As 3 Máscaras do Destino

I loved this movie! The three women destinies in a large metropolis (London -1950s) after they come out of jail with very different expectations seems to be quite an usual storyline in those years. London itself --as any large city-- looks completely different from the present London, although through this gloriously misty black and white photography it has a nostalgic Memory Lane feeling absolutely unique.

One wishes to have been able to walk those streets and feel that particular atmosphere, completely gone by now.

The film: It's so very well acted and edited that when it comes to the end, it seems to have only lasted for ten or fifteen minutes. The three women stories are quite banal but engaging because they are displayed alternately so we get to know these characters one by one and at the same time, since they run parallel lives and will keep in touch through different daily happenings.

The beauty and sex appeal of a young Joan Collins was something to be seen. She was gorgeous! specially at the beginning, when still in jail and without any noticeable make up, she was stunning. As stunning as Joan, but on a different level was Yvonne Mitchell, a sedated beauty, classy and cool, very elegant and certainly as grand as any titled lady (many titled ladies will kill their grandmothers if they could look like her).

The sequence on top of the building with the intervening police was quite nerve wreaking and superbly filmed and edited. The scenes with the old lady --Kathleen Harrison-- and her beloved dog, Johnny, were the sentimental segment that cemented the different episodes among these three women.

There is a crucial scene where the title "Turn the key softly" makes sense because it was dependent on that, that one of the protagonists could escape a cruel and unjust outcome. Even if nowadays the strings pulled in this movie to keep one interested in the story telling are too obvious, the film doesn't fail in entertaining one from beginning to end.

Yvonne Mitchell, Joan Collins and Kathleen Harrison are released from prison into the hustle and bustle of London on the same day, with varying degrees of resolution to go straight. They agree to meet for dinner at a posh restaurant -- Miss Mitchell's treat. The movie covers the day and their varying success.

It's well performed by three actresses: Miss Harrison plays her scrublady from SCROOGE, transported a century and a quarter into the future. jugged on fifteen counts of shoplifting; Miss Mitchell is an well-to-do young woman who loved unwisely but too well and took the fall for her burglar boyfriend; and Joan Collins.... well, she looks like a cheap piece of goods, but she's scheduled to marry a bus driver.

It's based on a novel and the screenplay is, I fear, somewhat muddled, with the random nature of events leading to random outcomes. The actresses give excellent performances, and director Jack Lee, in cooperation with cinematographer Geoffrey Unsworth, sets up the final fifteen minutes in a striking manner. He clearly had a fine eye for the streets of the city, having worked for the GPO as assistant director to LONDON CAN TAKE IT! His abilities helming a fiction movie were shakier, but given the performances and visuals, this one is worth a look.

The full gamut of life in the london of the fifties. Humor and pathos in that delicate british mix that the studios of the day excelled at. The characters are well portrayed particully that played by Kathleen Harrison. A simple tale of three women - released on the same day and time from prison - of vastly different backgrounds, the film basicly revoloves around a dinner engagment proposed and payed for by Yvonne Mitchel. The events prior and post this dinner comprise the body of the film

What an entertaining film! Glamour, thrills, romance, sentimentality. This is a British black and white film noir, if that's the correct description to give it, but it give a clue in the night time robbery scene, the stark prison scenes at the beginning, the clandestine meetings the leading players have in alleyways, etc. The stars all act well, particularly Kathleen Harrison as an old lag who on her release in reunited with Johnny, her little dog, who plays as leading a part as the humans here. Joan Collins in an early glamour role is as striking then as she is now over sixty years later. The leading actress is Yvonne Mitchell and her lover is the villainous Terence Morgan, a part he was adept at playing in the 1950's. I didn't want it to end, and maybe, that's the secret of a great movie, leave 'em wanting more. Films today are often too long and that's why they are rarely great any more. There is a scene where a woman very briefly walks down the stairs past Yvonne Mitchell, and I could swear it was Prunella Scales (from Fawlty Towers) but it was so brief and she's not listed.

Everybody deserves another chance. Newly released from prison, three women face the challenges of reformed life on the "outside". Each have their own plans for moving on with life. The youngest (played by a stunningly beautiful Joan Collins in her first leading film role) is determined to marry a sincere young man with whom she had kept in correspondence. The second one appears to have been innocently convicted due to a shifty boyfriend who left her to take the wrap for the crime he had committed. The third is a sweet little old lady who routinely got convicted of shop lifting. - The film follows all three women through their first day of freedom. Young Joan Collins is excited when her fiancé suggests a very near wedding date. The innocent one finds employment, and the old lady goes back to her modest boarding house where her beloved little dog "Johnnie" was waiting for her return. - Of course there are complication, lots of drama, and a heart breaking ending. The grim realities of early 1950s life in London make for a believable backdrop to the individual character studies. Life was tough, and for single women even tougher. Adding a prison record only adds to the challenge. - I was very much entertained by this film. A simple story told with warmth and empathy. Be sure to have your Kleenex box handy, it's a mushy one!