O Anjo Embriagado

This is a strange film about a very committed but screwed up doctor in post-war Japan. The doctor lives in the slums of Tokyo and is amazed at the filth and widespread incidence of preventable diseases among the poor. While this is an important cause to him, so is getting drunk and screwing up his life. However, the doctor meets a young hoodlum, played by Toshiro Mifune, and he treats him even when the guy insists everything is just fine! And, at times afterwards, Mifune alternates from being thankful and decent to being belligerent and completely antisocial. Throughout the film, the doctor works hard to keep this unlikable character alive--despite it seeming pretty obvious that Mifune has a death wish. A fascinating and odd story about the relationship between two very oddly matched men.

DRUNKEN ANGEL sees the master of Japanese cinema, Akira Kurosawa, on solid form in the simplistic tale of the developing friendship between an alcoholic doctor and a dying gangster who comes to him for help. While the story is set very noticeably in a poor, run-down, post-WW2 Japan, the story is one which brims with life and vitality, which is somewhat ironic given the subject matter.

The calibre of the acting is second to none which is no surprise for fans of the director. Takashi Shimura underpins the whole thing as the titular character, a stressed-out doctor battling the bottle as well as the problems of his various associates and patients, but it's Toshiro Mifune who gives the stand-out turn here. This was the star's first collaboration with Kurosawa and it comes as no surprise that the pair would go on to re-team many times in the future. Mifune's performance as the small-fry gangster, addicted to drinking and partying and yet suffering from the effects of tuberculosis, is one of his greats.

Kurosawa's cinematography is another winner here, and there are some fine moments of tension including a great, extended fight scene at the climax. My favourite moment is a bizarre dream sequence in which Mifune is chased along a beach by a corpse only to find himself trapped in a slow motion run. It's one of the few times that the director went for outright horror (along with THRONE OF BLOOD) and it makes me wish he had made an all-out horror film at least once in his career.

Drunken Angel returns Toho to their bleak, dark roots and on this occasion it certainly worked no end.

It tells the story of the tremulous relationship between an alcoholic doctor and his violent mafia member patient. The doctor see's his younger self in the Yakuza and set's about going the extra mile to help him despite being fought every stage along the way.

After a series of mediocre Toho films I was already losing faith in the Kurosawa hype, therefore this came as a really pleasant surprise to me.

Powerful, hard hitting and wonderfully constructed Drunken Angel is by far the best Toho movie I've seen thus far.

The Good:

Well written

Some poignant moments

The Bad:

Things I Learnt From This Movie:

Bullets come out of a persons body in the same condition they went in

I'd have let them get typhus......and that's reason no.57579853789 why I should never have kids

Drunken Angel (1948)

*** (out of 4)

Straight-forward and simple drama about the troubled relationship between a low level gangster (Toshiro Mifune) dying of tuberculosis and the drunken doctor (Takashi Shimura) trying to save him during post-war Japan. There are a lot of different genres on display in this early Kurosawa film including noir, gangster and an odd couple drama. The three don't always mix too well together but Kurosawa's great direction mixed with the great lead performances make this a must see even if the gang would go onto much better films. What works the best here are the performances by Shimura and Mifune. The two men work extremely well together because they make their characters so well rounded to the point where you feel as if you know everything about the men. Mifune really digs deep into the gangster and this leads to many well acted scenes including the drunken one where the gangster must finally realize how serious his disease is. Shimura clearly steals the film as the angry and often times bitter, if still caring, drunken doctor. The amount of anger he displays with his character while still making us understand why he cares so much is perfectly done by the actor. Cheiko Nakakita and Reizaburo Yamamoto are also very good in their supporting roles of the nurse and gang boss. The cinematography is also top-notch especially a dream like sequence where the dying gangster invisions himself as a zombie-like creature. This scene is very effective as is another where spitting blood is involved. I think at times the film is way too over dramatic and this includes many scenes dealing with the "swampness" of Japan. Even with that said, this is still a very impressive drama that fans of Kurosawa will want to check out.

I loved this movie for many reasons:

The film history : it's the first collaboration between Akira Kurosawa (director) and Toshiro Mifune (actor) that continued through 15 more films including the sublime Rashomon, Seven Samurai and Yojimbo.

The style : it's a great film noir with gangsters, zoot suits, speakeasy's, gambling etc.,

The history : post WW II Japan is a frightening place with rubble, raw sewage, crime and hope. It's a world I hadn't seen before.

Toshiro Mifune : What an amazing actor. He oozes charisma and you cannot take your eyes off of him. His performance reminded me of the first time I saw Russell Crowe, in a little seen mediocre movie called "For the Moment" which I watched many times because of Crowe's intensity.

My only problem is the copy I saw was terrible. The print was faded and half of the subtitles were illegible. When will this be released on DVD? It's not Kurosawa's best film, but it's certainly better than most of the drivel out there.