Loucos de Amor

Love Happy is the final movie that features the three Marx brothers (Groucho Chico Harpo) in top billing and as the stars. Once again they do the occasional musical performances. This time Frank Tashlin co-writes the script (bringing, I'd imagine, some pure cartoonish brilliance to it, in fits and starts). And it's OK... ish. Actually Harpo is better than OK, but when isn't he? This isn't even his premier work and he's delightful to watch in scenes that should be rote like when the actress asks Harpo to be his manager and he mimes becoming a "big shot" with his feet up on a can of rubbish in a park, miming as well being on the phone with many agents. It's what he was made for as a performer, moments like this.

The main problem for me is a major lack of the brothers interacting with one another - Groucho barely appears in the first half for Pete's sake, and only through limited 4th wall breaks - yet there are a lot of legitimately entertaining musical numbers (really, there isn't a dull one, including a number where a woman sings about being frustrated with motherhood). There's once again another loony but half-baked crime plot, here involving stolen diamonds in a can of... sardines I think, Chico on piano, and a musical that is on thin ice as far as being produced. Objectively this isn't as good a movie as I'm rating it, but I'm being generous because when these guys do click in their scenes they are just that funny. In other words it's better than Room Service (oddly enough this has the storyline that it's closest to), but not by much.

It's also uncanny seeing Groucho without his grease-paint mustache as a movie character with the brothers.

Yes, this movie is sad; it's the end of an era. Bye bye, Marx Brothers; over half a century later, you still haven't been topped.

However, this movie is not sad in the sense of being pathetic. There's still some laughs here, and on balance, I think this is better than some of the previous Marx efforts ("A Night in Casablanca" and "At the Circus" in particular). Harpo is quite charming (who's not a Harpo fan?), and I remember finding the Central Park scene quite touching. The rooftop chase is a blast, too. Granted, those two scenes are standouts and the rest of the movie is weaker in comparison, but I never found it painfully weak.

Let's put it this way; even mediocre Marx is still okay by me.

Love Happy is the last movie where the Marx brothers appear together.Harpo is the biggest star of the movie.He gets in a trouble when he steals a sardine can that has Romanoff's diamond inside.Love Happy is good Marx movie.Groucho, Harpo and Chico are as good as they were in their younger days.And you can see Marilyn Monroe in a little part as Groucho's client.A must see for Marx fans, especially Harpo fans.

i'm a big marx bros fan and love most of their films, especially the early paramounts and a day at the races and most of the others so thats pretty much all of them i guess. Room service is the weakest of their output as far as i can tell..

If I was mainly a Groucho fan, which most of the reviewers of Marx Brothers films seem to be, I'd be giving this movie between 1 & 3 stars. His part is minimal, not very funny and is mainly famous for the scene with Marilyn Monroe in one of her first speaking roles (which lasts a few seconds)...

I've just read a review for this film calling it unfunny. Maybe they were watching a different movie? I am completely fed up with reading the nonsense that's been written about this film by people who probably haven't even watched it...

I'm a Harpo fan.........I really think he's a true screen genius, the greatest one of his kind. When he's on screen for me its pure magic.

This film has a special place in my heart.. The screenplay is based on a Harpo story and he is the main star (originally the film was to be a solo vehicle for him). Chico's and Groucho's appearance was an afterthought..Chico performs well and the scenes when he's with Harpo are great and are the equal to any other marx movie. Harpo doesn't disappoint with so many great hilarious scenes that were mainly devised and performed by himself (he did most of his own stunts)...quite amazing considering he was in his early 60's at the time....

The story revolves around a theatre production called 'love happy' and a missing diamond necklace in a sardine tin. The other cast members perform well and the songs are not too cheesy. Chico does a great piano duet with a violinist and harpo plays the harp as beautifully as ever..

If I was hoping to see and hear Groucho in his element, i'd be very disappointed with Love Happy. But, on every other level its a classic. So please, give it a chance - its worth it............

"Love Happy" is remembered, primarily, as the last "Official" Marx Brothers film (they would all appear in brief vignettes in "The Story of Mankind", seven years later, but not as a team), but if the film were a baseball statistic, it would have an asterik (*), because it truly isn't a showcase of the brothers, together, but a comedy starring Harpo, with Chico in a supporting role, and Groucho doing narration, and making brief appearances, occasionally (rather like the "General Electric Theater" TV episode the brothers would do, in 1959, where Harpo and Chico played crooks with hearts of gold, and Groucho would make a surprise appearance at the finale, as their lawyer).

As a comedy, "Love Happy" is so-so, with Harpo providing some genuine laughs, particularly during an interrogation scene with villains Raymond Burr, Ilona Massey, Eric Blore, and Bruce Gordon, and in the rooftop finale, with Harpo offering the same kind of outrageous physical humor that he had demonstrated in the classic MGM comedies. But the rest of the plot, while mildly entertaining, is simply a musical variation of "Room Service", as an impoverished group of performers (headed by Paul Valentine and future star Vera-Ellen) struggle to put on a Broadway musical.

The back story of the film is possibly more entertaining than the movie, itself; Harpo had wanted to make a solo film throughout the forties, and had tinkered on the script for several years, while soliciting financial backing for the project. Chico, meanwhile, was running up huge gambling debts, as was often the case (while a brilliant card player, he was a notoriously bad gambler), and just as the Marxes had made "A Night in Casablanca", in 1946, to pay off his debts at that time, Harpo brought him into "Love Happy" to do the same. Unfortunately, the end of the decade was a depressed time for film making (with television making inroads into the ticket-buying public), and backers would only fund the project if all three brothers would appear in the movie.

Groucho, by now a genuine TV star, thanks to the "You Bet Your Life" quiz show, hated the script of "Love Happy", and had little desire to co-star in the film. He was, however, loyal to his brothers, and finally reached a compromise; he would only appear briefly, would not have to wear his trademark greasepaint eyebrows and mustache, and would have final approval of his dialog and the performers working with him. He could honestly say he helped 'discover' Marilyn Monroe, at an open audition (watching two other starlets walk across a stage, followed by Marilyn, when asked for his pick for a small role, he raised his eyebrows and quipped, "You're kidding, right?")

Be warned: While "Love Happy" is not terrible, it certainly is no "Night at the Opera", or "Duck Soup"!