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IMDbPro

Ladrões de Bicicletas

Título original: Ladri di biciclette
  • 1948
  • 10
  • 1 h 29 min
AVALIAÇÃO DA IMDb
8,2/10
187 mil
SUA AVALIAÇÃO
POPULARIDADE
3.536
551
Lamberto Maggiorani and Enzo Staiola in Ladrões de Bicicletas (1948)
Trailer for The Bicylce Thief
Reproduzir trailer2:00
4 vídeos
99+ fotos
DramaDrama financeiroDrama psicológicoMissãoTragédia

Na Itália da pós-guerra a bicicleta de um homem da classe trabalhadora é roubada. Ele e o filho partiram para encontrá-la.Na Itália da pós-guerra a bicicleta de um homem da classe trabalhadora é roubada. Ele e o filho partiram para encontrá-la.Na Itália da pós-guerra a bicicleta de um homem da classe trabalhadora é roubada. Ele e o filho partiram para encontrá-la.

  • Direção
    • Vittorio De Sica
  • Roteiristas
    • Cesare Zavattini
    • Luigi Bartolini
    • Oreste Biancoli
  • Artistas
    • Lamberto Maggiorani
    • Enzo Staiola
    • Lianella Carell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,2/10
    187 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.536
    551
    • Direção
      • Vittorio De Sica
    • Roteiristas
      • Cesare Zavattini
      • Luigi Bartolini
      • Oreste Biancoli
    • Artistas
      • Lamberto Maggiorani
      • Enzo Staiola
      • Lianella Carell
    • 406Avaliações de usuários
    • 158Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Filme mais avaliado nº125
    • Indicado a 1 Oscar
      • 18 vitórias e 1 indicação no total

    Vídeos4

    The Bicycle Thief
    Trailer 2:00
    The Bicycle Thief
    The Bicycle Thief
    Trailer 3:58
    The Bicycle Thief
    The Bicycle Thief
    Trailer 3:58
    The Bicycle Thief
    THE BICYCLE THIEF Trailer
    Trailer 2:00
    THE BICYCLE THIEF Trailer
    The Bicycle Thief: After Him!
    Clip 1:09
    The Bicycle Thief: After Him!

    Fotos135

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    + 129
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    Elenco principal26

    Editar
    Lamberto Maggiorani
    Lamberto Maggiorani
    • Antonio
    Enzo Staiola
    Enzo Staiola
    • Bruno
    Lianella Carell
    Lianella Carell
    • Maria
    Elena Altieri
    Elena Altieri
    • The Charitable Lady
    Gino Saltamerenda
    Gino Saltamerenda
    • Baiocco
    Giulio Chiari
    Giulio Chiari
    • The Beggar
    Vittorio Antonucci
    Vittorio Antonucci
    • The Thief
    Michele Sakara
    • Secretary of the Charity Organization
    Fausto Guerzoni
    Fausto Guerzoni
    • Amateur Actor
    Carlo Jachino
    • A Beggar
    Giulio Battiferri
    • Citizen Who Protects the Real Thief
    • (não creditado)
    Ida Bracci Dorati
    • La Santona
    • (não creditado)
    Nando Bruno
      Eolo Capritti
        Memmo Carotenuto
        Memmo Carotenuto
          Emma Druetti
            Veriano Ginesi
            • Man in the Crowd
            • (não creditado)
            Piero Heliczer
            • Young Boy
            • (não creditado)
            • Direção
              • Vittorio De Sica
            • Roteiristas
              • Cesare Zavattini
              • Luigi Bartolini
              • Oreste Biancoli
            • Elenco e equipe completos
            • Produção, bilheteria e muito mais no IMDbPro

            Avaliações de usuários406

            8,2187.2K
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            Resumo

            Reviewers say 'The Bicycle Thief' is celebrated for its powerful depiction of post-war Italy's poverty and desperation, exploring themes of survival, dignity, and moral complexities. Critics praise its neorealistic style, non-professional actors, and poignant father-son relationship. Vittorio De Sica's cinematography and direction are lauded for emotional impact and realism. Some find the simplicity and pacing underwhelming, but many consider it a masterpiece with profound social commentary and enduring relevance, highlighting its exploration of human frailty and the struggle for individuality and respect.
            Gerado por IA a partir do texto das avaliações de usuários

            Avaliações em destaque

            Foo King

            The true point of the film

            ....is the relationship of the father and son.

            Watch the film with your focus on the son, not the father. Watch what happens to the boy, what he sees, how he is influenced, his point of view. The father is so preoccupied with the bicycle he fails to see what is happening to his son. This is the strength of the film. Watch the boy.
            9daruka456

            Discover the Timeless Tale of Triumph Over Adversity

            "Ladri di biciclette" is a timeless classic that everyone should see. The film, set in post-war Italy, highlights the theme of economic decline in the 1940s and does so with such skill that it's no wonder it is considered one of the foundational works of Italian cinema. The film reveals the hardship of ordinary people and the lengths they have to go to survive in a world that seems to have left them behind.

            The film's portrayal of the characters is touching and heart-wrenching, and it's impossible not to be moved by their struggles. The attention to detail and the artistry of the film are simply stunning, and it's a testament to the filmmakers that the film still resonates with audiences today.
            tfrizzell

            Quiet Desperation---Italian Style.

            In post-World War II Italy poverty is a dire reality for a large portion of the population. Work is scarce and the opportunities for employment are few and far between. "Ladri Di Biciclette" (translated "The Bicycle Thief") is quietly one of the finest films ever produced. It follows one economically distraught man (Lamberto Maggiorani) who is heading down a desperate path fast. Things look up when he gets a job putting posters on walls in town, but he must sell what few meager possessions he and his family have to buy a bicycle to uphold his end of the business bargain. Naturally tragedy strikes immediately as the title character shows up the very first day Maggiorani is on the job. The police are little help, believing the bicycle is not as important as it really is. Thus Maggiorani and young son Enzo Staiola take it upon themselves to look all over town to try and find the bicycle and bring the thief to justice. "The Bicycle Thief" was originally released in 1948 and won an Honorary Academy Award for Best Foreign Language film the following year (the movie was not released in the U.S. until 1949). It is still a production that strikes deep even today. The lengths and desperate measures that some go through is very evident here. Director Vittorio De Sica crafts a film that is much deeper than it appears on the surface. It examines the human condition and questions society, family, law enforcement, alliances and mental anguish perfectly. "The Bicycle Thief" is an excellent production that has aged well and allows the viewer to think about many subjects that go beyond ordinary cinematic depths. 5 stars out of 5.
            8Don-102

            Heartfelt Drama of Post WWII Poverty a Must-See...

            The Italian neo-realist film movement began around the end of WWII with Roberto Rossellini's OPEN CITY in 1946. It is defined and encapsulated by this striking film directed by Vittorio De Sica. THE BICYCLE THIEF is the best of a group of films that depicted the hardship and despair that Europeans, specifically Italians, went through after the death and destruction of the war. The economy was horrible, and the towns and cities were half-destroyed and decaying. Rome is the location for THE BICYCLE THIEF and De Sica shoots the city in grainy black and white with non-professional actors to get a simple, yet unbearingly emotional point across. A simple thing such as a bike can be someone's entire world at that time and losing it means doing something irrational or perhaps necessary.

            The lead in the film is played by Lamberto Maggiorani who seems to be a very good actor. He is not an actor, however, and maybe this is why the film hits its mark so well and comes across so realistically. Maggiorani is of this difficult world and his brooding face is a clear indication of this. His job is to plaster film posters up on the walls of buildings all over Rome. He even hangs a picture that symbolizes the absolute opposite of the misery surrounding him. Rita Hayworth from GILDA is on the walls all over the city, a sign of joy to some, a representation of their own lowly status to others.

            When the bicycle is actually stolen, the "title" character is sought after by Maggiorani and his young son (Enzo Staiola), a little kid with so much acting ability, you swear this must be a documentary. A grueling search throughout Rome has the essential parts of the movie, because we see up close the actual people and places the neo-realist film movement came to represent. It is a small, sad world they live in and the bike has to be found so that they can live. The father is put to the ultimate test in front of his son. Will he do the honorable thing or will he do what his mind and heart know is only possible? These are the tense moments of the film's climax.

            There is a lot of THE BICYCLE THIEF in Benigni's LIFE IS BEAUTIFUL and some obvious comparisons have been drawn because of the father-son relationship. They are worthy of comparison and have equal artistic prowess. What is different about THIEF is the level of intensity maintained throughout. I felt the key element was the music by Alessandro Cicognini, a simple horn that plays so tragically that it is a main character in the picture. What De Sica does here, as well as other neo-realist directors (Rossellini, Fellini), is create for American audiences a powerful counterpoint to what we are used to. An honest, non-corporate portrait of the struggle for life and self-respect. THE BICYCLE THIEF is one of the finest films ever made.

            RATING: 10 of 10
            8planktonrules

            Despite its reputation, it's still not DeSica's best!

            THE BICYCLE THIEVES is an Italian "Neo-realist" film--so called because it used real people in rather ordinary situations. Some see these as anti-Hollywood but the actual reason for them was that after the war, the Italian film industry was in ruin and they were practically broke, so making these simple films about simple people was a natural outgrowth, though some of the groundwork for this style began during the war.

            The story itself is about a poor man who is out of work but is finally able to secure a job using his bicycle. The problem is that soon after starting back to work, the bike is stolen so he spends the rest of the film searching for the bike (sort of like PEEWEE'S GREAT ADVENTURE, but not a comedy). Later in the film, the focus is not just on the bike but on the relationship between the man and his young son. There really is nothing more to this very simple plot, but it is a fascinating time capsule into the desperate state of Italy until its rebirth in the mid-1950s.

            The fact that THE BICYCLE THIEVES is so well known and respected is a testament to the fact that many "in the know" aren't really that smart after all. What they actually didn't realize is that the director (DeSica) did several other films that were at least as good, if not better. I have heard and read much fawning praise for this film while at the same time wondering how these critics can discuss THE BICYCLE THIEVES without mentioning his other great works. It wasn't like THE BICYCLE THIEVES was his one crowning achievement as director--it's just that this one was discovered abroad and by the Oscar people (AMPAS). I challenge you to watch MIRACLE IN MILAN, UMBERTO D or especially THE CHILDREN ARE WATCHING US and then tell me that THE BICYCLE THIEVES is THE great masterpiece. These films (particularly THE CHILDREN ARE WATCHING US) have a great depth of emotion that THE BICYCLE THIEVES lacks and the connection to the audience is greater (provided you ever see these other films).

            I am not cursing THE BICYCLE THIEVES--it is a very good and simple film. But as far as its being a "masterpiece", I just think it's a bit overrated. Before marking this review "not helpful", please first have integrity and see these other films to see what I mean--they are indeed great films and DeSica was an amazing director.

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            Enredo

            Editar

            Você sabia?

            Editar
            • Curiosidades
              Movie director Sergio Leone worked as an assistant to Vittorio De Sica during filming. He also makes a short appearance as a seminary student standing next to Bruno and Antonio during the rainstorm.
            • Erros de gravação
              Todas as entradas contêm spoilers
            • Citações

              Antonio Ricci: "There's a cure for everything except death."

            • Conexões
              Edited into Bellissimo: Immagini del cinema italiano (1985)

            Principais escolhas

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            Perguntas frequentes

            • How long is Bicycle Thieves?Fornecido pela Alexa
            • What is 'Bicycle Thieves' about?
            • Is 'Bicycle Thieves' based on a book?
            • How does the movie end?

            Detalhes

            Editar
            • Data de lançamento
              • 24 de novembro de 1948 (Itália)
            • País de origem
              • Itália
            • Idiomas
              • Italiano
              • Alemão
            • Também conhecido como
              • Ladrões de Bicicleta
            • Locações de filme
              • Citta Valmelaina, Via Salaria, Roma, Lazio, Itália
            • Empresa de produção
              • Produzioni De Sica
            • Consulte mais créditos da empresa na IMDbPro

            Bilheteria

            Editar
            • Orçamento
              • US$ 133.000 (estimativa)
            • Faturamento bruto nos EUA e Canadá
              • US$ 371.111
            • Fim de semana de estreia nos EUA e Canadá
              • US$ 25.377
              • 4 de out. de 1998
            • Faturamento bruto mundial
              • US$ 451.643
            Veja informações detalhadas da bilheteria no IMDbPro

            Especificações técnicas

            Editar
            • Tempo de duração
              1 hora 29 minutos
            • Cor
              • Black and White
            • Mixagem de som
              • Mono
            • Proporção
              • 1.37 : 1

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