Assignment Redhead

Butcher's Film Productions made a mixed bag of films for sure but ASSIGNMENT REDHEAD has to be one of their very worst. It's a sloppily made post-war thriller with bad editing and a generally dull murder mystery storyline that never seems to go anywhere despite the intriguing storyline. In it, the authorities are hunting for a master criminal who they know was travelling on a particular plane. They have a cast of suspects to choose from, but which of them is it?

The format of the film is of a stodgy police procedural with little incident or action to recommend it, and when the action does hit it's very uninteresting. It doesn't help that few of the British cast members are up to the job of putting on a convincing European accent, and there's a romantic sub-plot that drags things down still further. Although I consider myself a fan of Butcher's Films I think this is their worst yet.

This was a truly awful British thriller.It is impossible to find a good word to say about it.The acting veers from the mediocre to the amateur.Who thought that Danny Green could handle a foreign accent?The fight scenes are so badly arranged that each blow manages to be seen to miss its target by about one foot.Some of it doesn't even make sense.There is one scene towards the end when Demetrius and his partner drive into a wood to agree on a split.We next see a policeman get off his bike.Then we go back to the pair.A gun goes off but no policeman.We don't ever see him again.Demetrius kills his partner and pushes the car with him inside over a cliff,cue an abysmal model shot.At the end there is a fire in a warehouse and it is quite obvious that the smoke is an exposure over the main picture.This is the sort of film that gives B movies a bad name!

This movie wasn't THAT bad but it had so many plot holes, poor acting by the lead chararecters, unconvincing fight scenes and it all seems a bit unrealistic although the director manages to sustain some tension despite a very poorly written script. The story rambles for far too often - even though it's only just over an hour long.

All in all a pretty mediocre 50's B movie done with very little style and is really of only intrest to fans of low budget 1950's British Films

My rating 6/10 (Because the actors try their best with very poor material and their very limited acting abilities)

....They certainly weren't wrong when they said that.

It made me think of that hilarious quote, snooker on black and white TV, where's the yellow? It's behind the green and next to the pink.... who was the redhead? Slightly interesting marketing.

It's not a classic, it screams b movie in terms of budget, acting, cast, sadly the story isn't even that good.

The story is dreary, but ambitious, it doesn't show the British or American services in a good light, they're all a little on the dim side.

Richard Denning looks the part, and delivers arguably a good performance, the trouble is that he's working with a very poor script, it's clunky and disjointed, the dialogue lacks any sort of life.

Carole Mathews, I didn't think was great, at times she sounds Spanish, sometimes Dutch, and other times she sounds like Miss Popov from Rentaghost.

It has a certain charm, one I find applies to many movies and shows from this era, so if you enjoy the atmosphere, clothes, cars, dodgy fight scenes, you'll possibly find this passable. 5/10.

It is so amusing that in the 1940s and 1950s, redheaded actresses were the subject of boasting by film companies, even in film titles like this one, despite the fact that the films were all in black and white so that you could not possibly tell that they were redheaded at all. Rhonda Fleming and Rita Hayworth were talked about in this way long before anymore saw their hair in colour. We can only presume that Carole Mathews, who plays the redheaded mystery woman in this film, really was a redhead, as there is no way to tell. She appears still to be alive aged 92, having retired as an actress as long ago as 1978, after making 92 films (one for each year of her life so far). She was Miss Chicago in 1938 but had already appeared as an uncredited dancer in two films before that. Much better known is the square-jawed hero of this film, Richard Denning, who appeared in 113 films. Despite having some American actors, this is a British 'B' picture about postwar intrigue in London when there are still Nazis about, who are up to their usual mischief. I regret to say that the film is bland and mediocre. The Cold War is strangely absent from the plot. There are some fascinating location shots of London Airport as it was in 1956, showing the exterior of the BEA (British European Airways) passenger terminal as little more than a shed! It is always interesting to watch the location filming of London during this period, whatever silly story is going on. The director of this tepid tale is Maclean Rogers, who did three of the Paul Temple films, and indeed managed to direct 87 films before he retired in 1960, none of them notable. This film is neither good nor bad, it is just a B movie and that's all. It is watchable in an unengaging way, and that's all one can say really.