The Tall Texan

The Tall Texan casts Lloyd Bridges as a prisoner by sheriff Samuel Herrick to trial. To save time they are cutting across Indian country in a covered wagon driven by Syd Saylor along with other passengers Dean Train and wife Marie Windsor and beached sea captain Lee J. Cobb. They pick up a wounded Indian and no good deed goes unpunished in the west as his tribe who had wounded him in the first place wants him back to finish the job.

During the attack Train is killed and the Indians are driven off. In gratitude the Indian gives them some gold nuggets and shows them where there is a lot more. Problem being that the mother lode is in an Indian burial ground. The Indians take the groups guns from them and say they can pan for gold, but not to go beyond a marker they've set down.

They're all just ordinary folks, no cowboy heroes in this bunch. But the worst of them is a bottom feeding peddler they've picked up played by Luther Adler. He's the serpent in their golden garden and he's the real cause of their downfall.

Had this film been done at a major studio it might have proved as much a classic as that other film about gold fever, Lust For Gold which Columbia did a few years earlier. Still coming from Lippert Pictures it must be counted as a miracle that it turned out as well as it did.

A nice ensemble cast gives some great performances and the nice location shooting sure helps.

Try and catch this one if it's broadcast.

Lloyd Bridges was 6' tall. Not short by any standard but hardly the 'tall' you see in this film's title.

"The Tall Texan" is sort of like taking the movie "Stagecoach" and "Treasure of the Sierra Madre" and reworking it just a bit. Just like in "Stagecoach" you have the guy who is in trouble with the law--but instead of John Wayne, it's Lloyd Bridges. It also consists of a group of folks in a stage coach on their way from one town to another. It's a lot like "Treasure of the Sierra Madre" because this group of folks stumble upon gold--and spend much of the rest of the film losing their souls in pursuit of this treasure.

There is a bit more to the movie--but basically it's almost exactly what you'd expect from the mergers of these two films. This isn't a bad thing--the movie is entertaining and like the best sci-fi and westerns (in my opinion), the film has a lot to say about human nature today just like in the 1800s. And, it also is excellent because the American-Indians are not all mindless killers but you understand and appreciate their position in this film. Well worth seeing--especially Luther Adler's highly entertaining portrayal.

Fresh off his success as award winning editor on "High Noon", Elmo Williams takes the Directors chair here for the first time. Often compared to Ford's "Stagecoach" this character study of lust and greed is more reminiscent of "Treasure of Sierra Madre." Bridges is superb as the tight lipped convict, Trask(the Tall Texan), however the real acting kudos go to Adler and Cobb as sniveling peddler and sadistic sea captain, respectively. The picture slowly builds to an action packed climax and a deliberately inconclusive ending. This is perhaps the finest picture from Lippert Inc.

The Tall Texan succeeds because of a fortuitous combination of elements-setting, background music, romance, suspense, and characterization. Although termed low budget, the photography amidst impressive rock formations successfully creates the illusion of taking place on the edge of sacred Indian burial grounds somewhere northwest of El Paso in New Mexico's City of Rocks. The background music has the flavor of Aaron Copland as motifs for the Sea Captain (Lee J. Cobb) ,the crooked peddler Tinnen (Luther Adler) and Ben Trask,the Tall Texan (Lloyd Bridges) recur throughout the drama.The Tympani throbs create tension near the close as Ben Trask fights for his life. An intriguing romance develops between a free spirited woman (Laura Thompson-Marie Windsor) and a prisoner accused of a crime he didn't commit (Ben Trask- Lloyd Bridges). A rapid metamorphosis of contempt to admiration to affection develops as Laura discerns Ben's honest unassuming character. Ben Trask's rival, a hot tempered former sea captain wins the hearts of the audience by developing latent altruistic characteristics. Robert Lippert and Elmo Williams have masterfully and tastefully combined these elements into a well-made drama.

Considering that this movie is almost 50 years old, it holds up quite well. Bridges, Adler and Cobb give striking performances in a tale set amongst a group of barren rocks in the Southwest. The plot moves slowly, building to an exciting climax. One of the best western movies of the 50s with a great musical score.