Charlie Chan e o Tesoura Azteca

This is a somewhat entertaining little venture. Charlie's eldest sons accompany him into the Mexican jungle to try to find an archaeologist who has disappeared while searching for an ancient ruin. As it turns out, there are other guys who would like to accomplish the same thing and they are holding him prisoner. He has knowledge they want. An expedition set up by the guy's sister heads into the jungle. Once again, the old "light- goes-out-and-someone-gets murdered" bit is used. This time an oil lamp gets put out. Anyway, the bad guy are knuckleheads. People's lives are simply a part of the landscape. Killing doesn't seem to bother anyone. Two other things. In this one, Birmingham (Mantan Moreland) is really tiresome. His whole fear thing really gets tiresome. Secondly, has anyone ever wondered why Charlie Chan is wearing a three piece suit and tie in the jungles of Mexico. At one point he mops his brow. My goodness, he should be on the point of passing out. Just a thought.

This Charlie Chan film is unique in that both Victor Sen Yung and Keye Luke appear in it together. During the climax with the bad guys they handle the rough stuff to bring the culprits to justice and Roland Winters is going to need both of them despite them constantly coming to the wrong conclusions.

Charlie and the boys and chauffeur Mantan Moreland are on a holiday in Mexico when they hear of the disappearance of an old friend of the Chan family, an archeology professor who has disappeared while looking for Aztec treasure, the equivalent of King Tut's tomb in the western hemisphere. They find a colleague of his friend out on the desert, but no sooner do they rescue him than he's murdered. Another murder follows and the the Chan family leads a search party out on the Mexican desert.

This film is more of manhunt than a mystery at least to us because the brains behind all the villainy is revealed just about halfway through the film. Why that was done who knows because it robbed us of any suspense.

That's a pity because for Monogram Charlie Chan feature it's not a bad one.

Here, Charlie and crew (Mantan Moreland; Keye Luke & Sen Yung), are on vacation in Mexico. They stumble upon a man, who is in terrible condition, walking in a nearby field. Charlie takes him into his auto and heads quickly to the nearest city for help. The man is delirious so Chan can get little information out of him other than the fact he was held prisoner and he was on an expedition hunting for a lost Aztec treasure.

Chan arrives in a nearby city and soon meets members of an expedition who are also hunting for this lost treasure. In fact the sick man is a member of their group. The ailing man and another archaeologist went missing during their search. Before the ill man can explain what happened he is murdered.

Charlie and company join the expedition with the purpose of finding the missing archaeologist and perhaps the lost treasure. Much is made out of the fact that this film features the return of Charlie's son Lee (Keye Luke) and the only teaming of Charlie's Number One and Number Two sons. It's interesting but the screenwriters don't pull off the union effectively. Lee is much more domineering here than he ever was in the Fox films. So it is a bit of a miss, but still of interest to a long time Chan fan.

Lastly, I'll comment on the other reviews who need to call the Monogram Winter's films garbage. Yes, they don't have the skilled writers of the Fox series. Yes, the production values don't match Fox, and the plots can be a little oddball. But these are solid little mysteries and quite good compared with other independent studios.

In a Mexican village, a team of Americans plan a trip into the mountains to search for an ancient treasure and two missing scientists. Charlie Chan stumbles into the case and joins their expedition, along with his number one and number two sons and chauffeur. Soon they are all tenting it, spying on each other and sneaking in and out of camp.

Bob Livingston is part of the search party but we soon discover that he actually heads a gang that's after the treasure. They have kidnapped the missing professor and are holding him in a secret temple whose hidden door swings open when you step on a certain big rock.

Roland Winters does okay in a fairly active role as the great detective. Keye Luke is a rather mature and serious Lee Chan. Victor Sen Young and Mantan Moreland, as Tommy Chan and chauffeur Birmingham Brown, are teamed up as usual to handle the comic relief. No explanation is offered for Keye Luke's surprising return to the series; we can only note that at the beginning of the picture the Chans are setting out on a family vacation, and guess that Lee must have been invited.

The plot is a little different from most in this series--we know who the villain is from early on. The production, of course, is cheap and the dialog seems hastily hashed out, although Mr. Chan does offer one or two of his wise sayings. ("Very difficult to estimate depth of well by size of bucket.") Overall it's really not very good...but enjoyable enough for fans.

Note: a fun double feature would be this picture preceded by 1937's Riders of the Whistling Skull. Not only is this Chan picture is a remake of that Three Mesquiteers western, but the earlier movie also featured Bob Livingston--as one of the good guys, in that case.

"The Feathered Serpent" is the only Charlie Chan film featuring both Keye Luke and Victor Sen Yung together as Charlie's sons. Charlie here is portrayed by Roland Winters. He does a very good job, but I prefer Warner Oland in the role. He was also so warm and cheerful. Toler was very good, but more sardonic and sarcastic.

In this film, Charlie and two of his sons are asked to investigate a gang who has kidnapped an archaeologist to force him to search for a treasure in Mexico.

Mantan Moreland plays Charlie's chauffeur, Birmingham. I know his characterization is not politically correct today, but what a funny and talented man he was. I always enjoy him in these films.

By this time, Charlie Chan films were being made at a poverty role studio. As offensive as they are today, I take them for what they were and like them. We cannot view everything from today's viewpoints.