Adicionar um enredo no seu idiomaHalf-breed Frank Madden claims he's White, in order to own land, but violent racial clashes in town force him to abandon his neutrality and chose a side.Half-breed Frank Madden claims he's White, in order to own land, but violent racial clashes in town force him to abandon his neutrality and chose a side.Half-breed Frank Madden claims he's White, in order to own land, but violent racial clashes in town force him to abandon his neutrality and chose a side.
- Direção
- Roteiristas
- Artistas
Fred Aldrich
- Townsman
- (não creditado)
Malcolm Atterbury
- Luther Creel
- (não creditado)
Arthur Berkeley
- Townsman
- (não creditado)
Phillip Breedlove
- Takola
- (não creditado)
Patrick R. Brown
- Townsman
- (não creditado)
Bruce Cameron
- Townsman
- (não creditado)
Donald Chaffin
- Townsman
- (não creditado)
Avaliações em destaque
Reprisal! Is directed by George Sherman and written by David P. Harmon, Raphael Hayes and David Dortort. It stars Guy Madison, Felicia Farr, Kathryn Grant, Michael Pate, Edward Platt, Otto Hulett, Wayne Mallory and Frank De Kova. Music is by Mischa Bakaleinikof and Technicolor cinematography by Henry Freulich.
Frank Madden (Madison) is half white, half Indian, in order to be allowed to own his own land in the County of Kendall, Texas, he keeps his half-breed status a secret. Acquiring a ranch and land, Madden quickly falls foul of the Shipley brothers, a trio of thugs known to be Indian killers and intent on making Madden tow their party line.
Nice, in fact something of a treat for Western fans. On plot terms it doesn't sound like much, the sort of run-of-the-mill Oater so prevalent in the 1950s, but there's a lot going on psychologically here to run along side the shoot em' ups, fisticuffs and simmering passions. It starts off very strongly with a court case as the Shipley brothers are on trial for lynching two Indians, clearly guilty, they of course get off because most of the town are Indian haters. This instantly sets it up for half-breed Madden to be constantly at war with himself, he wants to just settle down and earn a crust, but can he keep turning the other cheek as his half kin are abused and used by the very townsfolk he rubs shoulders with?
He keeps winding up in situations where someone needs his help, and it frustrates him greatly, and when his Indian grandfather appears on the scene to offer some sage advice, his emotional confliction goes up still further. The back drop is a town bursting at the seams with racial tensions, then throw in revenge, mob justice, inter-racial lust and murders, you got yourself a film packing in as much as it can in its relatively short running time. It looks nice with photography out of Tuscon, the acting is up to the standard of the production, Grant and Farr are twin delights for the eyes, and Sherman once again proves to be a good old pro who knew his way around a Western.
One of the better "B" Westerns of 1956, well worth catching by duster fans if the chance arises. 7.5/10
Frank Madden (Madison) is half white, half Indian, in order to be allowed to own his own land in the County of Kendall, Texas, he keeps his half-breed status a secret. Acquiring a ranch and land, Madden quickly falls foul of the Shipley brothers, a trio of thugs known to be Indian killers and intent on making Madden tow their party line.
Nice, in fact something of a treat for Western fans. On plot terms it doesn't sound like much, the sort of run-of-the-mill Oater so prevalent in the 1950s, but there's a lot going on psychologically here to run along side the shoot em' ups, fisticuffs and simmering passions. It starts off very strongly with a court case as the Shipley brothers are on trial for lynching two Indians, clearly guilty, they of course get off because most of the town are Indian haters. This instantly sets it up for half-breed Madden to be constantly at war with himself, he wants to just settle down and earn a crust, but can he keep turning the other cheek as his half kin are abused and used by the very townsfolk he rubs shoulders with?
He keeps winding up in situations where someone needs his help, and it frustrates him greatly, and when his Indian grandfather appears on the scene to offer some sage advice, his emotional confliction goes up still further. The back drop is a town bursting at the seams with racial tensions, then throw in revenge, mob justice, inter-racial lust and murders, you got yourself a film packing in as much as it can in its relatively short running time. It looks nice with photography out of Tuscon, the acting is up to the standard of the production, Grant and Farr are twin delights for the eyes, and Sherman once again proves to be a good old pro who knew his way around a Western.
One of the better "B" Westerns of 1956, well worth catching by duster fans if the chance arises. 7.5/10
A delightful surprise...this small, rich wonder of a film surely offers up Guy Madison's best performance...as the compromised cowboy....trying to deal with the racism of his villainous neighbours and their hangers-on. So refreshing to find a 1950s western which goes full-bore at the question of US xenophobia re their dealings with their first nations people. Not a political diatribe.....good simple narrative with well-played, not overplayed, characters, good dramatic ducking and diving.
10reelguy2
As Frank Madden, Guy Madison has a past more mysterious than Shane's. When he buys a ranch in the Midwest as part of a long-time dream to be a respected land owner, he encounters obstacles at every point.
George Marshall directs this B western with a master's touch. His handling of the mob scene, the near-lynching, the moving confrontation between Guy Madison and the Indian patriarch, and the final shootout are electrifying. Guy Madison gives one of his best performances in what is largely an unsympathetic role.
In 74 minutes this western makes a statement about prejudice against native Americans that is both moving and relevant today. A-budget pictures should be as good.
George Marshall directs this B western with a master's touch. His handling of the mob scene, the near-lynching, the moving confrontation between Guy Madison and the Indian patriarch, and the final shootout are electrifying. Guy Madison gives one of his best performances in what is largely an unsympathetic role.
In 74 minutes this western makes a statement about prejudice against native Americans that is both moving and relevant today. A-budget pictures should be as good.
I watched this film by accident, really, but it was actually very entertaining. The actor who played Guy Madison's grandfather was particularly good. I especially liked how the Native Americans were portrayed as human beings and not ruthless killers. This film was released in 1956, which shows a great effort for the producers to make such a film. The message is about unity and the human spirit. For that time period, I found the movie unique. It kept me watching. Plus, Madison has an interesting appeal as an actor because he never really made it big here in the United States. We know not all actors are great actors, and Madison wasn't phenomenal. However, he wasn't bad, either. So why wasn't he more of a major star? And even though I don't watch too many Westerns, I'd rather watch Madison than most of the other Western stars of that time. Like I said, interesting...
New ranch owner Frank Madden, half Indian but posing as white, arrives just as an all white jury finds the three white Shipley brothers who lynched three Indians innocent. There is soon trouble between Frank and the Shipleys who are using Frank's land to graze their cattle. When the brother of one of the Indian victims kills a Shipley, Frank is accused and put in jail. The Shipleys then organize a lynch mob and head for the jail.
Guy Madison delivers a great performance as a mixed race man caught in the middle, trying to act white though the only people showing him much kindness are from the race he wants to abandon. Pate and Platt are very good as two of the Indian-hating Shipley brothers. Pate's character is nearly as conflicted as Madison's, because he can't stay away from a pretty Indian girl (Kathryn Grant). Felicia Farr is excellent as a person who sympathetic to natives and falls in love with Madison.
This is tautly plotted, effective western that highlights prejudice. Don't expect wall to wall gunfights but a solidly told story that collates all the elements in a 70 minute running time. Good characterisation, cinematography and superb camera work is in display here.
Guy Madison delivers a great performance as a mixed race man caught in the middle, trying to act white though the only people showing him much kindness are from the race he wants to abandon. Pate and Platt are very good as two of the Indian-hating Shipley brothers. Pate's character is nearly as conflicted as Madison's, because he can't stay away from a pretty Indian girl (Kathryn Grant). Felicia Farr is excellent as a person who sympathetic to natives and falls in love with Madison.
This is tautly plotted, effective western that highlights prejudice. Don't expect wall to wall gunfights but a solidly told story that collates all the elements in a 70 minute running time. Good characterisation, cinematography and superb camera work is in display here.
Você sabia?
- CuriosidadesThe novel on which this film is based is set in Georgia rather than Oklahoma and takes place during a later period. The lynching is that of an African-American rather than a Native American's as shown in the film.
- ConexõesFeatured in Images of Indians: How Hollywood Stereotyped the Native American (2003)
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- How long is Reprisal!?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 14 minutos
- Proporção
- 1.85 : 1
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