Mórbido Despeito

Obsession is adapted from a book by Alec Coppel (who also wrote the screenplay) and is yet another film based on the idea of a man in search of 'the perfect murder'. The film takes on a dark noir tone and the film focuses on both the story at hand, as well as the psychology of the lead character. The lead character is Dr. Clive Riordan; a prominent psychologist. He's an articulate and intelligent man and so when he discovers his wife is having a string of affairs right under his nose, he decides to do something about it, by way of shocking her into not having any more affairs. He drops in on his wife one night while she is enjoying an evening with a lover - an American named Bill Kronin - and holds the two of them at gunpoint. After humiliating his wife; she leaves the room, while he and the American leave shortly afterwards. The American then disappears; the wife believes her husband has murdered the man as he promised he would, but the truth is much more sinister as the psychologist goes in pursuit of the perfect murder.

The lead role is taken by Robert Newton, who makes for an excellent lead. His portrayal of the central character is thoroughly captivating, and much of the film's success is owed to this. The film also benefits from an excellent script, which really makes the characters seem real and provides some excellent lines of dialogue - a scene between the lead character a police officer over the varying skills of the police and murderers is a major highlight. The plot itself flows very well as the film moves along and more than does enough to hold the audience's attention; the psychologist's musings over his theories on how to commit the perfect crime are one of the main points of interest. The atmosphere of the film is very dark and director Edward Dmytryk lays style on very thick which is of great benefit to the story, which is very dark itself. Things get very tense as we near the ending and the end itself is strong and gives good closure to the story. Overall, Obsession is a great thriller and well worth the effort of tracking down. Highly recommended!

Robert Newton gives a restrained and powerful performance as a cuckolded doctor exacting revenge on his high-spirited wife by abducting her young American lover, then keeping her guessing as to where he is, and whether he is still alive. Sally Gray is nothing short of brilliant as the wife. And, Naughton Wayne is magnificent as the dogged police inspector. Obsession combines brilliantly chiseled characterisations with an extremely intelligent and literate screenplay. Keep it on tape, because no one gets all the nuances the first time he or she watches it, but it's all put together so brilliantly the repeat viewings become a glorious pleasure.

Edward Dmytryk directed this British film Obsession during his exile years in the United Kingdom and was fortunate to have Robert Newton in the lead. As the cheated upon husband Newton who could chew up the scenery when let loose gets a firm directorial hand. His performance here is really brilliant because it is so carefully controlled.

Newton is married to Sally Gray who isn't all that subtle with her affairs. But this one with American Phil Brown is just one too many. He takes Brown prisoner and locks him in a dungeon in one of the bombed out buildings of London at the time. There he keeps Brown on a chain like a dog, but when Gray's pet terrier Monty follows Newton to the dungeon and has to be kept there, it's the missing dog that proves to be the mistake Newton didn't count on.

I have to say that Newton did have a meticulously conceived plan for the murder and that he did have a reason other than sadism for keeping him alive for weeks until he was ready to do the deed.

Like Dmytryk, Brown was also a victim of the blacklist and glad to be working over there. His American speech pattern and idiom also contributes to Newton's downfall.

Kudos also go to Naunton Wayne as the Scotland Yard police inspector who pursues this investigation with Columbo like intensity. In fact I wouldn't be surprised if the Columbo character was inspired by Obsession and Naunton Wayne.

This is one top drawer British noir feature.

A wonderful, tight drama that begins with a British gentleman (Robert Newton) turning up unexpectedly to surprise his wife (Sally Gray) and her American lover (Phil Brown). Angered by her string of infidelities, he's planned the perfect revenge, but I won't describe the plot further. I loved the intelligent, British dialogue put side by side with a truly dark crime. The performances are fine, and director Edward Dmytryk creates a nice noir feeling. The detective played by Naunton Wayne is a forerunner of Columbo, turning up to ask 'one more question' with a veneer of innocence, but flashing his understanding and unnerving the culprit. A hidden gem.

I have only just found this wonderful place to talk about films and I am thrilled to read that so many love The Hidden Room, as Obsession is called here, as much as I do.

Robert Newton has always been one of my favorite actors and it pleases me no end to discover his name on this thread.

When Newton made this film he was still interested in acting and it shows. There are subtle things that he does that are the hallmark of a great actor. His natural kindness comes through as well as his intelligence. You believe he really is this successful London psychiatrist with a wife who wanders.

The opening shot in the film establishes his character. There is tension in his casual posture at the card table. The viewer realizes that here is a man with his mind somewhere else. A troubled man, but one in perfect control of his surface emotions. Newton establishes in just a few shots a complex personality, a man capable of many actions.

Later there is a scene with the deaf butler that is both nerve-racking and sad.

My favorite scene is when he comes to visit his captive to bring him food. The way he instinctively walks just an inch beyond the reach of Bill. He is a tantalizing target for his victim, but just, just out of reach. To me a brilliant scene. A later, equally brilliant scene features the dog.

Another scene with many levels is the model train scene. Again as brilliant as anything Hitchcock ever presented to a viewer. As most of you know, Newton was in a very early Hitchcock film, Jamaica Inn. The Hidden Room is MUCH better.

Every chance I get, I show this film to friends, and without exception they say it is one of the best and most intense films they have ever seen. They wonder why it isn't better known. I have no answer to that. I am just grateful that I can visit that Hidden Room in the bombed-out building whenever I wish for some genuine chills.