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As a fan of Wm. Faulkner since college, I was especially pleased to see Intruder In the Dust and for other reasons. My grandfather, also named Clarence Brown as was the director, grew up in the Oxford area having been born near there in 1888. We attended a week long family reunion at Oxford in July, 1964 a mere 15 years after filming the movie. It still looked mostly like it does in the film but was going thru a period of civil rights upheaval then as the site of Ole Miss. My recollection is of its being a nice little college town that summer but I was just an 18 year old college sophomore and white. I was just then beginning to see the injustice of segregation and prejudice but still had a long way to go. Anyhow, the movie is well worth watching but the filmmakers must have had to walk a tight rope to get it done there and I would love to know more about that story.

Now days, Oxford is a larger, more modern college town with all the ills that go along with such things and I hope to return again to see how it must have changed socially in the last 40 plus years. Juano Hernandez should certainly have been nominated for an Oscar that year but Hollywood was still to bigoted itself to let that happen. Other Faulkner stories have been filmed so look for them and compare. One of the best was a PBS treatment of The Barn Burner from about 1985 or so starring Tommy Lee Jones. It really captured the intensity of rural Southern whites that Faulkner wrote so incisively about so often.

"Intruder in the dust" is unfairly forgotten today.Nowadays almost every movie involving racism,murder,lawyer and infuriated crowd ends up in the court,in an endless trial .This one does not,everything happens in a small south town,or in the country around.It features intriguing scenes ,particularly the one when two teenagers and an old lady open a grave at night to exhume a dead body;even stronger is the scene when the same lady keeps the crowd from entering the jail,without a gun, sitting on her chair while a brute is pouring gas around her.Juano Hernandez is equally efficient in his part of an innocent black man-I've rarely seen so much dignity in this kind of role-.

Also remarkable is the almost complete absence of music,which gives the movie a modern feel.Excellent dialog,with brilliant lines ,towards the end of the movie,between the lawyer and his nephew .This young lad plays a prominent part in the story,which is not surprising,coming from Clarence Brown,who perfectly directed young actors ("the yearling" and "National Velvet")

No movie could ever do justice to Faulkner's command of the English language. but they did a pretty good job here. Lucas Beauchamp is exactly the way I pictured him in the book, as is Chick. What the movie couldn't really go into was how Beauchamp wasn't liked by the Negro people either, because he was equally as stubborn. Not that it is a bad thing, but from my take on the book that was his attitude toward the world (yet, I got the feeling it was white society's racism that started it and it spilled over into Negro society, until that became his attitude toward everyone).

the best part of the movie is that you get to see Yoknapatawpha county (actually, Oxford, Mississippi) exactly as Faulkner wrote about it (the film was made when Faulkner was alive and writing). It doesn't look that much different today. Because of this alone, the movie is worth a watch considering it is filmed in Faulkner's backyard. A true must see for Faulkner fans.

An unjustly neglected classic, "Intruder in the Dust" is one of the great films of the 1940's which has unfortunately slipped into obscurity. Based on a story by William Faulker, and shot in his hometown of Oxford, Mississippi, "Intruder" tells the story of Lucas Beauchamp (played with great dignity by Juano Hernandez), a black man unjustly accused of the murder of a local white man, and a white boy (Claude Jarman, Jr.) who uses this situation as an opportunity to pay a previous debt to Beauchamp. Terrific acting, especially by two great character actors, Porter Hall (as the dead man's father) and Elizabeth Patterson (best known as Mrs. Trumbull on "I Love Lucy") as an old woman willing to stand against the townspeople to see that right is done. This straightforward, tense and sincere study of racial bigotry deserves to be seen more.

Director Clarence Brown does a tremendous job in presenting Juano Hernandez as a dignified man living within a southern community steeped in Jim Crow. Hernandez is falsely accused of murder and is resigned to the fact that this prejudice will lead to his incarceration or worse.

The movie is full of surprises and, happily, ends on a positive note. One of the major movies on racial or cultural prejudice of the era, it was done after Gentlemen's Agreement (1947), Crossfire (1947), but precedes Sidney Poitier's No Way Out (1950) by a year. Clearly, the only other movie that touched on this issue beforehand was the first version of Imitation of Life (1934).

This era was a time when the motion picture industry was struggling with this issue and showed an earnest attempt at portraying this problem with dignity. Hernandez's role as Lucas Beauchamp was no ordinary role for a black actor during this time when the movie industry was still under the control of whites. All in all, this is one of the greats.

Great supporting acting from David Brian, Claude Jarman, Jr. and Elizabeth Patterson.