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Adicionar um enredo no seu idiomaA chronicle of the Cristeros War (1926-1929); a war by the people of Mexico against the atheistic Mexican government.A chronicle of the Cristeros War (1926-1929); a war by the people of Mexico against the atheistic Mexican government.A chronicle of the Cristeros War (1926-1929); a war by the people of Mexico against the atheistic Mexican government.
- Prêmios
- 3 vitórias e 9 indicações no total
Fernanda Urdapilleta
- Sandra Gorostieta
- (as María Fernanda Urdapilleta)
Avaliações em destaque
This historical chapter plays close to home as my great-grandfather was morally involved and supported the resistance. He was a founder and active participant of the Knights of Columbus in Mexico City. This society played an active financial role in the rebellion. Our family business was also affected by this persecution in Mexico, as he could not sell his most important products, which at the time were altar candles for the churches. In the early years of this escalating situation, my great grandfather, a deeply religious man and friend of the church, hid at his candle factory, church artwork and religious valuables to keep them from being plundered and destroyed by government officials.
On more than one occasion, based on anonymous tips, government troops personally led by General Plutarco Elías Calles, raided both my great-grandfathers business and his home, looking for firearms and the illegal church valuables that he was hiding. Unable to find anything, the General made my great-grandfather kneel to the ground and shoved his pistol into the back of my great-grandfathers head. Why he never pulled the trigger or why they were never able to find anything either at the candle factory or at his home, was all God's work. At my great-grandfather's home, there were firearms in plain sight standing behind the open doors to the inner rooms supplied to him by the US Embassy in Mexico City.
This world is really-really small as fate would have it be, my brother-in-law married the great-granddaughter of General Plutarco Elías Calles Although my father knows about this, I never mentioned anything to my grandfather about the subject Thank God nothing more serious ever happened there are absolutely no ill-feelings between us, and it sure makes a heck-of-a-good family story for generations to come!
I hope you have an opportunity to see the movie, it is an important chapter of Mexican history which has been institutionally hidden for almost 100 years now.
On more than one occasion, based on anonymous tips, government troops personally led by General Plutarco Elías Calles, raided both my great-grandfathers business and his home, looking for firearms and the illegal church valuables that he was hiding. Unable to find anything, the General made my great-grandfather kneel to the ground and shoved his pistol into the back of my great-grandfathers head. Why he never pulled the trigger or why they were never able to find anything either at the candle factory or at his home, was all God's work. At my great-grandfather's home, there were firearms in plain sight standing behind the open doors to the inner rooms supplied to him by the US Embassy in Mexico City.
This world is really-really small as fate would have it be, my brother-in-law married the great-granddaughter of General Plutarco Elías Calles Although my father knows about this, I never mentioned anything to my grandfather about the subject Thank God nothing more serious ever happened there are absolutely no ill-feelings between us, and it sure makes a heck-of-a-good family story for generations to come!
I hope you have an opportunity to see the movie, it is an important chapter of Mexican history which has been institutionally hidden for almost 100 years now.
An under the radar film about a subject I knew nothing about that absolutely floored me. It's a high quality film with flat out superb performances that makes you contemplate and appreciate faith and freedom like few films have ever managed to convey. Yes, it is a faith based film. If that offends some, then this isn't the movie or the subject for you. Unlike other faith based efforts, this effort is not cheesy or ham-fisted or even preachy.
It's the tale of the Cristeros War (1926-1929); a war by the people of Mexico against the Mexican government who cracked down in brutal ways against the Catholic Church and against religious freedom in general. Andy Garcia is Oscar level good here as General Gorostieta, a man with limited faith who responds and masterfully leads the fight for freedom. It's intense and, at times, surprisingly violent and impactful. This movie delivers real emotion and doesn't dodge tough questions about faith. It delivers an exceptional balance of showing why people behave and choose to engage in certain behaviors even when such behavior is contrary to the core of their belief system.
One thing is certain; no one who has faith will take it or their religious freedom for granted after watching and EXPERIENCING this film. That's how it registered with me at any rate.
It's the tale of the Cristeros War (1926-1929); a war by the people of Mexico against the Mexican government who cracked down in brutal ways against the Catholic Church and against religious freedom in general. Andy Garcia is Oscar level good here as General Gorostieta, a man with limited faith who responds and masterfully leads the fight for freedom. It's intense and, at times, surprisingly violent and impactful. This movie delivers real emotion and doesn't dodge tough questions about faith. It delivers an exceptional balance of showing why people behave and choose to engage in certain behaviors even when such behavior is contrary to the core of their belief system.
One thing is certain; no one who has faith will take it or their religious freedom for granted after watching and EXPERIENCING this film. That's how it registered with me at any rate.
Revolutions are never easy. And sometimes they demand sacrifice. Sacrifice of many things to achieve something for a later generation. It's a tough movie to watch for many reasons, but it's also not taking prisoners (literally at times), which you might like about it or dismiss. But that's how things can go down, when there is uproar.
We might live in societies today that don't have to fight for certain things, but it's not too much of a stretch to see why and how some had to fight for freedom of speech or religion or other things. The movie depicts a real life event/incidents, which might appall some viewers from the get go, but if you like Drama and History in general, this might be for you. I haven't read too much about how things went down exactly, but I reckon this movie made me aware of a chapter I hadn't had heard about before ...
We might live in societies today that don't have to fight for certain things, but it's not too much of a stretch to see why and how some had to fight for freedom of speech or religion or other things. The movie depicts a real life event/incidents, which might appall some viewers from the get go, but if you like Drama and History in general, this might be for you. I haven't read too much about how things went down exactly, but I reckon this movie made me aware of a chapter I hadn't had heard about before ...
The film hijacks a complex social conflict and turns it into a David and Goliath story of good guys versus bad. In so doing, it whitewashes the historically reactionary role of the Catholic Church in Mexico. One cannot imagine how such an approach would convince or educate any viewer, including those not at all familiar with the history of this conflict. As befits a one-dimensional propaganda film, the performances are mostly flat and cartoonish.
It is ironic that a movie that purports to represent a popular struggle in defense of religion pointedly ignores the main protagonists: the peasants themselves, both as individuals and in their collective action. Throughout the movie, neither the peasant forces, nor the government soldiers that are sent against them are ever depicted as real human beings.
This movie's celebration of faith and charisma—reduced to the cry 'Long Live Christ the King!'—is a crude effort to obscure the underlying class conflicts that gave rise to the real Cristeros, a social movement that is not widely understood .... Victorious in the Mexican Revolution, the Constitutionalist Army, led by Venustiano Carranza, Álvaro Obregón and Calles, had defeated the peasant armies of Pancho Villa and Emiliano Zapata. The new regime was incapable of resolving a central issue over which the Revolution had been fought, the redistribution of land.
The slow and erratic pace of land distribution under Carranza, Obregón and Calles confirmed to the peasantry the military government's timidity in confronting the large and powerful landowners. The immense properties of the church constituted an important source of economic stagnation and social instability. Efforts in the 19th century to force the church to rent out its land to others, let alone to surrender ownership, met with fierce opposition.
According to historian Jesús Silva Herzog the peasantry and the working class confronted a "demonic triumvirate:" the great landowners, the military, and the Church. "Three tragic words define Mexican history: haciendas, sacristy and barracks." Lacking a revolutionary party and isolated from the workers, the rebellion of Mexican peasants was hobbled by the Catholic Church. Desperate peasant and Indians threw themselves into battle during the Cristero War ideologically imprisoned by Catholic dogma.
Had the Cristero War merely pitted the government of President Calles against the Catholic establishment, it is unlikely that the unprecedented brutality—the mass repression of peasants, the burning and looting of their towns—would have taken place. Historically, ruling classes reserve this kind of gross brutality to the rebellion of the most oppressed: peasants, workers or slaves.
It is ironic that a movie that purports to represent a popular struggle in defense of religion pointedly ignores the main protagonists: the peasants themselves, both as individuals and in their collective action. Throughout the movie, neither the peasant forces, nor the government soldiers that are sent against them are ever depicted as real human beings.
This movie's celebration of faith and charisma—reduced to the cry 'Long Live Christ the King!'—is a crude effort to obscure the underlying class conflicts that gave rise to the real Cristeros, a social movement that is not widely understood .... Victorious in the Mexican Revolution, the Constitutionalist Army, led by Venustiano Carranza, Álvaro Obregón and Calles, had defeated the peasant armies of Pancho Villa and Emiliano Zapata. The new regime was incapable of resolving a central issue over which the Revolution had been fought, the redistribution of land.
The slow and erratic pace of land distribution under Carranza, Obregón and Calles confirmed to the peasantry the military government's timidity in confronting the large and powerful landowners. The immense properties of the church constituted an important source of economic stagnation and social instability. Efforts in the 19th century to force the church to rent out its land to others, let alone to surrender ownership, met with fierce opposition.
According to historian Jesús Silva Herzog the peasantry and the working class confronted a "demonic triumvirate:" the great landowners, the military, and the Church. "Three tragic words define Mexican history: haciendas, sacristy and barracks." Lacking a revolutionary party and isolated from the workers, the rebellion of Mexican peasants was hobbled by the Catholic Church. Desperate peasant and Indians threw themselves into battle during the Cristero War ideologically imprisoned by Catholic dogma.
Had the Cristero War merely pitted the government of President Calles against the Catholic establishment, it is unlikely that the unprecedented brutality—the mass repression of peasants, the burning and looting of their towns—would have taken place. Historically, ruling classes reserve this kind of gross brutality to the rebellion of the most oppressed: peasants, workers or slaves.
As a Catholic very concerned about the anti-Catholic direction of our society, I wanted to see For Greater Glory. But after reading the reviews on RottenTomatoes, I assumed it would be a good message poorly presented. I could not have been farther from the truth. This was a excellent movie - especially for a directorial debut. Even if you are not Catholic you will find this movie very moving and well done.
Andy Garcia is excellent - he even shows intense emotions. Mauricio Kuri had an outstanding rookie performance. Nestor Carbonell's role was perfect for him. Peter O'Toole was a wonderful surprise if short lived.
Ignore RottenTomatoes - you will not be disappointed!
Andy Garcia is excellent - he even shows intense emotions. Mauricio Kuri had an outstanding rookie performance. Nestor Carbonell's role was perfect for him. Peter O'Toole was a wonderful surprise if short lived.
Ignore RottenTomatoes - you will not be disappointed!
Você sabia?
- CuriosidadesPartially financed by the Knights of Columbus, whose members in both the United States and Mexico were an integral part of the actual Cristeros Rebellion.
- Erros de gravaçãoJose gives up his white horse to another christero during a battle and hides in the rocks. When the other christero comes back to look for Jose, he is on a brown horse.
- Citações
Father Christopher: Who are you if you don't stand up for what you believe? There is no greater glory than to give your life for Christ.
- Cenas durante ou pós-créditosNear the end of the credits, "Batman" is credited as a painter.
- ConexõesFeatured in The Secret Masonic Victory of World War Two (2022)
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- How long is For Greater Glory: The True Story of Cristiada?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- For Greater Glory
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.672.846
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.885.608
- 3 de jun. de 2012
- Faturamento bruto mundial
- US$ 10.173.682
- Tempo de duração
- 2 h 25 min(145 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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