A Fera de Kumaon

Doctor Wendell Corey is a killer of man-eating cats in India. He has had enough of that and is preparing to leave. However, he comes across a child who is the sole survivor of a group of people killed by a man-eating tiger. He takes the child to a village run by Morris Carnovsky and his son Sabu. He assures them he has come far enough the tiger will not follow. But he is wrong.

It's based on the title of Jim Corbett's -- not that one -- best-selling book about being a character a bit like Corey. Actually, it's based on the title. It's not the first time that Hollywood took a book and threw away what was on the page, and Universal did have Sabu under contract. What shows up on screen is about fate and the need to accept it stoically but creatively. It's a nice exotic little tale, but Corbett, on seeing it, noted that the best actor in it was the tiger.

In typical Hollywood style this film asserts that everyone in India is terribly spiritual and stiflingly serious. They wander about saying profound things about the meaning of life, while nobly suffering in poverty. Add to this a laughably sententious narration and an American on a spiritual quest (which somehow will be helped by shooting tigers)played without a shred of humour by Wendell Corey, and you have a pretty bad film.

But there is the most wonderful tiger footage that makes sitting through the boring bits worthwhile. Well staged attacks on humans and animals, and a sensational sequence when the tiger fights a crocodile, are very exciting and beautifully photographed. No surprises that director Byron Haskin was one of the top cameramen of the silent era - it is when this film does not talk that it is at its best.

Before he made it again in the jungle with THE NAKED JUNGLE, where it was question of ants instead of tigers, the future specialist of science fiction in Hollywood amazed us with this rather unknown underrated adventure movie made for Universal Studios; Byron Haskin made nearly all his career at Paramount. Wendell Corey plays here a hunter chasing a tiger, as Michael Douglas later, in 1997, with THE GHOST AND THE DARKNESS, or Bob Stack in 1952 with BWANA DEVIL- genuine material for GHOST AND THE DARKNESS. There is something of Moby Dick in this plot, where a tiger, mythic tiger, replaces a whale. Good intelligent script. Good film.

I fail to understand why people like ceswart and moxie-7 who have almost no understanding of the intricacies of tiger conservation make stupid and wrong statements... There several major mistakes in what they both have said.

1. Two-third of the Sundarbans is in Bangladesh while the remaining one- third is in India.

2. Neither Bangladeshi nor Indian rangers are permitted to kill tigers unless in self-defense (at a time when the tiger attacks someone in front of the ranger).

3. The tiger population in the Sundarbans in 270 as of 2013 and was less (around 220) in 2005.

4. The total tiger (Royal Bengal Tiger) population is just 1400 approx. and human population is close to 7 billion so it is necessary to protect tigers and they should be given preference over human beings in case of a conflict situation.

5. Around 150 individuals are killed by tigers in the Sundarban area (most of them are not killed by man-eaters but by tigers that feel threatened because people venture too deep into the tiger habitat and end up going too close to a tiger or its cubs).

Getting to the topic of this movie... it is very disappointing to say very the least.

Wendell Corey is a very disaffected doctor traveling through India. On a safari, he shoots at a tiger and blows off part of its paw--but the animal manages to escape. Now, injured, the tiger has a hard time capturing fast prey and resorts to catching a very slow one...people! Now you'd think Corey might feel a tad responsible for this, but he's so busy brooding and feeling sorry for himself (he's lost his wife and given up his practice). Later, however, after he gets to know the people, Corey cannot help but go back to the jungle in search of this man-hunter. And now, it's either him or the tiger...

The one thing anyone will notice about the film is that apart from Sabu and one or two others, the rest of the Indian cast is made up of white and Hispanic actors in body paint. This is kind of offensive--perhaps they had trouble finding Indians (from India) in the States at that time, though I assume if they'd tried harder they could have. As the result of this and a script that seemed filled with the inevitable, it's only a minor time-passer. Not bad--just not particularly good.

By the way, while you see a toucan in the film, they are only found in the Americas--not in Asia nor anywhere near it.