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Yvonne De Carlo (Lillian) rides into town and becomes the focus of attention for two cousins - Scott Brady (Lee) and John Russell (Grant) - who really don't like each other. They are both super powerful and run half of Arizona each. They are just waiting for old-timer Charles Coburn (General O'Hara) to pop his clogs and then they can battle it out to take complete control of the state.

The story is told in flashback as three old-timers relate their viewpoint of how De Carlo interacted with the two cousins and we learn what happened in the gaps between the stories. The film is basically about the rivalry between the two cousins with the added interest of who De Carlo will ultimately choose to procreate with. That's what we watch for - who will she choose?

The cast are pretty unpleasant - including De Carlo - apart from Coburn who is the funniest as is to be expected. He shines whilst the others don't in this completely unrealistic story. Throw in some terrible songs as well. Not a particularly good film.

"The Gal Who Took the West" is a nice looking film from Universal Studios. It's obvious they put a decent amount of money into the picture, after all, they filmed it in color, but the story is pretty dopey.

When the story begins, a reporter in the present day goes out west to investigate the story of the O'Haras and Miss Marlowe. Three different old coots from the town tell a slightly different tale...a bit like "Rashomon".

It seems that when Lillian Marlowe arrived in the town back during the time of the old west, the land around the territory was run by the O'Hara clan. The General (Charles Coburn) is the family patriarch and his two nephews (John Russell and Scott Brady) are rivals and hate each other with an intensity that seems almost comical. Both of the cousins instantly fall for her and because she's so amazingly sexy and wonderful, they're about to start a little war to get her. The rest of the film is about efforts to stop this insane hatred from boiling over.

The film, to me, seemed like a western combined with an episode of Popeye. This is NOT meant as a good thing and the cousins just seem stupid and annoying. Plus, none of it really makes any sense. Overall, it's a picture that looks great but not much more.

When Charles Coburn builds an opera house, vaudeville singer Yvonne De Carlo grabs the gig, so she can sing "Frankie and Johnny". Meanwhile, Coburn's grandsons -- Scott Brady and John Russell -- wrangle over her in this silly but entertaining Technicolor western from Universal.

I first encountered Miss De Carlo in TV's THE MUNSTERS. She was born Margaret Yvonne Middleton in British Columbia in 1922. She first appeared in the movies in tiny unbilled roles like "Showgirl" or "Handmaiden", occasionally arising to the dignity of being credited as "Princess Wah-Tah". She shot to stardom in ens of SALOME, WHERE SHE DANCED. She spent the next decade playing the mildly astonished vamp in dozens of B pictures. She died in 2007.

Other than THE MAN WHO SHOT LIBERTY VALANCE, I do not know of another Western that as accurately captures the true nature of the West - and the men and women who settled it. The plot is that of a romantic comedy, but the characters are wonderfully written and acted - far better than in most 'serious' films.

The two brothers battling each other for the affection of one women is both funny - and dramatically believable. And the telling of the story from three different points of view is superbly done.

In my opinion, this is one of the most under-rated films ever made in Hollywood.

Don't miss it!

I have always been deeply in love with actress Yvonne De Carlo, she was so beautiful, magnificent, flaming, and what a shame, a disgrace, that the Academy Awards did not even noticed her death during the 2007 ceremony. But beware this is not a true authentic western, but rather a light hearted vaudeville adventure yarn taking place in the olfd west. Universal Studios used us to tougher, grittier than this one, that looks more like a Republic Pictures western, those taking mostly place in cabarets or gambling house. It is however agreeable, fun, not boring and Yvonne De Carlo justifies any plot, any script, the most important is that she was the most gorgeous woman on screen in the movies where she played. And director Frederic De Cordova was a comedy specialist, who was also able to deliver real westerns and adventures too. I prefered SALOME WHERE SHE DANCED, also starring the great De Carlo, and also a "false" western but totally crazy, incredible.