O Escudo Negro de Falworth

The Black Shield of Falworth is directed by Rudolph Mate and adapted to screenplay by Oscar Brodney from the noel Men of Iron written by Howard Pyle. It stars Tony Curtis, Janet Leigh, Barbara Rush, Torin Thatcher, Herbert Marshall, Craig Hill, David Farrar and Dan O'Herlihy. Music is by Hans J. Salter and cinematography by Irving Glassberg.

1954 proved to be quite a year for fans of swords and shields movies, spoilt for choice really. Demetrius and the Gladiators, The Black Knight, King Richard and the Crusaders, Prince Valiant and The Black Shield of Falworth, all got trundled out with colourful ebullience and a willingness to entertain the genre faithful. Naturally budgets and quality of picture varied, while for more serious fare there was the option of seeking out The Egyptian or The Silver Chalice insteadLeonard Matlin famously called The Black Shield of Falworth a juvenile picture, well yes, that's pretty much what it is, it wasn't trying to be Ben-Hur etc, it knows its niche in the genre scheme of things and lets rip in a whirl of tights, colour, smirks, bravado and romance.

It's ultimately a rompathon, it's predictable in story arc and awash with iffy accents that adorn a very simple historical plot. In short order it's an excuse for Curtis to be athletic and butch, fighting the good fight for his birthright, the fair maiden's affections and Henry IV's honour. The men are either splendidly handsome or crotchety villains, the ladies radiant and dressed to the nines. The fights are aplenty and decently choreographed, the colours sharp and the music a montage of medieval flavourings. If not taken seriously, and why would you? Then it's a fine rainy day movie to be enjoyed with drinks and snacks. Hooray for Olde England shenanigans. 7/10

To my mind, this is the best knights of olde movie ever made. Years ago it was the habit of British tv station BBC2 to have a movie on at 6pm most evenings and they were usually, either 40 & 50's westerns, historical yarns, melodramas or swashbucklers. One such film was The Black Shield of Falworth, I was a big fan of such films like The Vikings (Incidentally or co-incidentally both starred Tony Curtis and Janet Leigh) and decided to record this movie, if it was any good I'd keep it, but if not just tape over the damn thing. The movie was that good I still have it after 15/16 years. The plot is similar to Henty's Novel 'St George for England' in as much as it tells the story of a peasant boy ignorant of his noble blood for most of his upbringing. though that's where the similarities end. The American accents in a film set in medieval England are ludricrous, but the plot of the film is so engaging that you don't mind as much. Torin Thatcher gives us another scene stealing performance as the firm but fair Sir James and if it's possible, betters his performance as Humble Bellows in The Crimson Pirate. This film has everything, action, romance, subtle comedy, and an excellent music score. This is not one to miss and I can't wait to get this movie on DVD so i can give my old VHS copy a well deserved retirement.

Looking back, it seems like they showed this movie every other Sunday afternoon (and I watched it everytime). It's of a time when knights were bold and their women were beautiful. And, a time when you settled your disputes on the 'field of honor'. Tony Curtis looks a bit awkward in the role of 'knight wannabe', but you soon suspend belief and accept him in the part.

The story unfolds in nicely presented vignettes (over the course of years), that are assembled effortlessly and almost seamlessly. Battles and glory await our hero (the girl awaits too). It's an entertaining journey to the climatic finish. Enjoy....

Instead of trying to portray real historical events, Hollywood instead opts for a fictitious story set in the England of Henry IV. Nothing wrong with that, of course. Unusually for Hollywood, they actually make an effort to get things right historically, and broadswords are used as broadswords and not as rapiers. The weaponry and military techniques are pretty OK for a Hollywood film, and are, on the whole, accurate.

The fight sequences are very exciting and, along with the training methods, are probably the best bits of the film.

As to Tony Curtis's accent. Well, we have in Geoffrey Chaucer an authentic idea of what the English language in London was like in the early 15th century. It is ridiculous to write the script in Chaucerian English - not if you want to fill the cinemas, at any rate. Compare Tony Curtis in Black Shield with Olivier in Henry V. Is Olivier's accent any more correct or authentic? This is not the deepest film ever made, but there is plenty to enjoy about it.

I guess this qualifies as an overdue "thank you" to this movie for getting me started in a lifelong love of history. I saw this movie originally as an 8 year old. I knew nothing about movies, stars, plots, directors or anything else about film, but Oh how I wanted to swash and buckle after seeing it!

It also got me interested in reading more about the era, and beyond that to other eras as well. Since then I have always been sympathetic to historical epics and movies on screen--and elsewhere. No matter how horrendous they might be (and some of them are pretty horrendous), I figure if it gets people interested they can go from there. The funny thing is is that the real history is often much more fascinating--and can be more fun--than the Hollywood variety. In fact I never fully understood why people thought history was boring--perhaps it was too many dates.

So thanks Tony, Janet, David, and Craig for getting me started.