AVALIAÇÃO DA IMDb
6,5/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHyperactive teenager Judy Foster (Jane Powell) challenges, and is challenged by, her overly-proper parents, pesky brother Randolph (Jerry Hunter), and boyfriend Ogden "Oogie" Pringle (Scotty... Ler tudoHyperactive teenager Judy Foster (Jane Powell) challenges, and is challenged by, her overly-proper parents, pesky brother Randolph (Jerry Hunter), and boyfriend Ogden "Oogie" Pringle (Scotty Beckett).Hyperactive teenager Judy Foster (Jane Powell) challenges, and is challenged by, her overly-proper parents, pesky brother Randolph (Jerry Hunter), and boyfriend Ogden "Oogie" Pringle (Scotty Beckett).
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Aladdin
- Cugat's Violinist
- (não creditado)
Polly Bailey
- Elderly Woman
- (não creditado)
Mary Bayless
- Nightclub Patron
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I first saw 'A Date With Judy' at the Radio City Music Hall in late August 1948 when I was eight years old.....what an epiphany!!! Years later I revisited the film via television...how could it ever hold up...but...it remains a total charmer!! Music via Powell is lovely, Elizabeth is breathtakingly beautiful...and charming.....then there is the rest of a super cast...Wallace Beery, Robert Stack, Selena Royale, George Cleveland (the wonderful grandfather from Lassie), Scotty Becket, Xavier Cugat...and lest we not forget, the superlative Carmen Miranda! "It's A Most Unusual Day" ( remember Hitchcock's use of this as Cary Grant walks through the Plaza just before his kidnapping?), Judaline, Love is Where You Find It" and most memorably of all.."Cuanto Le Gusto" (I have murdered the spelling but 'a rose is a rose'!) Super music and memories of the radio program and comic book of the same name.
This is a delightful musical , and was very successful, in 1948 and is a treasure for today...and it's been released on DVD! It would look sumptuous in Blueray...maybe soon?
This is a delightful musical , and was very successful, in 1948 and is a treasure for today...and it's been released on DVD! It would look sumptuous in Blueray...maybe soon?
"A Date with Judy" is a nostalgic look at mid-20th century America when most of the world was at peace, or at least enjoying a calm. It's a picture of middle and upper middle-class white America after World War II. The film is set in Santa Barbara, California in 1948. Rock 'n roll hasn't yet burst on the scene. It was the sunset years of the corner drugstore with its soda fountain where teens met after high school. That's just before drive-in restaurants came on the scene in the1950s. Kids still dressed modestly and nicely. The bobbysoxer boom was just around the corner.
This is one of the lighter types of comedy-musicals that MGM made with various young stars after the series of Andy Hardy films with Mickey Rooney and Judy Garland (1938-1946). The big musicals, of all the studios, were to come in the next two decades. That, despite the demise of the studio system.
This is a cute comedy romance with Jane Powell singing a few songs and she and 16-year-old Elizabeth Taylor organizing a high school musical program. Powell is Judy Foster and Taylor is Carol Pringle. Powell was three years older than Taylor, and although Taylor got her start in films younger than Powell, it was Powell's singing that propelled her career in musicals. Of course, Taylor's star would take off with excellent dramatic roles. Later Powell films were much better, but this is a light and fun film with a couple of tremendous young entertainers very early in their careers.
The most unusual casting for this film has to Wallace Beery as Judy's father, Melvin Colner Foster. The usually gruff, tough, and often nasty Beery actually pulls it off as a caring dad and nice guy in this film.
Carmen Miranda, known as the Brazilian Bombshell, adds some spice and humor to the story, as well as a tune. And, the frequently paired Xavier Cugat and his Orchestra (with Miranda) provide most of the music.
"A Date with Judy" is an enjoyable film that also gives an accurate peak at the culture of the time, place and people of the late 1940s in much of America.
Here are a couple lines from the film.
Judy Foster, "My father seems to think that his fish can get along very well without my help."
Caro Pringle, "I finally convinced father to let you and Oogie try out on his radio station." Judy, "You did? Oh, that's stinky super."
This is one of the lighter types of comedy-musicals that MGM made with various young stars after the series of Andy Hardy films with Mickey Rooney and Judy Garland (1938-1946). The big musicals, of all the studios, were to come in the next two decades. That, despite the demise of the studio system.
This is a cute comedy romance with Jane Powell singing a few songs and she and 16-year-old Elizabeth Taylor organizing a high school musical program. Powell is Judy Foster and Taylor is Carol Pringle. Powell was three years older than Taylor, and although Taylor got her start in films younger than Powell, it was Powell's singing that propelled her career in musicals. Of course, Taylor's star would take off with excellent dramatic roles. Later Powell films were much better, but this is a light and fun film with a couple of tremendous young entertainers very early in their careers.
The most unusual casting for this film has to Wallace Beery as Judy's father, Melvin Colner Foster. The usually gruff, tough, and often nasty Beery actually pulls it off as a caring dad and nice guy in this film.
Carmen Miranda, known as the Brazilian Bombshell, adds some spice and humor to the story, as well as a tune. And, the frequently paired Xavier Cugat and his Orchestra (with Miranda) provide most of the music.
"A Date with Judy" is an enjoyable film that also gives an accurate peak at the culture of the time, place and people of the late 1940s in much of America.
Here are a couple lines from the film.
Judy Foster, "My father seems to think that his fish can get along very well without my help."
Caro Pringle, "I finally convinced father to let you and Oogie try out on his radio station." Judy, "You did? Oh, that's stinky super."
"A Date with Judy" was a typical entertainment that MGM produced over and over as a way of showing its contract players. This film was a showcase to present Jane Powell and Elizabeth Taylor, two of the popular young actresses at the time. While the movie will not add anything to either one of the stars resumes, it's a pleasant way for watching how times have changed. The film was directed by Richard Thorpe, and produced by Joe Pasternak.
Judy and Carol are friends from school. Judy is the talented singer who is going to perform at a school party. Carol is the spoiled rich girl who is jealous of Judy. Oogie, Carol's brother, the band leader, is in love with Judy. To complicate things a newly arrived young man, Stephen, has come into town to work for the summer and he is the object of both Judy's and Carol's attention.
Wallace Beery is the best thing in the film. He plays Melvin Foster, Judy's father. He refuses to dance at the party with his wife, and thanks to Xavier Cugat's suggestion, he decides to engage Rosita, the voluptuous Carmen Miranda, to give him private lessons. Since the tutoring takes place in his office, and it's surrounded by a cloud of mystery, it appears Melvin and Rosita are having an affair. But the biggest surprise comes at the end of the film when the Fosters are celebrating their 20th anniversary and we watch Melvin, who by now is an experienced dancer, shows off on the dance floor. A delicious moment, indeed.
Jane Powell and Elizabeth Taylor are charming in their roles. Robert Stack and Scotty Beckett are also good. Leon Ames, Xavier Cugat, and the effervescent Carmen Miranda make excellent contributions, but it's Wallace Beery, who steals the show.
"A Date with Judy" will delight viewers looking for a nostalgic look at an uncomplicated time in America.
Judy and Carol are friends from school. Judy is the talented singer who is going to perform at a school party. Carol is the spoiled rich girl who is jealous of Judy. Oogie, Carol's brother, the band leader, is in love with Judy. To complicate things a newly arrived young man, Stephen, has come into town to work for the summer and he is the object of both Judy's and Carol's attention.
Wallace Beery is the best thing in the film. He plays Melvin Foster, Judy's father. He refuses to dance at the party with his wife, and thanks to Xavier Cugat's suggestion, he decides to engage Rosita, the voluptuous Carmen Miranda, to give him private lessons. Since the tutoring takes place in his office, and it's surrounded by a cloud of mystery, it appears Melvin and Rosita are having an affair. But the biggest surprise comes at the end of the film when the Fosters are celebrating their 20th anniversary and we watch Melvin, who by now is an experienced dancer, shows off on the dance floor. A delicious moment, indeed.
Jane Powell and Elizabeth Taylor are charming in their roles. Robert Stack and Scotty Beckett are also good. Leon Ames, Xavier Cugat, and the effervescent Carmen Miranda make excellent contributions, but it's Wallace Beery, who steals the show.
"A Date with Judy" will delight viewers looking for a nostalgic look at an uncomplicated time in America.
This film is a real riot of charm, song, wit and dazzling color. This kind of movie-making has been dead for a very long time, to my everlasting regret. Scotty Beckett and Jane Powell stand out. Unfortunately, Carmen Miranda is made to sing Hollywood's version of Brazilian songs, rather than the authentic stuff. It is disappointing that foreigners should so often be the object of amusement in American films. They are not allowed any dignity. However, Miranda makes the best of what she is given, and shines like a star.
The fun is wholesome, but not too wholesome. The plot involves suspected adultery by a venerable father!!! Plots and subplots are gloriously interwoven. Every time I see this film I am reassured that there IS such a thing as perfection.
The fun is wholesome, but not too wholesome. The plot involves suspected adultery by a venerable father!!! Plots and subplots are gloriously interwoven. Every time I see this film I am reassured that there IS such a thing as perfection.
Jane Powell plays Judy--a kooky teenager who can sing like a bird but who has difficulty picking friends. That's because her best friend, Carol (Elizabeth Taylor) is a rich, meddling, spoiled jerk--yet Judy doesn't seem to recognize this. And throughout the film, Carol does her best to make Judy's life miserable. For no particular reason, Carol drives a wedge between her brother, Oogie, and Judy--who are sweethearts. However, this backfires when Judy ends up with a much handsomer and older man, Stephen (Robert Stack). Now, jealous, Carol is determined to take Stephen for herself. But Stephen is no dummy--he sees that Carol is gorgeous but also lets her know that he can see right through her and her wiles.
In a smaller side story, Judy's father (Wallace Beery) is a nice guy--but a nice guy who is embarrassed that he doesn't know how to dance. With his anniversary coming up, he decides to secretly take dance lessons (with Carmen Miranda) but due to Carol's meddling, people begin to think that he and Carmen are in love! SO, Judy decides the best way to fight this is to make her father feel loved--and she and the family lay it on thick. Clearly this is Beery at his best--and he's easy to love (despite his very nasty personality off-screen).
This is the sort of light family musical-comedy that MGM did best. Films like "On Moonlight Bay" and "Meet Me in St. Louis" are just a small sampling of the sort of genre that the studio made to perfection. They also made some non-musicals with similar plots that just can't be beat, such as "Life With Father", the Andy Hardy films and "Cheaper By the Dozen" (the original--not the new crappy version). These films aren't especially deep but are filled with pleasant plots, a bit of minor melodrama, some laughs and, most importantly, nice folks you'd like to meet. My only complaint is that although Powell has a good voice, her high-toned style and high pitch is NOT to my liking. It's far less simple and pleasant than Judy Garland ("Meet Me in St. Louis") or Doris Day ("By the Light of the Silvery Moon" and "On Moonlight Bay"). I am also not a huge Carmen Miranda fan, though when she wasn't singing, she was just fine. Overall, while not a great family musical comedy, it's a good one and well worth your time.
In a smaller side story, Judy's father (Wallace Beery) is a nice guy--but a nice guy who is embarrassed that he doesn't know how to dance. With his anniversary coming up, he decides to secretly take dance lessons (with Carmen Miranda) but due to Carol's meddling, people begin to think that he and Carmen are in love! SO, Judy decides the best way to fight this is to make her father feel loved--and she and the family lay it on thick. Clearly this is Beery at his best--and he's easy to love (despite his very nasty personality off-screen).
This is the sort of light family musical-comedy that MGM did best. Films like "On Moonlight Bay" and "Meet Me in St. Louis" are just a small sampling of the sort of genre that the studio made to perfection. They also made some non-musicals with similar plots that just can't be beat, such as "Life With Father", the Andy Hardy films and "Cheaper By the Dozen" (the original--not the new crappy version). These films aren't especially deep but are filled with pleasant plots, a bit of minor melodrama, some laughs and, most importantly, nice folks you'd like to meet. My only complaint is that although Powell has a good voice, her high-toned style and high pitch is NOT to my liking. It's far less simple and pleasant than Judy Garland ("Meet Me in St. Louis") or Doris Day ("By the Light of the Silvery Moon" and "On Moonlight Bay"). I am also not a huge Carmen Miranda fan, though when she wasn't singing, she was just fine. Overall, while not a great family musical comedy, it's a good one and well worth your time.
Você sabia?
- CuriosidadesRobert Stack was almost twice as old as Elizabeth Taylor. The last day of filming was January 27, 1948. At that time Stack was 29 and Taylor was 15.
- Erros de gravaçãoAfter dinner at the Pringles', Stephen and Oogie pass the staircase twice as they walk toward the front door.
- Citações
Melvin R. Foster: Whatever happened to Oogie?
Judy Foster: Oh, I just gave him up forever for a little while.
- ConexõesEdited into The Our Gang Story (1994)
- Trilhas sonorasI've Got A Date With Judy
(uncredited)
Written by Bill Katz and Calvin Jackson
Performed by The MGM Symphony Orchestra and Chorus Conducted by George Stoll
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- How long is A Date with Judy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Um Encontro com Judy
- Locações de filme
- Santa Barbara, Califórnia, EUA(Opening montage)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.353.000 (estimativa)
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was O Príncipe Encantado (1948) officially released in India in English?
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