Durante a Guerra Fria, numa fábrica de pesquisa atómica da Califórnia, um agente do FBI e um inspetor da Scotland Yard unem-se para eliminar uma rede de espionagem atómica estrangeira que op... Ler tudoDurante a Guerra Fria, numa fábrica de pesquisa atómica da Califórnia, um agente do FBI e um inspetor da Scotland Yard unem-se para eliminar uma rede de espionagem atómica estrangeira que opera nos EUA e no Reino Unido.Durante a Guerra Fria, numa fábrica de pesquisa atómica da Califórnia, um agente do FBI e um inspetor da Scotland Yard unem-se para eliminar uma rede de espionagem atómica estrangeira que opera nos EUA e no Reino Unido.
- Direção
- Roteiristas
- Artistas
- Narrator
- (narração)
- Ivan
- (não creditado)
- Fred - FBI Chemist
- (não creditado)
- Potter - FBI Agent
- (não creditado)
- G.W. Hunter
- (não creditado)
- Thompson - FBI Agent
- (não creditado)
- FBI Chemist
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's a G-man noir, standard police procedural. They're all in spiffy suit and tie and wearing their hats. They talk in that hardened police tone. It has the police narration. The plot is a straight investigation with the standard twists and turns. The story is ripped from the headlines. It's a well-made police noir.
The plot will hold your interest: with the help of a U. S. government worker(s) top secret atomic research work is being stolen by a communist spy ring. FBI agents, with the aid of Scotland Yard, work against time to stop the theft.
Louis Hayward plays the Scotland Yard agent and Dennis O'Keefe is his FBI counterpart. The two have chemistry together.
There is a blandness, though, to much of the crime investigation procedural part of the film - which is extensive. There's no love interest for any of the main characters. In fact, there's only one female character in the film and she doesn't have any substantial speaking lines until late in the movie.
Square-jawed Dennis O'Keefe makes for a dogged and intrepid FBI agent aided by Scotland Yard loan-out Louis Hayward. Together, they show what sterling fellows the English-speaking world turns out. They're on the trail of a covert Soviet spy sneaking out secrets from what is likely a bomb designing laboratory, though it's never specified. The plot rather prophetically anticipates the Klaus Fuchs affair of 1949, when the German-born spy was exposed as smuggling A-bomb secrets to the Soviets as early as 1945.
The suspense revolves around who the lab spy is and how he's getting the secrets out. It makes for entertaining, if workman-like, viewing. The familiar narrator Reed Hadley lends stentorian authority, along with some fine location photography. Together they impart a sense of reality to what are otherwise standard stereotypes and a melodramatic plot. Sure it's Hollywood's manipulative brand of political cinema, this time turned on our former friends. But at least it's watchable, minus the kind of cold-war hysteria that came to characterize other efforts of the period. All in all, an interesting and revealing reflection of its time.
The documentary technique gives a factual gloss to the melodramatic format. Action moves back and forth between San Francisco and the atomic plant in southern California. Gordon Douglas' knowledgeable directing keeps the film moving forward. He manages to build suspense through misdirection. The method used to take information out of the atomic plant is well protected thus keeping you guessing.
The movie is typical 40s and early 50s film noir.
Você sabia?
- CuriosidadesEven though the film was about the FBI, J. Edgar Hoover would not sanction it because Producer Edward Small refused to allow the FBI to interfere with production and review the film prior to its release.
- Erros de gravaçãoLike so many other characters in crime stories, Grayson made what could have been a dangerous mistake when he didn't wash his hands after handling the poisoned glass in von Stolb's quarters. He picked it up from the inside to avoid smudging fingerprints, but because the glass contained residue from the deadly poison, the residue would have remained on his hands.
- Citações
Philip 'Scotty' Grayson: Hmmm. You know Braun could be a pretty fair painter...
Daniel F. O'Hara: Yes, if there wasn't so much red in his work.
- Cenas durante ou pós-créditosNarrator Reed Hadley is billed in the opening titles--unusual in an era when narrators generally were not credited, often even when they were famous.
- ConexõesRemade as David Harding, Counterspy (1950)
Principais escolhas
- How long is Walk a Crooked Mile?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Walk a Crooked Mile
- Locações de filme
- 1087 Clay St., San Francisco, Califórnia, EUA(Shown as the home of Igor Braun, the painter/murderer.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 1.37 : 1