Minha Espada, Minha Lei

I wasn't expecting too much of this later Errol Flynn vehicle, especially as it was taking on one of my favourite authors, my fellow-countryman Robert Louis Stevenson. However, while some of my fears were justified, on the whole I was well satisfied with this irreverent, knockabout swashbuckler.

It probably helps that it's years and years since I read the novel plus the movie also gained big "brownie-points" with me for not calling my countrymen "Scotchmen" and basically by filling up any pauses in the story with big action set-pieces, so that any gripes I may have had about authenticity and truth to source evaporated.

On the down side, there's no question that old Errol was getting on a bit, especially for this type of part. He seems far too old to be his brother's brother, if you follow me, never mind the rakish playboy figure he cuts at the start of the movie. That said, he's still undoubtedly a handsome man, in reasonable shape and still able to leap aboard a pirate ship or engage in a sword-fight to the death with almost the old panache. He's well supported by Roger Livesey who hams it up royally as an Irish adventurer (does anyone in this movie speak in their native dialect?).

On the debit side are devices like the stentorian-voiced announcer who makes "voice of God" interjections it seems every 15 minutes, the complete lack of suspense at Flynn's two supposed early demises (as if...!) and I can't resist saying it after all, the complete lack of even one authentic Scottish accent - Flynn doesn't even try. (I've checked the cast-list and not one is Scots-born!)

But with Jack Cardiff's sparkling photography (every frame seems bathed in an almost Rubens-ian like golden-light), some good if not "Robin Hood" - vintage sword-play and similarly good if not "Captain Blood" - vintage action on the pirate-ship, the movie proceeds with the pace of a page-turning Stevenson novel and before you know it you're at the finish as Flynn, Livesey (and Beatrice Campbell as his lover Lady Alison) evade the English Army's hangman's rope (hurrah!) and make their dramatic escape over the hills and far away.

A bit two for the price of one then, pirate action coupled with a historical-costume swashbuckler. Personally I rather enjoyed it and will consciously now not avoid, as I have been doing, Flynn's post-war work. More "used-to-be" than "has-been" and there is a difference.

It is generally conceded today that Robert Louis Stevenson's two greatest works are the unfinished novel WEIR OF HERMISTON, and the completed THE MASTER OF BALLENTRAE. The latter story (published in 1889) is centered on a filial rivalry and hatred that lasts literally until the death of the two brothers involved.

Ballentrae is an estate in 18th Century Scotland, and the chief heir is James Durie. On the surface he is an easy going, fun loving type. When the 1745 Jacobite revolt under Bonnie Prince Charlie occurs, the Laird of Ballentrae is in a quandary. As a Highland Laird, he has to show he is a supporter of the ancient royal house of Scotland (the Stuarts) that Prince Charles represents. As a man who knows what the Hanovarians are like, he dare not fully come out as a supporter. So he hedges his bets. He has James go off to fight for the Stuart cause, but keeps his younger son Henry at home. Henry is not a fun loving type - he is a quiet, business-like type, who does not make friends easily.

So James goes off, and time passes. He is eventually reported as dead. Henry immediately becomes the heir to the estate. But suddenly James returns, and willingly brings troubles with him. The British government does have a price on his head, and if he is found on the estate the Duries may be imprisoned and their wealth taken away. Yet the old man insists that Henry do what is right for his older brother, and James keeps reminding Henry that by rights he is "Master of Ballentrae".

What happens, of course, is a disaster. To begin with, it slowly comes out that James may have declared for the Stuart cause, but he never showed up to fight for that cause. In short he acted like a loud mouth, attracting the anger of the government but then showed he was a coward. Not a total coward (where his own interest is involved) but one who won't put himself out for others when the chips are down. Secondly it turns out that his fun-loving activities are coming home to roost - he's had an affair, and left an illegitimate child. This, of course, means that the family has to support the bastard child.

Moreover, Henry has married the woman who would have married James under normal circumstances. He is now trying to unofficially regain her attention. This proves too much for Henry, and leads to one of the best passages in Stevenson's writings - the duel between the brothers in a darkened room. It ends with Henry believing he killed James. Would that he had.

James persecutes Henry and his wife for the rest of the novel (the father eventually dies of shame after learning how James was so cowardly at Culloden). The novel eventually goes to New York (then a colony) where both brothers meet up and meet their joint destiny.

This review of the story does not go into Henry's character flaws (he is a money grubber in the end). Stevenson never did make a better completed novel, even though there are elements of the improbable in it.

The story was made into this 1953 film, probably the last good movie Errol Flynn had the lead in that was a swashbuckler. The ambiguities and moral lapses of the two brothers are not used here (Henry is played by Anthony Steel, and he is far too young here for the role). James' opportunistic streak, and his non-appearance at Culloden is not in the film - he shows up at the battle. Indeed, he meets Colonel Francis Burke, an English Jacobite (Roger Livesey) who becomes his one ally and friend in the novel. In the film there will be other allies. Mervyn Johns plays the family servant MacKellar, who narrates the actual novel (but not here), and sees the flaws of both brothers all too clearly (although he ends up sympathizing with Henry). Lord Durrisdeer, the father of the brothers is Finlay Curray. The cast is generally quite good. But the excellence of the story is dropped and replaced into a tale of misunderstanding, and how a universal dislike of the English manages to keep the family together. Stevenson would have been amazed and hurt by what was done here.

I am willing to give the film an "8" for it's good points, mostly the performances (in particular Livesay's chemistry with Flynn). But I miss the tragic element of the novel. To properly appreciate the novel, if one can't read it, try to catch the television version made with Michael York and Richard Thomas and John Guilgud back in the 1980s. It too changed the end, but it stuck closer to the spirit of hopeless competition and hatred that Stevenson concocted in his masterpiece.

During the 1950s, Errol Flynn was a full-fledged alcoholic who was just counting the days until liquor would eventually take his life. As a result, he looked extremely old and puffy in these films and the overall energy level of the films were very low. Sadly, like Alan Ladd, his career was cut very short because of the drinking.

Despite this, MASTER OF BALLANTRAE is one of only a few shining moments in an otherwise drab decade for Flynn. Now this isn't to say the film is great and I am sure that had Flynn made the film ten or twenty years earlier it would have been better (as often he looked a bit drunk and immobile), but it still was enjoyable and held my interest.

The film is based on a Robert Louis Stevenson novel by the same name--a story very similar to another famous work by Stevenson, "Kidnapped". Like this other tale, they are set in the period immediately following the defeat of the forces of Bonny Prince Charlie after the Battle of Culloden. This time, Flynn plays a brother forced to leave his homeland because those loyal to the Prince were being rounded up and executed. I am actually glad the film left Scotland, as the pirate sequences were exciting (even if the Tortugas look nothing like they do in the film--there are no mountains on these barren islands off the Florida Keys).

In addition to a sluggish but acceptable performance by Flynn, he was very ably supported by Roger Livesey--the only actor in the film who really came off as exciting or three-dimensional.

The Master of Ballantrae is one of those films that can be enjoyed on its own merits, providing that viewers don't spend the entire duration comparing it to the book by Robert Louis Stevenson.

As an adaptation of The Master of Ballantrae, the film will disappoint as the book's story is almost changed beyond recognition, the characters are reduced to stereotypes (though thankfully still likable ones that are enough to make the story still engaging enough) and the tragic elements of the story are sidelined. However, viewing it on its own terms, while nowhere near one of Errol Flynn's best films, it is decent with its fun and charms.

Starting with the good points, and there are a good many here, what definitely stands out is the vividly colourful cinematography, which captures the elegant costumes and handsomely rendered settings perfectly. William Alwyn's music score is appropriately rousing and bombastic, it's no Korngold but it suits the film very well and adds a lot to it. Smart, witty scripting, some slick action (including the very amusing pirate scenes) and an easy-going chemistry between Errol Flynn and Roger Livesey are further things to like, as are the more than able direction and the generally fun and thrilling second half. In the supporting roles, Roger Livesey really comes to hugely enjoyable life in the type of role associated with Alan Hale, and the rest of the cast do credibly, including lovely leading lady Beatrice Campbell.

For all those good things however, The Master of Ballantrae also has its faults. Despite his gallant charm, twinkling eyes and dashing smile, Flynn is not in his best form here, he looks out of shape from his drinking and fatigued and the action lacks his usual enthusiastic energy. He does handle the more dramatic scenes reasonably well though. Didn't care for the narration either, the news report delivery felt out of place and it wasn't very necessary either and ground the first half to a standstill in places. More show and less tell would have made things better. The first half has a good deal of fun and charm but the second half is noticeably crisper in pace. And while one shouldn't expect another Adventures of Robin Hood or Adventures of Don Juan climax, the climax here was rather anaemically choreographed and lacked excitement.

All in all, decent with a lot of good merits but a little disappointing for Flynn and Stevenson fans. 6/10 Bethany Cox

The exciting story of two brothers, Scottish noblemen whose family is torn apart by the Jacobite rising of 1745 , rallying all the nobles and chieftains of all the Scottish clans supporting Bonnie Prince Charlie . Bonnie Prince Charlie raises his royal standard on the 19th of August 1745 and claims the crowns of England , Scotland and Ireland in front of a gathering of Scottish nobles and chieftains . The Jacobite Rebellion has begun . During the succession debacle, the House of Stuart received the support of their Catholic subjects , while King George II of the House of Hanover had the support of the Protestants . Catholic France supported the House of Stuart's claim to the English , Scottish and Irish thrones. And there took place Bonnie Prince Charlie's defeat at Culludon . Flynn plays as the forceful Jacobite Jamie Durrister , the heir to Scottish title who sets off wearing the white cockade, the symbol of the cause , and he gets involved in a rebellion with Bonnie Prince Charlie against the English Crown , then the riot fails . Flynn heads for the west Indies where he and his partner and faithful servant (Roger Livesey) undertake several adventures . As Jamie accompanied by his new friend Irishman Francis Burke find themselves on board a smugglers ship . Both of them amass quite a fortune through piracy . As he becomes a pirate and fights against the French Capt. Arnaud (Jacques Berthier). Meanwhile, Jamie winning ways in fair ladies . Jamie eventually returns to Scotland where he finds that his brother has taken over his title as well as his longtime sweetheart . The outrageous Master Jamie is torn between vengeance and brotherhood , versus his brother Henry Durie (Anthony Steel) who has more traditional values and social wiles . The enmity between the fraternal rivals and the love, for both , of the stalwart Lady Alison (Beatrice Campbell) is also a main theme .

This is an amusing rendition based on vintage book , set in 18th century Scotland , during the Jacobite Rebellion ; as the plot revolves around what happens after the brothers toss a coin to see who joins Prince Charlie and who remains to oversee the family estate . The screenplay may not be entirely correct in detail but the portrayal of the Jacobite Rebellion is both very accurate and insightful , surprisingly good for a Hollywood film . Colorful flick developing deeds about battle of Culludon and subsequent events with superb cinematography in Tecnicolor by Jack Cardiff and powerful score by William Alwyn . This classic story of romantic adventure , filmed in location , comes to life enriched by the brilliant photography , as the color of the Scotland's fields is stunning and being freely based on historical facts . A good clean fun with a legendary Scottish adventurer against the British army , the Red Coats . It is a fun adventure movie that certainly hits the mark ; being plenty of action , thrills , brilliant costumes and catching score ; all meld together under William Keighley 's fine direction along with a frankly excellent support cast . Combination of overwhelming battles , and full of villainy , romance , swashbuckler and heroism . Master of swashbuckling , Flynn could happily have found a better vehicle for his faculties than this entertaining rendition . Flynn's sword flashes as often as his smile . Well played by Errol who starred various ¨Sword and Swagger¨ films and was superstar of Warner Brothers swashbucklers . Although Errol isn't nearly at his most agile and deft style . Errol Flynn was 43 when he made this movie , but his wild lifestyle had diminished his health and made him less able to perform his own stunts , as he had in earlier films . Previously , Flynn made his best swashbucklers and played successes as ¨Captain Blood¨ , ¨Adventures of Robin Hood¨, ¨The prince and the pauper¨ , ¨Sea Hawk¨, ¨The private lives of Elizabeth and Essex¨ , ¨Gentleman Jim¨ . Flynn also performed some Westerns as ¨Dodge City¨, ¨Virginia City¨, ¨Santa Fe Trail¨, ¨They died with their boots on¨, ¨San Antonio¨, ¨Silver River¨ , ¨Montana¨. And wartime movies as ¨Objective Burma¨, ¨Norhern pursuit¨, ¨Dive Bomber¨ , ¨Edge of darkness¨ , ¨Desperate journey¨. Errol Flynn's last film for Warner Bros before he was released from his contract in 1952 , he had been with the studio for 18 years . Nevertheless, Flynn's riotous life had put him long past his peak swashbuckling days , as this movie unfortunately demonstrates it , and the 43-year-old Errol was generally felt to look too old to play the dashing young hero .

The Scottish Highlands are a treat for your eyes in glamorous Technicolor similarly to recent TV series ¨Outlander¨ . Being luxuriously shot by Cardiff who also directed some pictures and including a sensitive as well as thrilling musical score . The movie was well made by William Keighley who shot Noir Films : ¨Each dawn I die¨, ¨Ladies they talk about¨,¨ The Street with no name¨, ¨G men¨, ¨Bullets and ballots¨ ; Costumer : ¨The prince and the pauper¨; Drama : ¨Green pastures¨, comedy : ¨The bride came COD¨, ¨the man who came to dinner¨, ¨George Washington slept here¨ and adventure : ¨The Master of Balantry¨ . However , this film would be a failure and panned by critics ; it is , nowadays , best considered . The flick will appeal to adventures buffs .

Other retelling about this popular novel are : TV movie 1984 by Douglas Hickox with Michael York , John Gielgud , Ian Richardson , Timothy Dalton , Nickolas Grace , Finola Hughes , Ed Bishop , Brian Blessed , Nick Brimble ; TV series , 1975 , with Brian Cox , Julian Glover , Brigit Forsyth , Fulton Mackay and TV series , 1962 , with John Breslin ,John Cairney ,Hilary Thomson .