Robin Hood, o Justiceiro

I remember as a small lad seeing this on Walt Disney's hour television show where he regularly segmented his feature films for broadcast. Unfortunately this Robin Hood gets overlooked next to Errol Flynn's and the silent with Douglas Fairbanks, Sr. but it has enough merit to stand on its own.

Richard Todd is a dashing Robin Hood and he was at the height of his career when he did this film for Walt Disney. Todd was a fine performer and should have had a much bigger career than he did.

The cast is filled out with a fine group of British performers. Two in my opinion really stand out. Peter Finch gets his first real exposure to American audiences as the villainous Sheriff of Nottingham. He probably had the biggest career of all the cast members.

Secondly the booming James Robertson Justice as Little John is never bad in any film he was ever in. The classic battle between Robin Hood and Little John with staffs on a log bridge was never done better.

During the 1950s this version also had competition from television where Richard Greene had a successful series for about seven years. The TV series was a good one, but this film doesn't have to yield to it either.

A fine adventure film, the kind just not being made any more.

I had watched this just once growing up, as opposed to the numerous viewings allotted to the definitive 1938 Errol Flynn version, so I was curious to know how it has held up (particularly since I recently enjoyed another Walt Disney epic starring the recently-deceased Richard Todd i.e. ROB ROY, THE HIGHLAND ROGUE [1953]). As can be intimated from the rating above, my reaction to it was by and large a positive one; to begin with, the copy I acquired – even if viewed on a small TV screen – was gorgeous, making this surely among the studio's most handsome-looking live-action efforts. Another immediately striking element is the casting – modest in comparison to the earlier Warner Bros. super-production perhaps but no less capable and, more importantly, fitting to each respective character: Todd, one of the few Robins not to sport a beard(!), is suitably dashing and good-natured (though lacking the athleticism of Flynn and Douglas Fairbanks before him); incidentally, having mentioned Fairbanks – whose 1922 ROBIN HOOD was treated with such rigor as to have the semblance of authenticity – this one too would appear to want to present the 'true' story (not merely picking up from the moment King Richard – played by an unrecognizable Patrick Barr – left for the Crusades but also insisting on providing a back-story and a noble heritage for our hero – even the famous archery contest occurs prior to his having turned outlaw and, what's more, Robin is beaten by his own dad in it?!). Anyway, to get back to Todd's fellow actors, pretty Joan Rice makes for one of the youngest yet most spirited Maid Marians; among the "Merrie Men", typically, the ones to get most prominence are Little John (James Robertson Justice – who else? – but with hair dyed blond!), Friar Tuck (James Hayter and, for some odd reason, fancying himself a singer in the film's corniest scene!) – both of their introductions at least stick to the legend – and Allen-a-Dale (Elton Hayes, whose brief cinematic career seemed to be stuck playing minstrels in historical efforts!); for what it is worth, the presence of the last two mentioned constitute the film's severest drawbacks to this viewer. On the side of the wrongdoers, we get Hubert Gregg as a particularly sly (though rather youthful) Prince John and, surprisingly, Peter Finch as the Sheriff of Nottingham (effective apart from an unbecoming coiffure – incidentally, I may be watching his one other film in this vein i.e. THE DARK AVANGER aka THE WARRIORS [1955], with Errol Flynn no less, this coming week-end); by the way, another novelty to the lore which turns up here but hardly anywhere else is that of having a benign but obviously ineffective Queen Mother (a suitably regal Martita Hunt). While there is not quite the emphasis on spectacle or elaborate action set-pieces we find in other versions (though the drawbridge climax is undeniably thrilling), the film – which, at a mere 84 minutes, does not run the risk of overstaying its welcome – is very entertaining for the most part and, as I said, looks good enough to smooth over the occasional deficiency.

1st watched 9/13/2013 -- 7 out of 10(Dir-Ken Annakin): *DVD I watched entitled just "The Story of Robin Hood"* Entertaining and informative telling of the Robin Hood story does a good job of keeping your interest and helping the viewer to understand why Robin became the outlaw Hood, and placed himself in the position of the leader of the group in the Sherwood Forest.(Aka. The Merrie Men) This is a Disney live action movie that actually has less fluff than others and is pretty straight-forward in the telling of the tale. Richard Todd plays the main character as a playful yet purposeful hero of the poor folk in the area after King Richard goes on a crusade and his brother takes advantage of his position by over-taxing everyone and trying to rid the forest of what he considers riff-raff(the Forresting folk). The first culprit of his arrows is Robin's father(thus providing the primary purpose of Robin's exile and revenge mindset initially). Quickly though the stealing from the rich and giving to the poor became a necessity for the poor folk to survive. The sheriff of Nottingham is the primary vehicle for brother Richard's type of thievery and justice, and eventually Maid Marion(played by Joan Rice) finds out what's going on and begins to help the Merrie Men. This live action piece seems to be a possible guide to the later animated Disney film, but some of the stronger emotional pieces were removed. I haven't viewed many of the versions of this story, but this is the best I've encountered so far because you understand Mr. Hood's plight and purpose. There is a little fun to be had with the Merrie Men and Robin & Marion's teasing, but primarily the completeness and clarity of the story is what makes this film work.

This was the first version of Robin Hood that I and my siblings saw, so we judged other versions based on this Disney take. I was 9 when I saw it with my younger brother. We loved the whistling arrows warning system used in this film and we found Richard Todd, a dashing, swashbuckling Robin, in fact we became huge fans of all his works. One of our favorites was Disney's "Rob Roy, The Highland Rogue" actually filmed in Scotland. Disney was not a miser when it came to his "pet projects" and Rob Roy was one of them. The Story of Robin Hood was no exception and it was filmed on location in England, even though some shots look like matte prints. The cast, too was impressive, with James Robertson Justice a perfect, burly 'Little John', Martita Hunt as Queen Eleanor of Aquitaine, James Hayter a robust 'Friar Tuck', Peter Finch as the nasty Sheriff of Nottingham, Elton Hale a charming 'Allan-a-Dale', the great Michael Hordern in a small role as 'Scathelock' and Bill Owen as 'Stutely'. The production is top notch and the film very memorable, and to me, very nostalgic.

Now, this is actually worth going to some trouble to see. Probably not to everyone's taste -- the opening sequence, with a nimble-footed and saturnine Alan-a-Dale strumming the theme-song ballad, will sort out the sheep from the goats of those who simply can't stand this sort of thing -- but despite the live-action Disney label, it stands up well amongst all its predecessors and successors.

It steers a skillful and essential line between tendentious over-seriousness and pie-in-the-face humour, and contrives a fresh view on the familiar set-pieces -- the shivered arrow on the bull's-eye, Friar Tuck and the river crossing, the recruitment of Little John -- with, unusually, a sizable part for the formidable Eleanor of Aquitaine as the mother of the King and Prince John. In the title role, Richard Todd makes a charming curly-headed rogue, whose merry eyes betray his identity beneath the most enveloping of disguises, and he brings the necessary charisma and impudence to the character: this is the recognisable Robin Hood of legend, whom men follow for freedom and for the fun of it. A little easy-going, perhaps, with little of the passion against injustice that flashes beneath the laughter of Errol Flynn, but this is Disney after all.

Joan Rice is a spitfire wilful Marian, whose involvement is plausibly scripted without any anachronism; she also provides a couple of the best moments in the film, whether belabouring Robin on her fellow-travellers' behalf or silencing him with an athletic embrace at the end. James Hayter as Friar Tuck and Peter Finch as the black-avised Sheriff of Nottingham also give memorable performances -- and could that really have been avuncular Hubert Gregg, of all people, convincing us as Prince John?

My main source of irritation about this film lay in some of the archery embellishments. Every arrow-shot we see zips past with the whine of a ricocheted bullet, presumably in order to make the fights sound more exciting in the absence of gunfire, and the system of signalling by firing colour-coded arrows in relays at one another seemed not only out of place but highly risky (credibility not helped by what I surely didn't imagine as people turning round to look as they hear the arrow coming!) The distinctly unpleasant fate of the forsworn Sheriff, on the other hand, was glossed over in suspicious silence, without so much as a cry.

But caveats aside, the film scores well on sheer energy, with a healthy dash of humour. The 1967 "A Challenge for Robin Hood" (despite featuring Hayter as Friar Tuck again!) is an over-bright and sanitised Ladybird rendition; the 1990 "Robin Hood" (the non-Costner version) went the other way and overdid the historical grime. The latter is the better film, but neither of them has the enjoyability and spirit of the 1952 offering. This isn't on the same scale as the Curtiz/Keighley classic of 1938, and Todd remains an engaging boy rather than a rollicking leader of men, but it perhaps comes closest to matching the verve of its illustrious predecessor.