Belinda

That Jane Wyman, then in private life Mrs. Ronald Reagan, was able to find the strength to film this masterpiece of her career so soon after the birth and death of her baby daughter in 1947 is a glimpse to us of her utter sheer determination and complete professionalism. Miss Wyman uses milestones of her own life in her acting; she becomes the character and thus we catch emeralds and wheats, the good and the bad, the happy and the sad. It makes for a performance the audience never forgets and the film remains fresh after having had seen it several times. The supporting cast is pure gold. I understand that Jack Warner buried the film for nearly a year after completion and only got on the band wagon after Wyman made him take out an apology in the trades which lead to the big Oscar buildup which snagged Jane Wyman her best actress oscar for 1948. Sadly her greatest professional triumph marked also the death of her marriage to husband Ronald Reagan.

I had always written Jane Wyman off as just the ex-wife of Ronald Reagan and the matriarch of the Falcon Crest clan, but this movie really changed my mind about her. I was completely blown away by her performance as a deaf-mute. It is very easy to fall into stereotypes when playing physically challenged roles (especially in 1948), but Wyman underplays her part with great skill. She rises above the melodrama of the film without saying a single word and everything can be seen in her eyes. This film is truly a shining moment in her career.

To me the Academy Awards are much more a matter of industry politics than real artistic achievement. Here, however, that's definitely not the case. Wyman's deaf mute is one of the more moving portrayals that I've seen in some 60-years of movie watching. She manages to express more with her eyes alone than most actresses do with their entire emoting. Thanks to Wyman, it's a rare glimpse into a delicate soul, though I do hope she wasn't being paid by line of dialog.

In fact, the entire cast is outstanding, though visually McNally and Sterling approach caricature in his dark looks and her blonde cheapness. Of course, the topics of rape and a wedlock baby were pretty explosive stuff for the Production Code of the time, but the writers handle the material deftly. At the same time, the murder of MacDonald (Bickford) is often overlooked in terms of the Code. After all, the murder goes unrecognized in the courtroom accounting and in that sense goes unpunished even in an expanded moral sense.

Something should also be said about director Negulesco's compelling visual compositions. Happily, so many of the interior frames are arranged richly in detail, while the moody landscapes reflect a perceptive artistic eye. All in all, we get both an atmospheric fishing village and a series of eye-catching visuals both of which expertly complement the storyline.

No need to echo more aspects of this much-discussed film, except to say that Hollywood managed here to overcome one of the industry's biggest pitfalls—a kind of soap opera that's truly touching without being sappy. Thank you, Warner Bros.!

Every great actress has one signature role, the film for which she's forever identified because of the amazing impression she leaves on the screen. Rosalind Russell has Hildy Johnson in "His Girl Friday," Judy Garland has Dorothy in "The Wizard of Oz," and Jane Wyman has Belinda MacDonald in "Johnny Belinda." Without saying a word, Wyman speaks volumes as the lonely deaf mute who learns about love and tenderness from doctor Lew Ayres as well as fear from bully Stephen McNally. She shines in every scene and creates one of the most touching characterizations ever put on screen. Moments such as her discovery of music and her sign-reading of the Lord's Prayer are beautifully done with a skill exceeding those of the best silent screen stars. Her Oscar was richly deserved.

Wyman, though, is not alone in creating this great film. Ayres, Charles Bickford, Agnes Moorehead and Jan Sterling all give complex, layered performances that make each character believable and memorable. And "Johnny Belinda" would probably not be as powerful or moving without the exceptional black-and-white photography and Max Steiner's lovely score, one of his finest, which underscores every moment. Warner Bros. deserves extra credit for taking on a delicate subject (the rape of a deaf character was hardly typical screen fare in the 1940s) and handling it in a tasteful manner.

Ultimately, the movie is a showcase for Jane Wyman who rightly became Warner Bros.' top female star upon its release. She and the film are unforgettable.

Outstanding and forgotten masterpiece from the late-1940s that led the way in 1948 with a dozen Oscar nominations, but somehow lost most of its steam as the Academy Awards were handed out. The titled character (Jane Wyman in a well-deserved Oscar-winning part) is a beautiful young lady who sadly happens to be deaf and mute. She is treated as an outcast by those within her Nova Scotia village's landscape. Her father (Oscar-nominee Charles Bickford) and aunt (Oscar-nominee Agnes Moorehead) love her very much, but become easily frustrated when they have trouble communicating with the youth on their small farm. When kind doctor Lew Ayres (yet another Oscar-nominee) comes to town he begins to teach Wyman how to read, teach her sign language and teaches her about life and love. Naturally those within the community despise the new outsider (they have never cared for Wyman and her family either). Jan Sterling comes to hate the doctor as she is turned down by Ayers and town bully Stephen McNally commits a horrific act by raping Wyman one night in her father's barn. A pregnancy occurs and the townspeople believe that Ayers is the culprit. Now those unfriendly people in the community wish to take Wyman's new-born child for their own, believing that Wyman is not fit to be a mother. Jean Negulesco (Oscar-nominated for direction) was a film-maker that never got too cute. He let his performers dominate the action and "Johnny Belinda" is no exception here. His subtle direction just adds to everyone else in the film. "Johnny Belinda" sometimes plays more like a stage play than an actual motion picture (this is a compliment by the way) and that just adds to the emotions and realism that are displayed throughout this fine movie. 5 stars out of 5.