A Canção de Bernadette

I'm not Catholic, but this film makes you want to believe the whole thing. I've never been so moved by a story demonstrating the incredible power of innocence and simplicity as performed by Jennifer Jones in this faithful adaptation of the true story of the now-canonized Bernadette Soubirous. Beyond this story, the sets, performances, narrative flow, and in particular, the heavenly-inspired music of Alfred Newman is nothing short of transporting. Some may find the movie overlong, but I cherished every character and angle to the story--much like enjoying the book with all of its detail. This effort demonstrates more than just the quality of the golden age of cinema and 20th Century Fox, but it adds a cast and crew clearly inspired to tell this true story like no other has been told before or since.

The 'Song of Bernadette' gives us (as viewers) a little insight into the life of one of the best known saints in the Catholic religion….'St Bernadette'. It was from Bernadette's efforts and deep faith, the spring of healing waters at Lourdes were given to us. From Our Lady and through Bernadette the spring started to flow….to this very day it continues to help the faithful who are sick and disabled.

A beautifully scripted film, it tells the story of Bernadette Soubirous, a young French girl who was chosen above all others to bestow her eyes on the Mother of Christ. One day in a grotto in the province of Lourdes France she has a vision of Our Lady – The Immaculate Conception. The Story follows her journey from poor peasant girl till she enters the convent.

One of the many reasons why I love this film is because of the sincerity and unrelenting faith one person can have, faced with so much doubt and ridicule shown by others. The performance of Jennifer Jones is flawless, proved in the fact she received an Oscar for her efforts. The other cast members were brilliant too; each individual character portrayed their role with conviction. So many wonderful actors; Anne Revere, Vincent Price, Charles Bickford, Lee J. Cobb and Gladys Cooper in support. The production, especially the set designs give a realism to the actual time period of France in the 1800's. Altogether this film accumulated 4 Academy Awards, and 3 of them unsurprisingly going to production; Cinematography, Art Direction and Best Musical Score. I give it a well deserved 9/10.

Despite being a huge classic film fan, it took me a while to get round to watching 'The Song of Bernadette'. Partly because of being so busy, but also, although being an admirer of a lot of the cast and crew, finding that the subject matter didn't appeal to me for a while.

Goodness knows why though, because finally getting round to it 'The Song of Bernadette' was a miracle of a film. Sure it is a long film, perhaps a little too long (the only thing that counts as a debit against it for me, and it is so small because what it does right is enough to fill a novel), but contrary to one might think its point of view that it portrays is valid and very sincerely put across, not heavy-handedly or in a way that's biased. It also, from personal view, doesn't contrive to move audiences, or convert viewers and sceptics to its way of thinking. The emotional impact comes from how well it explores its subject matter and how much the sincerity and poignancy shines through every frame and performance.

Before one forgets, 'The Song of Bernadette' is a surprisingly quite faithful account of the story of Bernadette Soubirous, which is an amazing story in itself, some may ask how idealised it is, actually considering other films based on true stories/history etc and the subject matter it doesn't actually feel that idealistic. It manages to do the seemingly impossible in making capture the main events, spirit, background and atmosphere of Werfel's novel and making everything cohesive while condensing things necessarily to the point from a book so rich in detail to the point of bloat.

There are so many that make 'The Song of Bernadette' a film miracle. The luminous black and white photography wholly deserved its Oscar, that, the atmospheric lighting and sumptuous production values help make 'The Song of Bernadette' one of that year's (that half of the decade even too) most visually beautiful films. Alfred Newman's score adds so much to the film to the extent that the film may have been a completely different one without it, and it's hardly surprising it's garnered a soundtrack album of its own considering how well it stands up as music on its own. It's stirring and achingly gorgeous music, some of my favourite work of his.

Scripting doesn't resort to preachy sermonising or bias, instead it's very intelligently written and as aforementioned the argument it makes is valid and sincere, and it makes sense. The dialogue itself does provoke thought some time after. The story is incredibly moving and inspiring, also being careful not to paint its characters too black and white. Despite being a long film, the production values, music and performances are so wonderful, Henry King's direction so sensitive and the emotions so high that one is riveted throughout.

Jennifer Jones, in her debut performance (in her own name that is, having done a few other previous projects under a different name), seldom gave a more touching or better performance, of her five Oscar nominations this was the only time she won one and it was a very deserved win from personal view.

In support she is particularly well aided by Gladys Cooper, on fiery form, Vincent Price, impeccably giving his character menacing colour and unusual restraint, and Charles Bickford, suitably sympathetic. The Virgin is sincerely portrayed as a symbol of hope by Linda Darnell, am also of the opinion that the film and role were not trying to say anything comparing who was greater between Mary and Jesus, it was just a symbol.

Overall, a miracle of a film. Whether one is converted is very dependent on the person, personally I watched 'The Song of Bernadette' expecting to be challenged but still admire it a good deal, finished it feeling very moved and inspired. 10/10 Bethany Cox

I recently bought this movie, and just finished watching it the first time. All I can say is, WOW! Why doesn't Hollywood make movies like this anymore? I know, there's more money in showing gratuitous sex and violence...at least that's what they tell themselves. But for my hard-earned dough, nothing tops a film about the purity and innocence of faith, and that's what 'The Song of Bernadette' is all about. It's also good for quite a few laughs, as you see the imperial prosecutor's scheming against Bernadette fail time and time again. :)

My only complaint is that toward the end of the movie, I found myself wondering what was left to tell. Thankfully, I liked the answer and won't be complaining next time I watch it.

This film is a must-see, especially for my fellow Catholics. It's made my top 10 list...why not give it a chance to make yours?

The weighty subject matter and emotional performances overshadow the film's flaws, which are numerous. Characters and events are not adequately introduced, leaving the viewer with a persistent, though not overwhelming, confusion. It runs a little long, and at times loses focus. But "The Song of Bernadette" has much to redeem it. This is true black and white cinematography, and Henry King uses highly effective lighting techniques to enhance his actors' performances. The bright lighting and soft focus on Jennifer Jones, for example, makes her angelic pose of peace believable.

One scene near the end of the film is utterly beautiful, and truly makes the movie. It takes place at a convent after Bernadette has been accepted as a nun. Sister Marie Vauzous, who has doubted Bernadette the entire film, stands over her in a pose of authority and accuses her of trying to get attention. Sister Marie is lit from an angle at sharp focus, which accentuates the lines and imperfections of her face as she asks for "proof" and laments about her own suffering. Meanwhile, Bernadette is lit straight on with a soft focus as usual, and the smoothness of her peaceful, humble face is perfect and divine. She agrees with Sister Marie that she is "a hundred times more worthy" than herself, all the while hiding the true nature of her own suffering. It is at this point that the Christian theme of salvation through suffering which has meandered its way through the film really makes its point, and it is a genuinely moving moment.