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IMDbPro

Sementes de Violência

Título original: Blackboard Jungle
  • 1955
  • Approved
  • 1 h 41 min
AVALIAÇÃO DA IMDb
7,4/10
10 mil
SUA AVALIAÇÃO
Glenn Ford, Anne Francis, and Margaret Hayes in Sementes de Violência (1955)
Trailer for this black and white film about classroom hooligans
Reproduzir trailer2:52
1 vídeo
99+ fotos
CrimeDramaDrama psicológico

Um novo professor de inglês em uma escola violenta e indisciplinada da cidade está determinado a fazer seu trabalho, apesar da resistência tanto dos alunos quanto do corpo docente.Um novo professor de inglês em uma escola violenta e indisciplinada da cidade está determinado a fazer seu trabalho, apesar da resistência tanto dos alunos quanto do corpo docente.Um novo professor de inglês em uma escola violenta e indisciplinada da cidade está determinado a fazer seu trabalho, apesar da resistência tanto dos alunos quanto do corpo docente.

  • Direção
    • Richard Brooks
  • Roteiristas
    • Richard Brooks
    • Evan Hunter
  • Artistas
    • Glenn Ford
    • Anne Francis
    • Louis Calhern
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    10 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Brooks
    • Roteiristas
      • Richard Brooks
      • Evan Hunter
    • Artistas
      • Glenn Ford
      • Anne Francis
      • Louis Calhern
    • 120Avaliações de usuários
    • 43Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 4 Oscars
      • 1 vitória e 6 indicações no total

    Vídeos1

    Blackboard Jungle
    Trailer 2:52
    Blackboard Jungle

    Fotos102

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    Elenco principal65

    Editar
    Glenn Ford
    Glenn Ford
    • Richard Dadier
    Anne Francis
    Anne Francis
    • Anne Dadier
    Louis Calhern
    Louis Calhern
    • Jim Murdock
    Margaret Hayes
    Margaret Hayes
    • Lois Judby Hammond
    John Hoyt
    John Hoyt
    • Mr. Warneke
    Richard Kiley
    Richard Kiley
    • Joshua Y. Edwards
    Emile Meyer
    Emile Meyer
    • Mr. Halloran
    Warner Anderson
    Warner Anderson
    • Dr. Bradley
    Basil Ruysdael
    Basil Ruysdael
    • Prof. A.R. Kraal
    Sidney Poitier
    Sidney Poitier
    • Gregory W. Miller
    Vic Morrow
    Vic Morrow
    • Artie West
    Dan Terranova
    Dan Terranova
    • Belazi
    Rafael Campos
    Rafael Campos
    • Pete V. Morales
    Paul Mazursky
    Paul Mazursky
    • Emmanuel Stoker
    Horace McMahon
    Horace McMahon
    • Detective
    Jamie Farr
    Jamie Farr
    • Santini
    • (as Jameel Farah)
    Danny Dennis
    • De Lica
    David Alpert
    • Lou Savoldi
    • (não creditado)
    • Direção
      • Richard Brooks
    • Roteiristas
      • Richard Brooks
      • Evan Hunter
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários120

    7,410.3K
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    Avaliações em destaque

    tfrizzell

    The Hunter Gets Captured by the Prey.

    James Dean's untimely death in September of 1955 made "Rebel Without a Cause" a booming box office and critical success. Overshadowed due to that was "Blackboard Jungle", a superior and more important film than the aforementioned "Rebel Without a Cause" (contrary to popular belief admittedly). It is New York in the mid-1950s and former military man Glenn Ford (in his greatest screen role) takes a job as a high school teacher in the inner-city. Soon it is blatantly apparent that the school is full of male thugs (most notably guys like Sidney Poitier, Vic Morrow, Paul Mazursky and even Jamie Farr) who run things with total disregard of faculty rules and policy. Ford becomes enraged and proves to be a lot tougher than originally thought. However when pregnant wife Anne Francis starts receiving anonymous phone calls and letters from one of Ford's students about a possible affair between he and one of his female co-workers, the real fireworks start. At first Ford believes that Poitier is the culprit, probably based more on race and Poitier's obvious intelligence rather than actual proof. It takes lots of time and effort, but Ford becomes determined to get through to his pupils and weed out those who are trying to impede his progress and the advancement of others at his school. "Blackboard Jungle" is another excellent piece from writer-director Richard Brooks (Oscar-nominated for writing). It is the first truly legitimate movie that dealt with 1950s teenage angst and it rises above every other movie of the genre. Ford is a revelation, once again showing that he is probably the most under-appreciated actor throughout the history of the cinema. With that said, "Blackboard Jungle" is likely best remembered as Poitier's breakthrough role, a role which ultimately led to outstanding movie after outstanding movie throughout the late-1950s and 1960s. Poitier, 28 at the time, plays much younger than he was and adds much emotion and depth to a potentially flat character. A booming rock'n'roll soundtrack and top-flight performances dominate Brooks' outstanding winner. 4.5 out of 5 stars.
    juliafwilliams

    The movie that launched a few careers

    After nearly 50 years, this memorable movie about a New York City high school remains a standard by which so-called 'high school' movies are judged, made and measured. Without Blackboard Jungle, there might not have been a Fast Times at Ridgemont High, Pretty in Pink, or Breakfast Club.

    Before Sidney Poitier 'came to dinner', before Vic Morrow went into 'Combat', before Richard Kiley 'dreamed the impossible dream', and, yes, even before Jamie Farr (ne Jameel Farah), donned a dress, they were all part of The Blackboard Jungle. This movie launched quite a few notable careers.
    9bkoganbing

    "Hey Teach, you're in my classroom now"

    Blackboard Jungle is one of the seminal films in Glenn Ford's career. As Richard Dadier, newly minted teacher going into one of the inner city schools in New York City, he's nervous, but full of idealism and commitment that he can make a difference in the lives of these kids.

    One of the aspects of Blackboard Jungle that is never discussed is the problem, still very much with us today, of illiteracy. For me the key to the whole story is when Ford has to get down to the level of running a movie cartoon of Jack and the Beanstalk in order to communicate with them. That's when he reaches them and also takes control of the situation in his classroom away from the school thug as graphically portrayed by Vic Morrow.

    I was involved with someone for many years and his literacy level was very low. It made him angry and unable to handle the world and all the problems he had in life. He had a worse situation than the kids in The Blackboard Jungle. He was raised in a group home where they didn't care at all if you learned anything.

    Blackboard Jungle is also memorable for the use of a previously recorded song by Bill Haley and the Comets that sold a few records the year earlier, but didn't set the world on fire. Director Richard Brooks heard it in young Peter Ford's collection and decided it would be his theme. Rock Around the Clock became a rock and roll institution after The Blackboard Jungle was out in theaters.

    Blackboard Jungle also started another less fortunate trend. That of picking very obviously adult actors to play high school kids. A trend that has continued to this day with such shows as Beverly Hills 90210 carrying on the tradition. Capable players that they are and they certainly delivered fine performances, Sidney Poitier and Vic Morrow don't look like high school kids, especially not next to Rafael Campos who was in the correct age bracket when the film was being shot.

    Teacher burnout is also covered in Blackboard Jungle with Louis Calhern leading the pack of cynics Glenn Ford has as colleagues. In many ways Blackboard Jungle is the grandfather of a film like Stand and Deliver where Edward James Olmos is the dedicated math teacher of inner city kids a generation later. Other than ethnic, not too much difference between Richard Dadier and Jaime Escalante.

    Richard Brooks assembled and directed a cast that made a classic that's still agonizingly relevant today.
    8desktopia

    Blackboard Jungle is a breakthrough film that brings up important issues about urban schools.

    I chose to watch Blackboard Jungle after I saw Rebel Without a Cause in Film class. I enjoyed the first movie and after I learned what Jungle was about, I assumed that I would enjoy it as much as Rebel. I was wrong; I enjoyed Blackboard Jungle twice as much.

    Blackboard Jungle premiered in 1955, the same year as Rebel Without a Cause and historical milestones such as Rosa Parks' monumental protest of bus segregation. In fact, race relations pay an important part in this film, which I will discuss later. The movie is about a teacher, Richard Dadier, who accepts a job at North Manual High School. At this school, he encounters a school-wide discipline problem. The two main perpetrators in Dadier's class are Gregory Miller, a black student whom Dadier comes to see much promise in, and Vic Morrow, the true instigator of violence, whose gang attacks Dadier. Over the course of the film, Dadier also encounters apathetic teachers, a principal in denial, and a wife who gives birth prematurely. Eventually, Dadier must decide if his pursuit to teach is important enough to endure the hardship.

    This movie brings up some very important issues that were just important in 1955 as they are in 2001. Violence in schools is still a major topic, culminating in the Columbine shooting which everyone should remember. Also important is how teachers are to deal with this threat. Dadier dealt with it by reaching out to Miller and by confronting Morrow. But is this a realistic scenario? Sometimes students just cannot be reached, and it is irresponsible to ask teachers to directly confront weapon-totin students who have a propensity for violence. This just goes to show that solving violence in schools is difficult. It has taken at least 46 years; it will probably take many more.

    No female students are portrayed in Blackboard Jungle. This contributes to the stereotype that usually teenage boys are the ones who instigate violence. Of course, the statistics show that male students are mostly responsible for school violence, and many stereotypes exist for a reason. Rebel Without a Cause demonstrates the female role in school insubordination well, by including a woman in the main gang. Still, I would have liked to see a female student element in Jungle, to show that girls are often involved, and that they also influence male student's behavior.

    For the era, the racial attitude of Blackboard Jungle is very progressive. Dadier confronts racial slurs in the classroom. The principal, who was tipped off by a student that Dadier was using racial epithets (when all he was demonstrating was the dangerous consequences of such racism), is not happy with this report and chastises Dadier. Both situations show that two important protagonists object to racism, signifying the film's aversion to this social aspect. This comes just after Brown v Board, simultaneous to Rosa Parks' significance, and long before the high point of the Civil Rights Movement. Blackboard Jungle should undoubtedly be recognized for its attitude on race relations and other controversial elements, such as rock and roll. At a time when rock music was still controversial and outside the mainstream, Blackboard Jungle opened and closed with Bill Haley and the Comet's "Rock Around the Clock." This was a bold step to take and was one of the reasons that the film was banned from many theatres. The relatively violent content also contributed to the barring of the movie and probably contributed to many riots that occurred in theatres while the movie was shown.

    Overall, I enjoyed this movie, both for the issues it addressed, its support for educators and their responsibilities, and for its entertainment value alone. I highly recommend this film to anyone who is interested in educational dilemma, or someone who simply would enjoy a classic film with a progressive, realistic attitude. However, for anyone looking for a clone of Rebel Without a Cause, they won't find what they're looking for, but I guarantee they will enjoy it just the same.
    emanuel42

    Of the 50's but very actual

    In the mid 50's, when this film was released my parents like many other people who had teenagers were very reluctant to permit them to spend their allowance money for a ticket to this one. The film is superb, very realistic , giving an in depth view over problematic educational situation. But not only this- it is also a social outcry about racial problems, poverty problems, and when I viewed this film again in 2005 (yes, I managed to enter the theater in the 50's after all..) I was very astonished to realize that later films about the same situation-and there were quite a few of those during the years to come- displayed the same situations , motives and dilemma's. One realizes a very outstanding fact , which, if you will, is heart touching: these violent juveniles can easily dodge school, nobody can make them to stay in class, they even dread to face an expulsion , because deep in their heart they know that education is essential for their future if they ever want to get out of the vicious circle of poverty and low class, that holds them inside it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Film debut of Jamie Farr.
    • Erros de gravação
      In the garage scene, when Miller starts fixing the car, he says "nobody gives a hoot", but his lips indicates he really says "nobody gives a damn". The replacement of the profanity is made humorous by the director, who chose to play the sound effect of a car horn when the word "hoot" is uttered.
    • Citações

      Richard Dadier: Now, pretty soon, you're gonna be reading in the newspapers want ads for jobs, apartments, something to buy. Advertising space is expensive so abbreviations are used. Now, write out the complete words to all the abbreviations in these problem ads. All right, get started.

      [Dadier notices Belazi coping anwsers from Morales paper]

      Richard Dadier: Belazi. Let's keep your eyes on your paper.

      Belazi: Me?

      Richard Dadier: Cheating won't help you learn those abbreviations, you know.

      Artie West: He won't look for no job. His old man owns a store.

      Belazi: Yeah, and I'm not gonna buy me me no Cadillac either.

      Artie West: No, It's cheaper to steal one. That's arithmetic for ya, teach.

      Richard Dadier: All right, Belazi. Bring me your paper up here.

      [Belazi gets up and hands over his paper to Dadier]

      Belazi: Five points off. What for?

      Richard Dadier: For having loose eyes.

      Richard Dadier: [Dadier notices that West is cheating also] West!

      Artie West: You talking to me, teach?

      Richard Dadier: Bring your paper up here West.

      Artie West: What for?

      Richard Dadier: I said bring your paper up here.

      Artie West: And I said , what for?

      Gregory W. Miller: Come on, Artie. Bring him the paper.

      Artie West: Now , look, you keep your rotten mouth out of this, black boy.

      [Miller stands up ready to pounce on West]

      Richard Dadier: Miller!... Hold it... All right. All right, Miller. It's all right. Now, bring your paper up here, West.

      [West crumbles the paper and throws it on the floor]

      Richard Dadier: All right, we're going down to see the principal.

      Artie West: We are? You gonna make me, Daddy-O? How'd you like to go to hell?

      Belazi: What's the matter, Daddy-O?

      Artie West: Yeah, how about it, teach? You got a big mouth. Tell me to do this, do that. Are you big enough to take me to the principal's office? Beacause that's what you're gonna have to do. Take me. So, come on! Take me! Come on!

      [Dadier approaches West and West pulls out a switchblade. This stops Dadier in his tracks and the rest of the class gets up and out of the way]

      Artie West: Come on. For a bright boy, you didn't learn nothing. Well, take me down. Come on. Step right up and taste a little of this , Daddy-O.

      Richard Dadier: Give me that knife, West.

      Artie West: Where do you want it? You want it in the belly? Or how about in the face, huh? Here it is. All you gotta do is take it. Come on, take it! Come on!

      Gregory W. Miller: Take it easy, chief. He's crazy, he's high, he's floating on Sneaky Pete wine.

      Pete V. Morales: He's gonna kill him.

    • Cenas durante ou pós-créditos
      "We, in the United States, are fortunate to have a school system that is a tribute to our communities and to our faith in American youth. Today we are concerned with juvenile delinquency -- its causes -- and its effects. We are especially concerned when this delinquency boils over into our schools. The scenes and incidents depicted here are fictional. However, we believe that public awareness is a first step toward a remedy for any problem. Is is in this spirit and with this faith that BLACKBOARD JUNGLE was produced."
    • Versões alternativas
      The film was originally rejected in the UK for containing "unbridled, revolting hooliganism" and having a "damaging and harmful effect (on teenagers)". Following protests from the distributor, it was viewed again but there was an even split between examiners in favor of banning it again or cutting it for an X (16) certificate. After further meetings where the distributor claimed it had a sincere moral purpose, a cuts list was drawn up which removed around five minutes of footage. This included the following:
      • The foreword which absolved the US of blame regarding its realistic depiction - this was added specifically for foreign releases following the huge controversy it caused back home. It reads: "We, in the United States, are fortunate to have a school system that is a tribute to our communities and to our faith in American youth. Today we are concerned with juvenile delinquency -- its causes -- and its effects. We are especially concerned when this delinquency boils over into our schools. The scenes and incidents depicted here are fictional. However, we believe that public awareness is a first step toward a remedy for any problem. It is in this spirit and with this faith that BLACKBOARD JUNGLE was produced."
      • Male pupils leering at women.
      • A boy assaulting a female teacher.
      • Dadier being attacked.
      • Dadier being threatened by a knife-wielding pupil.
      • The planning and execution of a van robbery.
      • Dadier fighting back against a pupil.
      Despite the heated conflict involving the BBFC and mixed reviews, the release of this X-rated cut version passed without incident and very little public feedback. No councils who viewed it chose to ban it. In 1996, it was submitted for a video release and passed uncut with a 12 certificate.
    • Conexões
      Edited into Heavy Petting (1989)
    • Trilhas sonoras
      Rock Around the Clock
      Written by James E. Myers and Max Freedman

      Performed by Bill Haley and the Comets

      Courtesy of Decca Records, Inc.

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    Perguntas frequentes23

    • How long is Blackboard Jungle?Fornecido pela Alexa
    • What is 'Blackboard Jungle' about?
    • Is 'Blackboard Jungle' based on a book?
    • On what does Miller say Artie is high?

    Detalhes

    Editar
    • Data de lançamento
      • 25 de março de 1955 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Semilla de maldad
    • Locações de filme
      • El Segundo, Califórnia, EUA
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.168.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 41 min(101 min)
    • Cor
      • Black and White
    • Proporção
      • 1.75 : 1

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