Mistério no México

An early film from Robert Wise, the much acclaimed director of different science fiction and musical films, this is quite different stuff to what he would later be best known for, and in all honestly it is noticeably inferior too. It is far from being a poor film, but the production is far off being great too, with a quite lifeless, underdeveloped central romance and not too much to get excited over in terms of the mystery plot and technical credits. To fans of its director, the film will certainly be of some interest, but to other viewers it might well sit as mediocre: neither really good nor really bad.

Not much to this. William Lundigan plays Steve Hastings, an insurance inspector checking into the theft of a diamond necklace in "Mystery in Mexico" from 1948. The film also stars Jacqueline White and Ricardo Cortez.

The first suspect in the case is actually an insurance investigatorGlenn Ames (Walter Reed) for the same company - it looks like he has taken off with the goods. Steve follows Ames' sister (White) to Mexico. They suspect she might be in cahoots with him.

Here's the thing - Steve Hastings is obnoxious. For a man who is trying to keep track of a woman by befriending her, he does a lousy job with his sexist attitude. In old films, sometimes the more wolf-like a man is, the better is chances are - go figure. I just saw another film, "Career Woman" where the male character was even worse and got the girl in the end.

At 66 minutes, the film has a lot of dead space. Finally, towards the end, there's a murder. Big yawn. Lundigan is very attractive and in my opinion deserved better. Jacqueline White was lovely and feisty. Ricardo Cortez' leading man and A movie days were over. He would eventually return to Wall Street, where he had once worked as a runner. He did very well, too.

Insurance investigator Steve Hastings is sent to track down missing agent Glen Ames in Mexico and a $200k neckless. He follows Ames' sister Victoria to Mexico City and insinuates into her life.

Lundigan is playing the lead with an off-putting amount of cheese. It's so deliberate that it doesn't make sense. He's more likely to drive Victoria away and that seems to be what's going on. Normally, she would be avoiding him like the plague. Quite frankly, she should call the cops on him. The character actually requires him to be charming. This is charm in the cheesy movie way. In addition, Carlos makes no sense. He's just a driver who comes in to help Steve whenever it's needed. He just shows up. It's obvious that he's hiding something. A better way to situate the character is for Steve to hire him right off the bat as his driver. Or else he's just always hanging around Steve who is too clueless to notice. What I do like is the noir style and the exoticism of Mexico. I really like that the two leads hardly speak a word of Spanish. They are fish out of water. The story is functional as noir crime mystery except I really hated Lundigan's opening performance. It's so cheesy that it destroyed the noir feel. It took awhile to reclaim the style.

There's not much of one -- a mystery, that is -- but that's S.O.P for these programmers that run a longish hour. But Robert Wise keeps things brisk and watchable, which isn't to be sneezed at. It's about an insurance investigator (William Lundigan) who follows a suspect (Jacqueline White) south of the border while trying to solve a jewelry theft. The whole shebang was filmed in the studios in Mexico City, with a largely native cast; among them is Ricardo Cortez, a big Latin heart-throb from the earliest talkies (when he was often paired with Bebe Daniels).

This seems a bit of a comedown for Wise, who the previous year had helmed the excellent noir Born to Kill, starring Clare Trevor and Lawrence Tierney, and for that film we can almost forgive him for The Sound of Music, many years later.

This is quite a decent little crime thriller that starts with what looks like a burglar being shot. Turns out, though, that the victim was an insurance investigator and "Hastings" (William Lundigan) is now despatched to Mexico to find out just what happened to him. In trying to piece things together, he encounters the sister of the missing man. "Victoria" (Jacqueline White) is also trying to track down her missing brother. Quite what she sees in him is anyone's guess - he's actually quite an odious fellow - but click they do and are soon on the case of the rather obvious villain of the piece. This film is probably only notable as a project from Robert Wise but it doesn't hang about and though the plot does follow the usual tram lines a little too readily, there's a lively effort here from White and it passes an hour easily enough.