured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
    • Trilhas sonoras
      On the Atchison, Topeka and the Santa Fe
      (uncredited)

      Music by Harry Warren

      [Instrumental version played at the tavern in Rome when Audrey and Twingo say goodbye]

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    Perguntas frequentes16

    • How long is The Red Danube?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de novembro de 1949 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Italiano
      • Alemão
      • Russo
      • Latim
    • Também conhecido como
      • O Danúbio Vermelho
    • Locações de filme
      • Roma, Lazio, Itália(backgrounds)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
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    Bilheteria

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    • Orçamento
      • US$ 1.961.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 59 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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