O Grande Rebelde

Although I said I had seen this film before it was at least 44 years ago and I was only a strapping lad of about 6 or 7 so my comments of the film might be touched with some nostalgia.I have incidently seen the new release of Rob Roy several times but I somehow prefer the 1953 version.

This film is a mixed bag. It has some excellent aspects, but it does tend to drag a bit, and it is a muddle of accents. It is set in the highlands of Scotland during a very complicated time, and does not do a very good job of explaining this complicated political situation. While it probably looked vibrant when it was first put out, today it looks very muddy and boring, like they were filming at the end of February or the beginning of November. There are two parts which are quite funny, the first is when Rob is trying to ask for someone's hand in marriage and his future father-in-law is loudly playing with the reed of a bagpipe. The second is that the new German King of England George the first needed a translator and spoke in a very thick German accent, and spoke in German to highlanders who happened to understand German. It's often compared to the last film about Rob Roy they made, in the early 90s, while I have seen that film, I do not remember it very well, so I can't really compare the two. It seems to me an American imagining of the story of Scotland, and I think that most films about Scotland are American imaginings of Scottish history that they idealize. I think that's because America is a country of immigrants and while there is a civic identity of America, there isn't an ethnic American identity, so often the descendants of these immigrants tend to latch on to a sort of mythic past. It's the same thing in Canada, where I grew up, or at least during the time when I grew up. People would identify as Scottish or Highlanders, but never as the English, although everyone I grew up with was mostly a mixture of these ethnicities.

Although not based on Sir Walter Scott's novel of the same name, I found "Rob Roy" a most entertaining effort. Splendidly acted throughout, particularly by James Robertson Justice (as the sympathetic Campbell), Michael Gough and Geoffrey Keen (two wonderful villains), and Eric Pohlmann (a truly charismatic performance – one of his best – as King George), "Rob Roy" emerges as a rousing adventure yarn with plenty of swashbuckling excitement, hair's breadth escapes, and even a bit of humor and romance. French has directed in rousing style. He has an eye for both the pictorial and dramatic possibilities of real locations. Supporting technical credits are absolutely first-class, featuring fine scenic photography and a handsomely atmospheric music score.

If you're looking for a perfect swashbuckler in which people sound like stage Scots, ye can nae do better than this movie about the Scottish cattle thief and protection racketeer whom the early 18th-Century press, along with highwaymen, romanticized into heroes; the magnificently idiotic image was perfected by Sir Walter Scott and so we have this flick.

Disney went full English with this, shooting at Elstree and the Highlands with a British cast, and the care shows, particularly with Guy Green's beautiful oil-painting Technicolor lighting. Richard Todd gives a fine performance in the traditional, anachronistic costume; Glynis Johns (who is still with us as I write this) has never been cuter; Finlay Currie was never more Scottish; and John Robertson Justice, as the Duke of Argyll, plays his role as befitting a man whose name is John Robertson Justice, even though his real middle name was Norval.

I quite like 'Rob Roy, the Highland Rogue', though the bland conclusion knocks it down a peg in my books.

There are a number of familiar faces from 1953's 'The Sword and the Rose', with Richard Todd again teaming up with James Robertson Justice, Glynis Johns and Michael Gough. I enjoyed these cast members in that latter film, so little surprise I rate them here too.

Todd leads as Rob Roy himself, to mostly positive feelings. He continues to work well with Glynis Johns (Helen), I would've actually appreciated extra scenes with those two together. I wanted more screen time for Justice (Argyll) too, though his absence does make sense to be fair. Credit to Jean Taylor Smith also, she's decent as Margaret.

The action sequences still look fairly solid, while the 82 minute run time helps keep things fresh - I never felt like it dragged its heels personally. I just didn't presume such a quick resolution, I expected a bigger finale.