O Escudo Negro de Falworth

The Black Shield of Falworth is the only other story I know that concerns itself with the time of Henry IV. He's played here by Ian Keith and the film like the Shakespeare plays about him concern efforts to topple him from his throne. But other than Prince Hal, played here by Dan O'Herlihy, the rest of the cast are fictional characters from a novel by Howard Pyle.

Young Tony Curtis and his sister Barbara Rush have been raised in the forest by Rhys Williams. They are in fact of noble birth, but Dad was accused of treason, his lands forfeited and his family under a death sentence.

They're sent still unaware of their identity to another nobleman's digs in this case Herbert Marshall's. Curtis trains first as a squire and then a knight by tough drill sergeant man at arms, Torin Thatcher. It's for the day he can challenge villain David Farrar and his equally villainous brother Patrick O'Neal for plotting against his father.

Of course Curtis also falls for his then real life wife Janet Leigh who O'Neal is also interested in.

The Black Shield of Falworth was the first Universal film in cinemascope and Universal was far more interested in the spectacle of the film than the story because they were competing with the small screen that was populating the homes of America. In his memoirs Tony Curtis says that the lack of interest in the story was all apparent, but that he did like working with director Rudolph Mate and his then wife Ms. Leigh.

Favorite in the film however has to be Torin Thatcher. You won't forget this rough and rugged old knight with a Rooster Cogburn eyepatch and a staff to support him walking. Still he's one tough old bird. Coming in second is David Farrar who is plotting to take the throne away from Ian Keith.

Which if you remember your Shakespeare was one that a lot of people felt he usurped from Richard II. So what we're watching The Black Shield of Falworth is just another reason why Ian Keith was not sleeping good at night.

Why do all the critics love to attack Tony Curtis for his accent in this movie? (Most frequently citing the line "Yonda lies da castle of my fodda.") Since Curtis's movie acting is invariably entertaining, doesn't he deserve the benefit of a doubt when it comes to the arcane question of what accent is appropriate to a fictional medieval character? The critics have always complained that his accent sounds too American or New York for a medieval knight. But how can the critics be so sure that they are right and the actor is wrong? I mean, what did a genuine English knight of the middle ages really sound like? Have they researched this question?

There were many races of people in England of the middle ages: Saxons, Angles, Normans, Celts, Scandinavians, Picts, Scots, Frenchmen, Jews, even some Moors. Back then, of course, they didn't speak modern English as actors do in almost every American-made movie, so the only issue is whether Curtis's pronunciation of vowels and consonants sounds wrong or right for a medieval knight.

In the Bronx in the twentieth century (Tony Curtis's time and place) there was a mixture of races similar to that of Europe in the middle ages. The pronunciation of the local dialect spoken most likely would have been similar to that of many European languages, including English of several historical periods. Most importantly, if Tony Curtis spoke Yiddish, then he spoke a dialect very similar to medieval languages like Old German or Old English.

It's pretty obvious that the critics had it completely wrong. If there had ever been a real knight of Falworth and we somehow had the opportunity to ask him to pronounce the "offending" line (which was actually the invention of a carping critic and not even in the movie), how might it have sounded? Tony Curtis had it right!

The Black Shield of Falworth is directed by Rudolph Mate and adapted to screenplay by Oscar Brodney from the noel Men of Iron written by Howard Pyle. It stars Tony Curtis, Janet Leigh, Barbara Rush, Torin Thatcher, Herbert Marshall, Craig Hill, David Farrar and Dan O'Herlihy. Music is by Hans J. Salter and cinematography by Irving Glassberg.

1954 proved to be quite a year for fans of swords and shields movies, spoilt for choice really. Demetrius and the Gladiators, The Black Knight, King Richard and the Crusaders, Prince Valiant and The Black Shield of Falworth, all got trundled out with colourful ebullience and a willingness to entertain the genre faithful. Naturally budgets and quality of picture varied, while for more serious fare there was the option of seeking out The Egyptian or The Silver Chalice insteadLeonard Matlin famously called The Black Shield of Falworth a juvenile picture, well yes, that's pretty much what it is, it wasn't trying to be Ben-Hur etc, it knows its niche in the genre scheme of things and lets rip in a whirl of tights, colour, smirks, bravado and romance.

It's ultimately a rompathon, it's predictable in story arc and awash with iffy accents that adorn a very simple historical plot. In short order it's an excuse for Curtis to be athletic and butch, fighting the good fight for his birthright, the fair maiden's affections and Henry IV's honour. The men are either splendidly handsome or crotchety villains, the ladies radiant and dressed to the nines. The fights are aplenty and decently choreographed, the colours sharp and the music a montage of medieval flavourings. If not taken seriously, and why would you? Then it's a fine rainy day movie to be enjoyed with drinks and snacks. Hooray for Olde England shenanigans. 7/10

I guess this qualifies as an overdue "thank you" to this movie for getting me started in a lifelong love of history. I saw this movie originally as an 8 year old. I knew nothing about movies, stars, plots, directors or anything else about film, but Oh how I wanted to swash and buckle after seeing it!

It also got me interested in reading more about the era, and beyond that to other eras as well. Since then I have always been sympathetic to historical epics and movies on screen--and elsewhere. No matter how horrendous they might be (and some of them are pretty horrendous), I figure if it gets people interested they can go from there. The funny thing is is that the real history is often much more fascinating--and can be more fun--than the Hollywood variety. In fact I never fully understood why people thought history was boring--perhaps it was too many dates.

So thanks Tony, Janet, David, and Craig for getting me started.

Instead of trying to portray real historical events, Hollywood instead opts for a fictitious story set in the England of Henry IV. Nothing wrong with that, of course. Unusually for Hollywood, they actually make an effort to get things right historically, and broadswords are used as broadswords and not as rapiers. The weaponry and military techniques are pretty OK for a Hollywood film, and are, on the whole, accurate.

The fight sequences are very exciting and, along with the training methods, are probably the best bits of the film.

As to Tony Curtis's accent. Well, we have in Geoffrey Chaucer an authentic idea of what the English language in London was like in the early 15th century. It is ridiculous to write the script in Chaucerian English - not if you want to fill the cinemas, at any rate. Compare Tony Curtis in Black Shield with Olivier in Henry V. Is Olivier's accent any more correct or authentic? This is not the deepest film ever made, but there is plenty to enjoy about it.