AVALIAÇÃO DA IMDb
6,1/10
242
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDue to his physical resemblance to criminal Steve Chancellor, law enforcement recruits seaman Larry Ellis to pose as Chancellor and infiltrate an organized crime ring in France.Due to his physical resemblance to criminal Steve Chancellor, law enforcement recruits seaman Larry Ellis to pose as Chancellor and infiltrate an organized crime ring in France.Due to his physical resemblance to criminal Steve Chancellor, law enforcement recruits seaman Larry Ellis to pose as Chancellor and infiltrate an organized crime ring in France.
- Direção
- Roteiristas
- Artistas
Gérard Oury
- Julius Pindar
- (as Gerard Oury)
Jacques B. Brunius
- Lessage
- (as Jacques Brunius)
Carl Jaffe
- Walter Dorffman
- (as Carl Jaffé)
Balbina
- Lauderbach's Maid
- (não creditado)
Yves Chanteau
- Matthews
- (não creditado)
Jean Driant
- Gratz's Assistant
- (não creditado)
Violet Gould
- Barmaid
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Steve Chancellor is dead. That causes a crimp in a CIA sting operation on a gold-smuggling ring that is branching out into counterfeiting. Fortunately, seaman Michael Craig looks exactly like him, so he is inserted into the operations. As he gets into fist fights with various members of the group,he gradually moves up in the operations, until he is able to lead the law enforcement operations directly to the people. They are holding off until they can grab everyone, so Craig has to continue the impersonation. However, the bad guys have a plant in the Surete.
I's a nice spies-vs-crooks thriller, with an able cast that includes Brenda de Banzies, David Kousof, Gerard Oury, and Eric Pohlmann, running from Paris to Marseilles. Of course it's almost all shot on sets, with a few stock photos to lend that ambience so desired by big movie concerns. Guy Green directs with an eye owards thrills more than character exposition, and the ultimate solution is not what I expected, which is a good thing in the murky world of the CIA.
I's a nice spies-vs-crooks thriller, with an able cast that includes Brenda de Banzies, David Kousof, Gerard Oury, and Eric Pohlmann, running from Paris to Marseilles. Of course it's almost all shot on sets, with a few stock photos to lend that ambience so desired by big movie concerns. Guy Green directs with an eye owards thrills more than character exposition, and the ultimate solution is not what I expected, which is a good thing in the murky world of the CIA.
10sg-78949
With such a cast list could this go wrong well there was a chance that some actors were miscast but on the whole the film and its mission were successful on a tight budget one thing that wasn't tight was the charming actress of supreme quality brenda de banzie wow what a women who could oozes sex appeal fully dressed by the sparkle in her eyes and a smile so wide and a hint of naughtiness simply having her in this makes it a 10
Larry Ellis bares a striking resemblance to a dead criminal whose smuggling gang's activities threaten the economy of the western world so the CIA recruit him to take on the dead man's identity to infiltrate the gang
The above is the premise for HOUSE OF SECRETS . It's maybe not a groundbreaking idea but it's a solid one similar to WHITE HEAT which I had the pleasure of seeing again a few days previously . With both movies you know where the story is going and that it's only a matter of time before the undercover agent gets found out . But where as in WHITE HEAT the audience are kept on the edge of their seats by the intelligent script HOUSE OF SECRETS is rather uninvolving and seems somewhat underdeveloped , a case in point is when Larry is asked to meet " The girl " . He doesn't know which girl the gang are talking about , so instead of the gang members physically taking him to meet the girl thereby blowing his cover due to his ignorance Larry goes to meet his CIA contact to ask what girl the gang are referring to . Things like this means the script misses the opportunity to create nail biting tension and makes the movie rather uninvolving
The above is the premise for HOUSE OF SECRETS . It's maybe not a groundbreaking idea but it's a solid one similar to WHITE HEAT which I had the pleasure of seeing again a few days previously . With both movies you know where the story is going and that it's only a matter of time before the undercover agent gets found out . But where as in WHITE HEAT the audience are kept on the edge of their seats by the intelligent script HOUSE OF SECRETS is rather uninvolving and seems somewhat underdeveloped , a case in point is when Larry is asked to meet " The girl " . He doesn't know which girl the gang are talking about , so instead of the gang members physically taking him to meet the girl thereby blowing his cover due to his ignorance Larry goes to meet his CIA contact to ask what girl the gang are referring to . Things like this means the script misses the opportunity to create nail biting tension and makes the movie rather uninvolving
Michael Craig would have been a terrific James Bond. I don't know if he was ever screen tested. He had the look and physical abilities. The story has more twists than a mountain road and a climax right out of a Bond film. Arnall and Bates brought eye candy and acting skills. The fight scenes were brutal and more realistic than the usual phoney slugfest.
For me, a thoroughly enjoyable, well-paced, beautifully shot and above-par acted thriller.
The locations are interesting and vibrant, the fight scenes are well choreographed, fast (for their time) and thus more realistic than most I've seen from this period and the plot twist interesting enough, even 60 years later.
It is for me, slightly reminiscent of a Hitchcock thriller with elements of an early Bond film. It also reminds me of a very good 1950s 'story for boys'.
I have given it a 9/10 simply to try and counterbalance the unfairly low rating it has so far received - in reality I would rate it a 7 or 7½.
Recommended to anyone interested in film-noir, 1950s Paris and/or appreciative of the beauty of mid-century Technicolor.
The locations are interesting and vibrant, the fight scenes are well choreographed, fast (for their time) and thus more realistic than most I've seen from this period and the plot twist interesting enough, even 60 years later.
It is for me, slightly reminiscent of a Hitchcock thriller with elements of an early Bond film. It also reminds me of a very good 1950s 'story for boys'.
I have given it a 9/10 simply to try and counterbalance the unfairly low rating it has so far received - in reality I would rate it a 7 or 7½.
Recommended to anyone interested in film-noir, 1950s Paris and/or appreciative of the beauty of mid-century Technicolor.
Você sabia?
- CuriosidadesLarry Ellis was offered to Dirk Bogarde.
- Erros de gravaçãoFor ship officer Larry Ellis to become trained so quickly to impersonate international criminal Steve Challenger is a considerable stretch for the suspension of disbelief that film viewers are expected to swallow. Furthermore, when Ellis is told that his voice doesn't match Challenger's and that he would have to alter it in order to convince all of Challenger's friends and accomplices, Ellis' voice doesn't noticeably change at all. In fact, his voice throughout is somewhat irritating.
- ConexõesEdited into Who Dunit Theater: House of Secrets (2015)
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- Tempo de duração
- 1 h 37 min(97 min)
- Proporção
- 1.85 : 1
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