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I've tried, and tried, and tried, and have now given up trying to figure out the appeal "Beat the Devil" has to a certain clique of film fans. There's no denying its surface appeal. Bogie, Huston, Capote, Lorre, Jones, et al, but I'd have to agree with Bogart who called it a "dog." It's not exciting, it's not funny, and it's not appealing to the eye. The shoddy production values (at least for a film with a cast, director, and writer of such high calibre) were apparent to many critics of the time, so the video and DVD releases probably look no worse than the film did in 1953. The fact that the copyright holders (Bogart's company co-produced) let this fall into the public domain may be a clue to what they thought of it.

"Beat The Devil" is one of Bogart's more unusual films. Scripted by none other than Truman Capote and John Huston, it is a very entertaining, offbeat noir satire (quite a description). Upon first viewing a lot of the humor may get lost, but view it a second time, and you can not help but laugh out loud at many of the jokes.

The cast is absolutely top notch. Bogart is perfect as Billy Dannreuther, a man who has a friend that will line him and his associates up with some land in Africa that is rich with uranium. It's always nice to see Bogie prove that he had a great sense of humor, and didn't mind poking fun at himself. Jennifer Jones, who, for some reason, always reminded me of Vivien Leigh (in "Streetcar")in this picture is terrific as Mrs. Chelm. But it is Robert Morley who steals the picture for me. Sometimes menacing, sometimes charming, he is a delight to watch.

Huston and Capote have done a great job of blending the different genres without letting them get all caught up in each other. I do wish that the final scene was written a little better, but the movie is still a lot of fun.

Caution - because the film was allowed to enter the public domain, there are a lot of really lousy prints out on the market, even on DVD. If you want this film for your own collection, do yourself a favor and spend a couple of extra dollars and buy a good print.

7 out of 10

The plot, if you can call it that, concerned a group of six stranded adventurers in an Italian port whose plan is to buy up some East African land that supposed1y contains uranium… Double-crossing quickly becomes the name of the game as Bogart and his fellow conspirators (including Robert Morley, Peter Lorre, Gina Lollobrigida, and a seemingly endless parade of bizarre characters) outdo each other in inspired crazy way…

Bogart, trying desperately to maintain his composure, delivered such priceless lines as: 'I'm only in on this because the doctor told me I needed plenty of money. Without money I become dull, listless, and have trouble with my complexion." But his lines weren't the only offbeat ones… In a room where he's being questioned after being captured, while a firing squad goes about its routine work outside, he is asked straight-faced, "Now tell me, do you really know Rita Hayworth?"

The film is one of those rare items that viewers either seem to love or hate, no middle ground accepted… and declared that only the "phonies" thought it was really funny… Many reviewers thought the whole thing was a tasteless joke and decried the waste of time, talent, and money…

In any case, Bogart gave an immensely satisfying performance in his tongue-in-cheek role and the film itself has now become a regular attraction in Bogart film retrospectives… It is also an excellent example of how much Bogart had matured as an actor, since it is not easy to overcome apparently inept material and still give a performance with some meaning and substance

Humphrey Bogart heads a superior cast in this tale of a gang of swindlers who seek to covertly purchase African lands rich in uranium--but this is not the tough film noir you might expect: the script by director John Huston and Truman Capote upends the tale to create one of the most wry and wicked comedies going, and a remarkably fine cast follows suit with a host of eccentric performances.

Although Bogart does not look his best (this film was made toward the end of his life), he offers an understated yet very witty performance as Billy Dannreuther, the man the crooks hire to make the land purchase. His leading ladies, bombshell Gina Lollobrigida and an unexpectedly blonde Jennifer Jones, are equally effective in the roles of Bogart's cheerfully pragmatic wife and the pathological liar with whom Bogart becomes romantically entangled. But the big news in this film is the supporting cast. Robert Morley, Peter Lorre, Ivor Barnard, and Marco Tulli give drop-dead-funny performances as the largely incompetent foursome behind the landsnatch scheme; Edward Underdown (as Jones' long suffering husband) is simply the most completely ludicrous Brit to hit the screen since 1930s screwball comedy; and all the cameo players nail their roles to perfection.

It would be unforgivable to give away too much of the story, but suffice to say that one wrong turn leads to another. The film never overplays its hand, maintaining a low key tone that sets off the wickedly funny script to delightful effect. Some viewers may not get the joke--much of BEAT THE DEVIL requires the ability to appreciate covert humor--but those who do will find the movie bears repeat viewing. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

The other comments from reviewers capture the plot. I won't add mine.

'Beat The Devil' has got to be the most edgy movie Bogart or Jones ever attempted. Jones performance is a revaluation in her range of talent. Actually, considering 'Portrait of Jenny', 'Love Letters', and 'Song Of Bernadette' a startling revelation. In 'Beat The Devil' she more than matches Morley and Lorre in comedic brilliance. Very few actors could play a saint and a complete ditz with precision and believability.

Bogart was no slouch in comedy e.g. 'All Through The Night' and 'We're No Angels' may have called this movie, 'A mess', but it is a fine mess and a tribute to Bogart's ability.

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