Morrendo de Medo

Cool nightclub singer Larry Todd (Dean Martin) and bumbling busboy friend Myron Mertz (Jerry Lewis) are on the run from the mob and the police. Heiress Mary Carrroll (Lizabeth Scott) helps them escape to Cuba where she had recently inherited a haunted castle on an isolated island.

This Dean and Jerry doing their song and dance and comedy bits. I kinda expected to have more movie at the haunted mansion. Instead, they do take a long while to get there. I guess that this allows them to do more song and dance. The boys are good although not their best. Carmen Miranda does a couple. Sadly, it's her last movie before her premature death.

I'm a Jerry Lewis fan and I think Bob Hope's «The Ghost Breakers» (1940) was technically way ahead of its time as a funny/scary Old Dark House comedy. This thirteen-years-later remake feels like it was hatched together as a quickie Martin-Lewis vehicle in the «scary» mode (they made four films that year). It reuses the same director (George Marshall), most of the dialogue, most of the situations, most of the special effects, all the stock footage and even one song from the original. The sets have also been recreated and the jokes «updated». If the remake works at all, it is due to the extreme quality and originality of the first film. Comedy writer Norman Lear (of TV fame) did his best in adapting the Bob Hope/Willie Best routine to the particular talents of Dean Martin and Jerry Lewis.

Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.

The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.

All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).

Larry Todd (Dean Martin), and Myron Mertz (Jerry Lewis) run a foul of gangster "Shorty" and are forced to flee the hotel when suspicion of murder falls on Larry. Hooking up with heiress Mary Carroll (Lizabeth Scott) who is sailing for Cuba, the guys find that Cuba is one mysterious place, full of weird goings on and Zombies!

Scared Stiff was Dean Martin and Jerry Lewis' ninth picture, a remake of Paramount's 1940 comedy spooker, The Ghost Breakers that starred Bob Hope and Paulette Goddard, it's also directed by the same man, George Marshall. Though both Lewis and Martin are on record as saying they didn't want to remake The Ghost Breakers since the Hope movie was fine the way it is. The guys were bound to do it by their Paramount contract, and thus producer Hal B. Wallis, rightly assuming that it was viable material for the duo, got the film made.

In the pantheon of Martin/Lewis films, Scared Stiff ranks as one of the better efforts that the guys did. Larks and songs and a Carmen Miranda cameo make up the main body of Scared Stiff. Standard slap-stick to none fans of the intrepid duo, but essential viewing for those that have a kink for such shenanigans. From a ventriloquist dummy skit to Lewis' delightful take on Miranda, and containing an hilarious sequence with Jerry stuck in a trunk, there's enough guffaws to keep the grin on ones face. Fans of the singing side of Deano are however short changed here, and there is no getting away from the fact that Scared Stiff is ultimately a rushed cash in job. So with that in mind newcomers to the pair are advised to possibly give the film a miss and head for the likes of Artists And Models and Hollywood or Bust instead. 7/10

Paramount once again rehashes another of their old hits for Martin and Lewis in Scared Stiff. In one respect Scared Stiff is an improvement over The Ghostbreakers that starred Bob Hope and Paulette Goddard back in the day. At least in this one Willie Best is not playing a horrible racial stereotype.

Other than that and to accommodate Best's role for Jerry Lewis and Hope's role for Dean Martin, it's not too much different from The Ghostbreakers. I have no doubt that producer Hal Wallis dug some of the old Paramount sets for the original out of mothballs for this one. The castle where the last twenty minutes are played looks way too much like the first film to be a duplicate.

Dino got shortchanged in the vocal department, the original songs by Mack David and Jerry Livingston yielded no hits for him. Jerry does a homage to Carmen Miranda who was around on the set to see it. This film marked her farewell screen appearance and I give her credit in that she doesn't let Martin and Lewis upstage her one bit.

Dorothy Malone had a small role as a chorus cutie and favorite of gangster Leonard Strong who was the reason why Dean and Jerry were fleeing to Cuba and got mixed up in Lizabeth Scott's troubles. Malone mentioned that she had recently lost a brother and that Dean personally asked she be cast in the part and helped her through the film. She always remembered his kindness. She also said that Dean and Jerry seemed to be quite cool to each other and the eventual breakup was no surprise to her.

The boys were lucky to have George Marshall who had directed The Ghostbreakers back in the day to also direct this one. If you liked the Bob Hope film, you'll probably like this one.

It even has an unbilled appearance of Bob Hope with another guy who sang a few songs for Paramount back in the day.

As someone who loves Dean Martin's voice, and always have done, and who finds Jerry Lewis entertaining 'Scared Stiff' intrigued. It was enough for me to see with just one of them, but it's even more so with them together.

'Scared Stiff' has garnered comparisons to 'The Ghost Breakers', the general consensus being that it's inferior to that film. It is agreed that 'The Ghost Breakers' is the better film, funnier, scarier and combines those two elements together a little more strongly. This said, 'Scared Stiff' in no way disgraces it and works well on its own two feet too.

The story does jump around a little, with the shift to the darker and scarier elements slightly abrupt (emphasis on the slightly) and creaks in some parts. As alluring as Lizabeth Scott is, she is also a rather bland presence, not looking entirely comfortable in comedy or romance. The production values, apart from some very atmospheric sets, do betray a rushed production and that it was made in haste.

Conversely, 'Scared Stiff' has many positive elements. Regarding the songs, while not classics or ones that will necessarily stand the test of time, they are still pleasant enough and suit Martin's wonderful singing talents and Carmen Miranda's unique stage presence and such well.

George Marshall's direction is nifty and he and the nicely crafted script neatly combine genuinely funny comedy and suitably eerie and suspenseful chills. Miranda, in her final film, lives up to her nickname as "The Brazilian Bombshell", even if she has been much better before with material that adds more to the story than 'Scared Stiff' does.

Martin and Lewis are a very well matched double act, their talents well-utilised and contrast with each other deftly. Martin effectively plays it straight against Lewis' very kinetic energy (Lewis' impersonation of Miranda is not particularly good but still pretty hilarious, and his scene with Frank Fontaine is a scream).

In conclusion, a fun film that has made be interested in more of Martin/Lewis collaborations. 7/10 Bethany Cox