Copacabana

Groucho Marx plays an agent called Lionel Q.Deveraux, who only has one client, Carmen Novarro, played by Carmen Miranda.Lionel gets Carmen to perform at a club called Copacabana, but she has to perform there as a Brazilian and as a French singer.It's not so easy.Copacabana is a nice comedy musical with Groucho Marx.The movie offers you some very funny moments, even if it doesn't have the other Marx brothers.

While I prefer Groucho's humor the most amongst all three Marx brothers, it's just not the same without Chico and Harpo for Groucho to play off of.

I had never seen Carmen Miranda in action, though I had long known of her being a performer with kooky hats. Now that I've seen her on screen, I think she comes across as a cross between Marlene Dietrich and Charo - a surprisingly fun mix. She's actually a good foil for Groucho, so I think it's the screenplay that doesn't play to their full potentials. It's still a fairly charming movie, with Carmen taking on the role of two different stage performers and Groucho providing zingers.

The talent act of Deveraux (Groucho) and Novarro (Carmen Miranda) fizzles. So, Deveraux takes on the role of Novarro's "agent" in a bid to coax the Copa manager, played by Steve Cochran, to hire Novarro as a hot Brazilian number. But Cochran is interested only in credible agents, those with multiple clients. Naturally Groucho invents Mlle. Fifi as a second client. The thing is ... Groucho only has Novarro. So, who else to play the role of Mlle. Fifi than ... Novarro. The main plot line thus centers on Groucho and Carmen in their efforts to fool the club manager, by covertly alternating Carmen's on-stage roles.

It's a dumb, silly story. But Groucho delivers enough funny one-liners and clever quips to make his part interesting. And lively, breezy Carmen Miranda, with that unique style of dancing and singing, entertains with style and panache. The silly storyline alternates with staged floor shows, which overflow with music and Latin atmosphere. The costumes are interesting, but the B&W cinematography does not do them justice.

The film quickly becomes dull, especially in the middle Act, when Groucho and Carmen go off-screen. Too much time is wasted on a romantic subplot between Cochran's character and his secretary Anne, played without feeling by Gloria Jean. We also have to endure, and I do mean endure, the "talent" of someone named Andy Russell. That smarmy smile of his makes me want to jump off the nearest cliff.

This film will probably disappoint most Groucho fans, as he is but one of several that get major screen time. Steve Cochran, Gloria Jean, Andy Russell, and a few others just are not in Groucho's league. Carmen Miranda is, and whenever she is singing or dancing, the film is entertaining.

If you can ignore all the extraneous characters and focus on Groucho and Carmen, "Copacabana" can be worth a one-time visit.

This is worthwhile motion picture entertainment. It shows off the considerable talents of Groucho Marx and Carmen Miranda, not to mention their highly unusual chemistry, and leads the casual classic movie viewer to an enjoyable experience.

The budget of this independent United Artists release could have been larger, because a few of the sets do appear a bit chintzy, as if they have been constructed quickly and cheaply. But the lavish musical numbers are more than acceptable and convey great style and extravagance, more than countering the picture's other visual shortcomings.

Particularly impressive is a charming dream scene that Gloria Jean performs with Steve Cochran (a much-underrated actor). And how can one not become an immediate fan of singer Andy Russell whose vocal talents are amply on display during the proceedings?

Copacabana showcases the unlikely pairing of Groucho Marx and Carmen Miranda in a musical melange concerning Carmen playing two different singers in the famous nightclub. The gags are fast and funny and the songs tuneful. Andy Russell and Gloria Jean are along to add to the music quotient and Steve Cochran is on hand to oversee the nightclub. The Copa gals are gorgeous and are given the opportunity to show off their personalities a bit. Louis Sobel, Earl Wilson and Abel Green, all real-life collumnists from the era make cameo appearances. This is definitely a forties musical with all the trappings. The musical numbers, choreographed by Larry Cebellos, are fun to watch, and look good in the restored black-and-white print. Purists may prefer a Marx Brothers comedy or a Carmen Miranda Technicolor musical from Fox, but this is a delightful way to spend an hour and a half. For me, the seemingly strange combination of Groucho and Carmen works and becomes a unique musical comedy experience.