Marcelino Pão e Vinho

An user pointed out that some imdb reviews (particularly the early one) were very negative ;but in spite of a huge success,many leftish (Marxist ?) comments were scathing too when the movie was released :remember that Spain was a dictatorship and a French critic went as far as to write that 'if Christ allows the mother-and -child reunion ,it's in a better world ,and thus it solves the problem of the orphanages maintenance".

Today ,when compared to the Joselito Jimenez weepies,which have sunk into oblivion, "Marcelino pan y vino " holds up quite well .That a great director such Luigi COMENCINI made a remake is proof positive that the movie has worn well ,even though today's children may not get something out of it.

Everyone will agree that Pablito Calvo gives one of the best child actor performances of all time ;one can,however ,prefer to the scenes in the attic :

-the bread which diminishes ,much to the monk /cook's surprise .

-the fair ,where the stolen apple creates a "butterfly effect" in miniature .

-the boy learning his alphabet,under a monk's watchful eye.

-the meeting with the woman with a madonna face(wish she could be my mama).

-the hidden treasures in the wall.

I feel almost provoked to comment on this film here, and I say this not as an especially religious person (which I am not), but as someone who feels that a film should not be unfairly criticized because of someone's faulty--or would it be more accurate to say willfully (?) -- distorted summary of the plot.

SPOILERS AHEAD

To begin with, Marcelino is bitten by the scorpion while he is playing outside the monastery, but at no point in the film does he ask to see the crucifix for any reason. He has been frightened by tales of a "bogeyman" in the attic by the monks, who wish him to stay away from it. OUT OF CURIOSITY, and for no other reason, he ventures in, sees the Christ figure, thinks it is the feared bogeyman, and tears back down the stairs. (The figure, incidentally, is a beautiful wooden carving, not gory in the least.)

After an unfortunate incident, in which he is taken to a festival and unwittingly causes a commotion by accidentally letting some animals run wild, the new mayor, an enemy of the monks who have raised Marcelino, swears to shut down the monastery. Marcelino is given the silent treatment by the monks, and it is then that he goes again to the attic, realizes the "bogeyman" is only a statue of Christ, remarks that it looks hungry, steals some bread, and offers it to the statue. It is then that a miracle occurs---the statue comes to life, eats the bread, and eventually, because of Marcelino's repeated visits, becomes Marcelino's teacher and confidant (Marcelino realizes who he is). And the vision is *not* a hallucination. The statue's final act in the film is intended only as a reward for Marcelino's kind actions, and it is done at Marcelino's innocent, but completely self-aware, request.

This is by no means a vicious, sadistic film; it is a beautiful, gentle one. It is a pity that there are those who would distort its meaning.

A baby loses his parents and is left at the door to a monastery. The monks take him in and he grows into a mischievous but essentially good little boy. One day he sneaks into the attic and sees a life-sized image of Jesus on the cross...

For pre-teens and younger, a parent should probably watch it with them, since some children will be disturbed by the ending. With understanding, this film helps the viewer to grow a little in faith, hope and love.

... well, that is all I really wanted to say, but IMDb now requires ten lines of text for a review. I noticed the early reviews of Marcelino were extremely negative. If you have a lot of anger towards Christ or the Church, you will *not* like this film since it shows different types of people turning their hearts towards Jesus to varying degrees. This is not sinister propaganda, but the way the world really is. Christians are not the monsters you imagine them to be. If the Nazis *had* made films like this, as one reviewer suggested, instead of the inspirations to resentment and violence they actually did make, the world might have been a better place. Peace to all.

Wow, this was stunning, both in photography and in content. Here's a nice, old-fashioned "religious story" you rarely see anymore. The English title goes under "The Miracle Of Marcelino."

It's a simple tale of a group of monks who discover a baby at their monastery doorstep one morning and then raise the boy. They try to find suitable parents for the infant but are unsuccessful. The infant scenes don't run too long because, before you know it, they have fast-forwarded it to when the boy was six years of age....and that's where he stays until the end of the film.

Pablito Calvo as the title character, Marcelino," is excellent. Kudos to cinematographer Heinrich Gartner for beautiful black-and-white photography. The DVD transfer was outstanding, too. The lighting, particularly on faces, is terrific.

Other reviewers here at IMDb, such as Albert Sanchez Moreno, have described the story nicely. I will just add I found it oddly captivating the entire way and very touching and moving in the last 20 minutes or so, after the boy discovers the big statue of Christ and begins communicating with Him. Yeah, I'm sure it looks really far-fetched to almost everyone, especially non-Believers, but I enjoyed and marveled at the end of this film.

I'm not quite sure what to make of the monks in here and why they would "warn" the young boy against going up in the attic, where the statue is located, unless they somehow supernaturally knew what was going to happen.....yet they still should have put their trust in Christ, anyway. Their actions are puzzling at times. There is a real mystery to this story overall, anyway. Not being Catholic, maybe I missed something in the translation. This is a very "Catholic" film but a Christ-believing Protestant as I am can still fully appreciate this story, too, as much as anyone, and I did.

You'll never find this at a rental store but those you are curious, you might want to add it to your queue if you belong to one of those mail-in rental programs. This film was a collaboration of Spanish and Italian filmmakers, I think. There was a color re-make in the early '90s, but I haven't seen it.

It's a film of tender "innocence" like few I've ever seen, which makes it very memorable.

The film starts in a long flashback narrated by a priest (Fernando Rey), he tells how an abandoned baby is picked up by monks residing in a monastery run by a humble Father Superior (Rafael Rivelles). The little boy named Marcelino (Pablito Calvo) who lost his mother , becomes a fine kid , pure and simple of heart , and devoted friend of Crucified Jesus . Meanwhile , he gets into mischiefs , he plays and puts nicknames to monks , as Brother Door (Antonio Vico) , Brother Cookie (Juan Calvo), Brother Bad (Mariano Azaña) , Fray Giles (Juanjo Menendez) and Brother Ding Dong (Joaquin Roa) . But in some touching scenes , Marcelino meets at the loft to Jesus and gives him bread and wine, then happening an ecstasy at the ending .

This a perceptible and feeling movie full of mirth , humor touches , and enjoyable message based on novel written by Jose Maria Sanchez Silva. At the same time the film gives us an agreeable panorama about monastery life , its pity , and goodness ; furthermore , the religious oration , sacrifice , work , companionship and various situations happen in monastic existence . Its perfect developing resides on superb characters incarnated by the good-natured monks, well played by all-Spanish-star-cast , and the sympathy , simplicity of Pablito Calvo-Marcelino . Musical score by Pablo Sorozabal responds appropriately to ambient , originating a really spiritual and religious atmosphere . Precious and luminous cinematography by Enrich Guerner (Vadja's ordinary cameraman) who give us an accurate scenario at the times is developed . The motion picture was excellently directed by Ladislao Vadja , born in Hungary , he's author of magnificent movies , such as 'The Bait', and 'Carne de horca', and three with Pablito Cavo : 'An Angel over Brooklyn' (along with Peter Ustinov) and 'Uncle Jacinto' (with Antonio Vico) . In my opinion this is one of the best films to come out of Europe in the decade of the 50s. The picture touched the hearts of numerous spectators all around the world. Rating : Above average.