A Lei do Bravo

This is a precedent setting Western which suffers from an average script, poor casting and botched editing. There are many similarities between this film and "Broken Arrow". These similarities begin with the sympathetic portrayal of Native Americans. Debra Paget is also on hand to once more play her role as an Indian woman in love with a White man. The main problem here is that Robert Wagner is not Jimmy Stewart. Delmer Daves had a role in both films, but unfortunately he was limited in "White Feather" to co-writing the script. Robert Webb directed this film.

This film seems to be the victim of poor editing. The Ann character played by Virginia Leith is potentially one of the most interesting in the film. There is more than a hint at the beginning that she has a dark secret. "Did my father tell you about me", she asks Josh Tanner (Wagner). Her father (played by Emile Meyer) later elaborates that "she is unfit merchandise". Unfortunately, this aspect of the plot is not developed. Jeffrey Hunter steals the show with his sympathetic and sensitive portrayal of Little Dog, a Cheyenne leader. He and Tanner become friends, and their friendship is one of the memorable elements in this film. Little Dog is proud to be a Cheyenne. He is torn between loyalty to his father, Chief Broken Hand (played by Eduard Franz), and his warrior code. In the end it becomes a choice between giving up his heritage to walk the White Man's road and dying well. The choice isn't as obvious as it seems. Little Dog's friend American Horse (played by Hugh O'Brian) has the opportunity to make the same choice and blows it.

This film's portrayal of the Native American tragedy is both sympathetic and different. Tanner tells the Colonel (played by John Lund) at the beginning that he has no feeling about Indians. He is indifferent. Ann makes her sympathies clear at the start. "I feel sorry for them," she says and she and Tanner watch the tribes as they prepare to sign a treaty giving up their lands. Ultimately, Tanner's friendship with Little Dog gives him a new perspective. Unlike "Devil's Doorway", another film which works hard to present the Native American view of the winning of the West, this film's ending is more upbeat. I still haven't been able to force myself to watch all of "Devil's Doorway".

Although marriages between Whites and Indians were not unusual in the real West, they had a difficult time surviving in the morality of films of the 40's and 50's. This film is one of the first in which a White character marries an Indian girl. Most Westerns of the time did not permit such relationships to become permanent. Paget's character in "Broken Arrow" is tragically killed. Similar violent endings terminate relationships in "Drum Beat", "Rock Island Line" and "Across the Wide Missouri". In "The Far Horizons" the Native American character ends the relationship by returning to her people so that one of the lead characters can marry a White woman. Dewey Martin's character in "The Big Sky" marries an Indian woman, but he has to make a choice. Will he return to the settlements where there is no place for her or will he live with the Blackfeet? Ultimately, he chooses Indian life. If the film's script had included part two of Guthrie's novel, we would see that this relationship was ultimately the victim of tragedy as well. Tanner's decision in this film to marry the Indian woman and live in the White world is truly unusual for films of the time.

It is the friendship between Tanner and Little Dog which makes the film worth watching. Wagner plays his relationship with Hunter's Little Dog with a lot more feeling and credibility than he does his romantic interest in Paget's character. Hunter's performance is a gem. Unlike Native American roles in so many other Westerns Hunter doesn't offer us the inane dialogue and dopey hand movements which we see too often in such roles. Although Tanner and Little Dog come from different worlds, their shared humanity is refreshingly realistic. It is ironic that their friendship becomes the catalyst for peace. Little Dog as a warrior is opposed to peace. "The treaty pen does not fit my hand", he jokes to Tanner.

Despite its flaws, this film is worth watching for its creative story and its sympathetic and credible portrayal of the Native American experience. The emphasis on story over action is unusual for such a Western and with a little better script it would have worked. Even so, it works well enough for me. I have watched it many times and will continue to do so.

The production company sure got its money's worth by filming in Durango, Mexico. Those scenes of mass Indian migration, along with the massed warriors and cavalry troop of the climax are impressive as heck. I expect a lot of Mexican folks picked up a payday as a result. In fact, where this western really succeeds is in providing spectacle. The fort scenes plus the Indian encampments are both big and convincing.

The storyline may not be exactly fresh—some Indians wanting to make peace while others don't, plus the standard romantic interest—nonetheless, the individual stories are woven well into the larger conflict. Note too, how the screenplay (based on a true story) takes a generally sympathetic view of the Indians' plight— that is, being forced to move by treaty from their traditional lands. This was during a period when Hollywood was beginning to recognize Indians as human beings instead of convenient targets for repeating rifles.

Of course, an A-production requires a guaranteed box-office, and who better to bring in young folks than a leading heartthrob of the day, Robert Wagner. His rail thin frame may not look like John Wayne, but he still manages to convey the needed authority despite his pretty boy appearance. Also, Hunter remains physically impressive as the conflicted Little Dog.

I guess my only gripe is that everyone, Indians included, looks like they just stepped out of a fashion magazine. I mean the costumes are so squeaky clean and perfectly fit that you'd never guess this is supposed to be the dusty frontier. Anyway, this TCF release remains an underrated cowboy-Indian flick, especially for all its impressive crowd scenes.

(In passing—good touch allowing ambient noises such as barking dogs, squawking birds, and crying kids, to color the treaty signing scene. Usually, Hollywood would remove these as distractions, but here they lend a noisy realistic touch.)

Looked at this on TV as just another western but found myself admiring the camera-work, scenery and performances. Though the direction was at times unexciting, the story was well told and dignified by a good performance by Wagner, so very handsome that it is no wonder the young squaw wants her first kiss with him. Jeffery Hunter, so overlooked but always worth watching, looking incredibly fit (sad to think he died just 4 years later) gave a very strong performance as the head-strong son of the chief, (reminds me of Sal Mineo in Cheyenne Autumn (same story?)) who rides around with Hugh O Brian (Wyatt Earp as an native American!). at the end the scenes between Wagner and Hunter are poignant and stay with you. The sad face of the chief says it all. The film was just a bit overlong and drags in parts which meant I missed bits that I should not have done, but there are some magnificent scenery and cavalry and Indian charges.

White Feather is out of Panoramic Productions, it's directed by Robert D. Webb and stars Robert Wagner, Debra Paget, John Lund, Eduard Franz & Jeffrey Hunter. It's adapted from a John Prebble story by Delmer Daves & Leo Townsend. It was filmed in Durango, Mexico, with Lucien Ballard on cinematography duties (CinemaScope/Technicolor) and Hugo Friedhofer provides the score. Plot centres around the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s, but problems arose because a few of the Cheyenne refused to leave their hunting grounds.

One of the few 1950s Westerns to show sympathy towards the Indian plight, White Feather is a well intentioned and well executed movie. It suffers a little from familiarity with Broken Arrow (1950), where Delmer Daves had directed James Stewart and Debra Paget thru a similar script to the one that's now in front of Wagner and Paget; and lets face it-Wagner is no Jimmy Stewart- and Robert Webb is no Delmer Daves-but there's more than enough good here to lift it above many other liberal Westerns.

Away from the endearing and emotive story (and it is as the Cheyenne are forced out of Wyoming by the Federals), the film also boasts high points for the Western fan to gorge upon. It's gorgeously shot in CinemaScope by Ballard, a first class lens-man in the genre, and Friedhofer's score is pulsating, evocative and in tune with the tone of the tale. Also of note is that these Native Americans aren't caricatures or pantomime Indians. They may be being played by white actors (Hunter & Franz do especially good work), but they feel real and come out as the human beings they were. In fact the whole movie looks convincing.

There's some missteps along the way; such as Wagner over acting and having a voice that's sounds out of place in the Wild West, while the romantic angle (Paget is so beautiful here who could not fall in love with her?) does at times threaten to clog up the narrative. But these things don't hurt the film. On the flip side there's the smooth pacing of the piece, it's only when the tense and exciting climax has arrived that you realise how well the slow burn first half was handled. And Webb may well be a second unit director in all but name here, but his construction of the scenes with hundreds of extras is top notch work.

A fine and under seen Western that is based on actual events and doesn't over egg its pudding. 7/10

Robert Wagner( Josh Tanner) was climbing up the ladder of success in this movie and gave an excellent performance along with Debra Paget(Appearing Day) and even Noah Berry, Jr.(Lt. Ferguson)(son of the famous Wallace Berry of the 1930's and 40's) The photography was fantastic and the plot was not just one of those typical Western films. In many ways, this picture made you feel very sorry for the Native Americas of this country who lost their wonderful land and Buffalo and had to locate South in very barren lands. Try to catch this movie on TV and you will definitely enjoy the youthful face of Robert Wagner along with great actors and a wonderfully made film of 1955!