Rua do Crime

A social worker tries to tame a street gang. Cassavetes is pretty good in his second film credit, although he was a bit old at 26 to be playing a teen. Rydell is quite creepy in his film debut as a psychotic gang member who can't conceal his glee at the thought of committing murder. Rydell, like Cassavetes, went on to become a director. His second film role would not come until 1973 in Robert Altman's "The Long Goodbye," when he played another frightening character. Mineo plays a character not unlike the one had just played in "Rebel Without a Cause." In his follow-up to "Invasion of the Body Snatchers," Siegel creates a gritty atmosphere but stresses the melodramatics.

Not among Siegel's finest , but in any case not a bad attempt at all. In this first stage of his career Siegel worked as a kind of hired hand on numerous low budget films .In some cases he was forced to work with very standard material, nonetheless in some others Siegel worked with some of the finest scripts ever created such as the Invasion of the Body Snatchers or The Killers. No worries whatsoever, if the basis are not that solid here ,Siegel had what it takes to left his mark and didn't need a super script to come out with an amazing films ,as he proved with the Line up or Private Hell 36.

Sadly foundations here are not that solid , indeed these are much much weaker . He was probably charged with the task of making a teenage movie in the vein of the Blackboard Jungle ,same as he was probably assigned to do in Riot in Block cell 11 .

In both cases he managed to succeed though working under disadvantageous circumstances: low budget , unoriginal plots with a moralistic tone which allows to see the what would be the end from minute one . Crime in the streets also had some clichés about juvenile delinquency.

But Siegel overcame aany inconveniences to provide a more than decent outcome . Characters are solid and well constructed, Cassavettes is very convincing as the leader of the gang and action flows smoothly , helped by the sense of realism that the director gives to the film, so overall not bad at all

Social worker Ben Wagner (James Whitmore) tries to reach tough gang member Frankie Dane (a typically intense John Cassavetes) who is planning a revenge killing. The film, directed by Don Siegal, was based on a teleplay, and the theatrical release retains a limited (almost claustrophobic), stagy look which fits the 'dead-end' feel of the story. Street gangs in large American cities have changed a lot since the 1950s and modern audiences may view the Hornets and the Dukes to be about as menacing as West Side Story's Sharks and Jets, but much of the story remains relevant. Cassavetes is very good (although at 27, he's not a very convincing teenager), as is Sal Mineo (who was actually a teenager when the film was made) as his young buddy Angelo "Baby" Gioia. The story is solid and script very good (if you can get past the dated slang, daddy-o), which is unsurprising as the original teleplay was written by Reginald Rose, who earlier in the decade penned the iconic courtroom drama '12 Angry Men'. Films about youth culture (good or bad) often don't age well and 'Crime in the Streets' is no exception, but it is still a well-made and entertaining retro-drama.

For revenge and thrills, juvenile delinquent gang leader John Cassavetes (as Frank "Frankie" Dane) plots to kill a man. Nail-biting Sal Mineo (as Angelo "Baby" Gioia) will lure the man into an alley, open-mouthed Mark Rydell (as Lou Macklin) will hold him down, and Mr. Cassavetes will slice and dice him to death. Little brother Peter Votrian (as Richie Dane) overhears Cassavetes planning the murder, and tells concerned social worker James Whitmore (as Ben Wagner). But, try as he might, Mr. Whitmore is unable to reform Cassavetes before the scheduled stabbing.

The excellent script for "Crime in the Streets" was written by Reginald Rose, and had previously been seen as a live installment ABC-TV's "The Elgin Hour" (a dramatic anthology series). Television in the 1950s became fertile ground for great performances, and Whitmore's last attempt to reach Cassavetes, on the fire escape, is certainly high drama. The entire production is wonderfully acted; and, while Cassavetes is clearly far too old for the part, at least he gets a chance to repeat his role for film.

Mineo gives the "Hornets" some youth appeal, and shows off his ability to react to other actors. Rydell, who became quite a successful director, is interesting. The lesser roles are fine. And, seeming to come out of left field, young Votrian is startlingly good. The specially designed outdoor set gives it a surreal quality, and director Don Siegel manages it beautifully. The plot is almost Shakespearian, and with the addition of music, you could imagine a certain "West Side Story" being born...

********* Crime in the Streets (6/10/56) Don Siegel, Reginald Rose ~ John Cassavetes, James Whitmore, Sal Mineo, Peter Votrian

It's New York City. The neighborhood has gone to hell as gangs of youths beat up on each other. Frankie Dane (John Cassavetes) leads the Hornets. Local Mr. McAllister talks to the police and gets Lenny arrested. Frankie vows revenge while social worker Ben Wagner (James Whitmore) tries to save him.

Cassavetes is in his mid 20's while playing an 18 year old. He looks too old and is already graduated to a gangster. Along with the stage set and play aesthetics, there is an artificiality to the film. Despite that, Cassavetes delivers a good energy in his character with more brutality than an afterschool special. All in all, this is interesting for Cassavetes fans.