Charlie Chan e o Tesoura Azteca

This Charlie Chan film is unique in that both Victor Sen Yung and Keye Luke appear in it together. During the climax with the bad guys they handle the rough stuff to bring the culprits to justice and Roland Winters is going to need both of them despite them constantly coming to the wrong conclusions.

Charlie and the boys and chauffeur Mantan Moreland are on a holiday in Mexico when they hear of the disappearance of an old friend of the Chan family, an archeology professor who has disappeared while looking for Aztec treasure, the equivalent of King Tut's tomb in the western hemisphere. They find a colleague of his friend out on the desert, but no sooner do they rescue him than he's murdered. Another murder follows and the the Chan family leads a search party out on the Mexican desert.

This film is more of manhunt than a mystery at least to us because the brains behind all the villainy is revealed just about halfway through the film. Why that was done who knows because it robbed us of any suspense.

That's a pity because for Monogram Charlie Chan feature it's not a bad one.

I don't comment on many movies, but felt compelled to on this one. I have nearly every Chan film made, (Oland, Toler, Winters), and Winters doesn't come near par, in this one. Good: Keye Luke & Victor Sen Yung, maybe Mantan.. Bad: Everything else. Seems like actors are simply reading their lines. "Action" scenes look like a elementary school play. This one just dragged on. I've made it through it once.

As most of you probably know, throughout the Warner Oland Charlie Chan films at Fox, his sidekick was "Number One Son" Lee, played by Keye Luke. Lee was the best of all the Chan children and sidekicks. He was charming and funny but you could also take him seriously as a potential detective, unlike son Jimmy (Victor Sen Yung), who was pretty much always played for laughs. After Oland died, Luke left the series and returned here many years later. But the Charlie Chan series was in the sewer by this time. The series was at Monogram and on its last legs with the worst of all Charlie Chans, Roland Winters, as the star. Since Monogram's answer to every problem with the Charlie Chan series was to add more sidekicks, that's exactly what they do here. Welcome back, Lee Chan.

The plot sees Charlie and his sons Lee and Tommy investigating a kidnapping in Mexico. There's also some stuff about an Aztec treasure but that never goes anywhere interesting. This is the penultimate Charlie Chan film at Monogram. It's crap, of course, as all of the Winters Chans were. It seems likely to me they took some sort of jungle adventure script and shoehorned Chan into it to make it a mystery. Still, it's probably the best of the Winters Chan films because of the return of Keye Luke as well as seeing him team up with Victor Sen Yung as the erroneously-named Tommy. Unfortunately, there's also Roland Winters and Mantan Moreland. You take the good, you take the bad I guess.

Yes, strangely, this Monogram productions movie concerning the Chinese detective is far better than a Twentieth Century Fox film, starring Warner Oland. I did not know at all this one, where adventure and action is more important than pure mystery. That suits me well, actually. It is more exciting and a total surprise for the audience, used to closed in mysteries. I should have seen this film earlier, that would have made me searching more Charlie Chan's stuff. William Beaudine is the director, not Bruce Humberstone or Eugene Forde, the Twentieth Century Fox home directors. Worth watching, if you have to see onlly an handful of Charlie Chan adventures.

In a Mexican village, a team of Americans plan a trip into the mountains to search for an ancient treasure and two missing scientists. Charlie Chan stumbles into the case and joins their expedition, along with his number one and number two sons and chauffeur. Soon they are all tenting it, spying on each other and sneaking in and out of camp.

Bob Livingston is part of the search party but we soon discover that he actually heads a gang that's after the treasure. They have kidnapped the missing professor and are holding him in a secret temple whose hidden door swings open when you step on a certain big rock.

Roland Winters does okay in a fairly active role as the great detective. Keye Luke is a rather mature and serious Lee Chan. Victor Sen Young and Mantan Moreland, as Tommy Chan and chauffeur Birmingham Brown, are teamed up as usual to handle the comic relief. No explanation is offered for Keye Luke's surprising return to the series; we can only note that at the beginning of the picture the Chans are setting out on a family vacation, and guess that Lee must have been invited.

The plot is a little different from most in this series--we know who the villain is from early on. The production, of course, is cheap and the dialog seems hastily hashed out, although Mr. Chan does offer one or two of his wise sayings. ("Very difficult to estimate depth of well by size of bucket.") Overall it's really not very good...but enjoyable enough for fans.

Note: a fun double feature would be this picture preceded by 1937's Riders of the Whistling Skull. Not only is this Chan picture is a remake of that Three Mesquiteers western, but the earlier movie also featured Bob Livingston--as one of the good guys, in that case.