Tanganica, O Inferno da Selva

The story is set in East Africa in 1903. A fellow by the name of McCracken is stirring up one of the Tanzanian tribes...and sending them off to do his evil bidding. John Gale (Van Heflin) is out looking for him when he comes upon a woman and her kids who are in danger. Naturally he takes them with him on his trek. Along the way, they come upon a guy who is a McCracken but the man keeps this to himself...as he doesn't want them to know who he is. So what's next? See the film and find out for yourself.

Van Helfin is fine in the lead, as you'd expect from this solid actor. The story itself is modestly entertaining and the story is also chock full of stock footage...and fortunately most of it fits very well into this African story made in Hollywood. Not great but worth seeing.

An obscure jungle adventure that, while efficiently handled and good-looking enough to sustain interest throughout its trim running time, is let-down somewhat by a cliché-ridden script and lack of memorable incident. A second team cast – Van Heflin, Ruth Roman, Howard Duff and Jeff Morrow – does its best to liven up things in this story that seems partially inspired by Joseph Conrad's "Heart Of Darkness" – long after Orson Welles first abandoned his intention to film it and even longer before Francis Coppola made it his own in APOCALYPSE NOW (1979)! In fact, would-be lumber tycoon Heflin makes it his personal mission to rid the titular region of the nefarious Morrow who, taking it on the lam into the wild to beat a murder rap, eventually becomes the leader of a dreaded and bloodthirsty tribe of Africans that, among other things, are interfering with the smooth running of Heflin's operations. Along the way, the latter saves the lives of Duff (who is concealing a secret), Roman and her little charges and, true to formula, after the initial period of resentment, gets to befriend the first, fall in love with the second and risk his life to save the third when they go running after their runaway mule in the wild animal-infested jungle! The highlight of the film is the ingeniously explosive climax that is typically well-staged by seasoned action director De Toth.

Made in Hollywood by Universal Pictures, TANGANYIKA (1954) takes place in 1903 in the territory of East Africa (the future Kenya) with a crossover into Tanganyika (the future Tanzania). It involves a hunt for a fugitive white man who's stirred up the "Nukumbi" tribe of natives into making raids on white settlements and outposts. Directing the hunt is struggling lumber entrepreneur John Gale (Van Heflin) who leads a group of native porters from East Africa into Tanganyika. On the way he picks up Peggy Marion (Ruth Roman), a schoolteacher from Canada, and her young niece and nephew (Noreen Corcoran, Gregory Marshall), after rescuing them from a native attack that killed Peggy's brother. He also picks up a wounded white man, Dan Harder (Howard Duff) who, we learn early on, is the brother of the renegade white man, although he keeps that little fact a secret. Gale leads the party back to his lumber camp to drop off the whites only to find it plundered and his partner Duffy (Murray Alper) dead. So they all forge on into Tanganyika to locate the village where Abel McCracken (Jeff Morrow), the wanted white man, holds court and rules the natives' roost.

This could easily have been a western, with rampaging Apaches substituting for the "Nukumbi," Apache scouts from the reservation standing in for the native porters, and a hardened Indian fighter in place of Heflin's white hunter. (And, believe me, Universal Pictures made plenty of westerns like it during the same period.) Certainly, director Andre De Toth had plenty of experience with westerns to have made it that way, but I guess he wanted to give a timeworn tale a bit of a new spin and see how well he could dress up the Universal Pictures backlot and certain Southern Californian locations to make them look like Africa. There's liberal use of trained animals in shots done in California, including a pair of donkeys, a leopard, a lion, a chimpanzee, and, in one awkward shot, an elephant laying down to simulate being shot. There is also actual African stock footage of alligators, hippos, and elephants. The California landscape shots are graced with plenty of matte paintings to make the locations look more African. The black American actors playing the Africans, in a cast with only seven whites in it, are uniformly dark and lean and actually look like they could pass for real Africans, which wasn't always the case with Hollywood-made films about Africa. Three of these actors are listed in the credits, Joe Comadore, Naaman Brown, and Edward C. Short. They're not given a lot to do, but they acquit themselves well in their brief moments and avoid revealing their American origins.

The film is suspenseful for its first hour or so as the party makes its way into ever-more dangerous country and we see stealthy Nukumbi warriors watching from afar and stalking the safari. There is even a confrontation with the Nukumbi that leads to the capture of one of the warriors as a prisoner (Naaman Brown), who is ordered to lead them to McCracken's village. Things happen along the way to give the journey bits of adventure and the film moves at a steady, incident-packed pace. Tensions build among the whites as Gale increasingly resents being saddled with the others. At one point, Dan frees the Nukumbi prisoner and makes him take him to McCracken. He'd hoped to reason with his brother and learns, too late, just how that impossible that is. When Peggy's niece and nephew go searching for their stray donkey, they're abducted by the Nukumbi and held hostage by McCracken. This leads to a ludicrous final stretch in which Gale comes up with a far-fetched set of tactics to subdue the Nukumbi, despite their greater numbers, and rescue the children. I gave up suspending my disbelief.

The best performance in the cast comes from Van Heflin, who has the most deeply-etched character, a restless type and man of action looking for a big score and hoping to settle down thereafter. He has the requisite Hawksian impatience with those who aren't "good enough" for the trip. (Coincidentally, Howard Hawks would make his own African adventure eight years later with HATARI!) Heflin's character belonged in a much better movie about Africa. Jeff Morrow plays an overwrought cardboard villain whose motives don't make much sense and whose hold over the natives is never adequately explained. Roman and Duff give serviceable performances, but don't have many layers to their characters. The black actors have no lines in English and we get no insight into their characters at all. While the film traffics in the usual "native" stereotypes found in this genre, they're somewhat less egregious here than in, say, the MGM Tarzan movies of the 1930s. And at least Heflin seems to show significant concern and respect for his men, particularly his chief aide, Andolo (Joe Comadore).

Universal Pictures specialized in low-to-medium budget genre films during the early 1950s, including swashbucklers, westerns, Arabian Nights adventures, sci-fi, horror, musicals, and African adventures like this (see also CONGO CROSSING), which competed with the Tarzan films then being made at RKO and the Bomba the Jungle Boy movies then being made at Monogram Pictures. Universal's entries were at least in color.

It is obviously a film of its time, and if one accepts that it has excellent acting, an excellent director in Andre de Toth, and despite no doubt filmed in a studio for many scenes this Africa of a sort of mythical age of 1903 it has a lot to please viewers. Van Heflin rescues Howard Duff from an arrow shot, and Duff's brother played by Jeff Morrow is a murderer being hunted by Heflin. Ruth Roman is there for the ride and even the monkeys enjoy her company. Roman is always good in any film she is in, and this is no exception. No spoilers but due to Toth this is in my opinion a first rate adventure film. Not to my knowledge easily found it is certainly well worth looking for. The Technicolour adds to the pleasure.

Budd Boetticher could have made the same, I am sure. This is a pretty good aventure, thriller yarn from universal Pictures, starring a Van Heflin in great shape, the same for Howard Duff and Jeff Morrow. As good African adventure film as wasJoseph Peyney's CONGO CROSSING. Colourful, action maybe not packed, but enough to entertain and keep a good feeling from this movie. I am also lucky to have a good copy from a US tv channel made in the eighties. Ruth Roman is also shining in this movie with her charm. Not the most known from director De Toth, such a shame. Solid story too, tense, bringing interesting links between characters.