Boneca de Carne

I've seen quite a few films in my life, but none such as this. Elia Kazan's quirky, off-the-wall romp about revenge and justice in 1950's Mississippi is truly remarkable. The first time I saw this movie I didn't know how to take it; I turned on my TV one day right at the scene where Eli Wallach and Carroll Baker are upstairs playing hide and seek... It seemed disturbing, but something about it held my interest.

A second viewing of this film was powerful. Karl Malden is right on the money as the loud-mouthed, frustrated, alcoholic husband; Carroll Baker, brilliant (and stunning) as Baby Doll; but I have to say, Eli Wallach SHINES as Silva Vacarro. He is so smooth, calculated, and mesmerizing as the one who "does his own justice". Hard to believe he didn't win an Oscar for his performance.

It is worth noting Kazan's use of the extras in this film (most of whom are African-American). Often you'll see a man or two in the background or off to the side, observing the story as it unfolds; they are the silent and wise observers to the craziness around them. Like the scene where Karl Malden is yelling "Babeee Dolllll!!!!" from his car, and the men just sit there and watch him--you wonder what they're thinking.

A superb film! The dining room scene at the end is choice.

Elia Kazan took a big chance in directing "Baby Doll". His association with Tennessee Williams must have been the deciding factor in his coming on board. This was a film that caused quite a stir because of the direct intervention of Cardinal Spellman of New York in denouncing it for its suggestive billboard in the Times Square area and the content of the movie.

This film is a testament of how to film an erotic feature without having the actors running naked all over the place. Carroll Baker, as the Baby Doll of the title, generates a lot of heat every time we see her in the opening scenes through the "peeping tom" eyes of Archie Lee, the husband still awaiting to fulfill his duty as a husband.

The steamy scenes between Vaccaro and Baby Doll are incredible if one thinks of the era when it was filmed. Nothing like those torrid scenes were seen in an American film before! What is amazing is the fact this film was released at all.

Unfortunately, the copy that was shown on cable recently has the worst sound track imaginable. The Southern accents from the actors don't help things either.

Karl Malden adds to the character of Archie Lee by playing it as a dumb hick who is not too worldly in matters of the bedroom. Carroll Baker had a great role in her Baby Doll. She plays her as a typical small town from that part of the South, a real teaser. Eli Wallach's as Vaccaro brought virility and sensuality to his portrayal. Mildred Dunnock was good as Aunt Rose.

This film is an oddity that heralded the liberation of Hollywood from the hated Hays Code which will come much later on.

Back in 1956 when this movie came out it was the Legion of Decency run by the Catholic church that decided what was proper or improper to see. I remember my parents checking that list whenever I wanted to see a movie. They were divided into groups. Unobjectionable, Objectionable with certain restrictions and others but the worst one was rated Condemned. I laugh when I think about it. Baby Doll did not play in my town of 100,000 as the church would have made a big stink about it, but it did play in Boston which was 25 miles away. I did not see it then but I heard from others that did and they told me that it was very steamy. There was so much controversy about this movie that no one dared mention that they saw it in mixed company as being branded as liking porno movies. I finally saw this movie on AMC about 15 years ago and I had to smile because this was such a mild movie by today's standards. This movie could be shown today on regular TV unedited with a PG rating. It had no nudity nor swearing. Karl Malden, Eli Walich and Carol Baker were outstanding. Still today Carol Baker is still being mentioned as Carol "Baby Doll" Baker, truly a role she will never live down. One more thing, the musical score throughout the movie is very moving. I bought the LP soundtrack long before I saw the movie and it was interesting to see how it fit. I have recorded it onto a cassette and still play it in my car. I think that it was the church and it's censorship that made this movie so popular.

The conventional wisdom on "Baby Doll" seems to be, "Oh, this movie may have been steamy in its time, but it's totally tame now." Oh, really? If the scene of Eli Wallach and Carroll Baker on the garden swing doesn't leave you feeling "fuzzy and buzzy," I suggest you get your pulse checked.

Wonderfully original, even after all this time, due to the matchless dialog of Tennessee Williams and the superb performances of the three principals, Karl Malden, Carroll Baker and Eli Wallach. Wickedly funny, sly and loopy all at the same time. A view of Southern white trash which only Tennessee Williams could have penned. Carroll Baker in a first class performance as the still-virginal but sexually precocious Baby Doll, married for two years but refusing to consummate her marriage until her twentieth birthday, looming large. Karl Malden as the frustrated husband, panting to get his hands on her, and Eli Wallach as the neighbor, determined to seduce Baby Doll before Malden, in revenge for Malden's burning down his cotton gin. Totally off the wall characterization with rich, witty dialog that constantly takes one by surprise. Watching Malden and Baker's characters with their dumber than dumber take on things (that totally cracks one up at their sheer stupidity!) one wonders just how much in-breeding Williams had in mind when he invented these people. Even Mildred Dunnock, as the minor fourth character of the ensemble, a batty aunt, has a full share of crazy antics that almost has one falling on the floor. Eli Wallach turns in a sly, smoother than smooth performance as the potential seducer that is wonderfully nuanced. When the movie first appeared is was condemned by the Catholic Church. Apparently there are critics who still uphold those initial views and would prefer to return to the time of total censorship than adopt a more realistic view of life. Baby Doll is not an indecent movie and never was. What it is is a glorious black comedy that has a place amongst the best works that Williams ever produced. Last, but not least, kudos to director Elia Kazan, who passed away on the very evening that this viewer was privileged to finally get to see this movie. This is definitely one for the collection!