Heróis de Malta

Having never had a chance to visit this island, nor been made aware of its importance to the allied forces during WW II, I appreciated the snatch of history of Malta and its inhabitants and of the incredibly impressive air shots of the RAF at work. Other commentators say much of this footage is archival; if so, then the editing is commendable, as is the transitional camera work, which is virtually seamless. In this day and age when so many battles and flight scenes are achieved by graphic simulation, I feel there is a sense of integrity in this film that cannot be easily duplicated today, regardless of all of the technology at our disposal. This is perhaps the quality of Ealing studios at work.

The black and white graininess of the film also gives it a documentary feel -- the strong light and shadow of the landscape shots of air, water and rocks that give us the vivid sense of place -- remind me also of Italian verismo cinema and reinforce that impression.

As for the acting, I did not feel it in the least "wooden." Actors who emote all over the place are not necessarily conveying true emotion: they are "acting." As with certain aspects of Italian cinema, more is conveyed in what is left out and held back than what is overtly revealed. I felt all of the performances, and especially Guinness's, and including his leading lady, were true to their character. The intelligence in his eyes and the slight, fleeting change of expression in his face, as he reacts, for example, to Hawkins' approval of his reconnaissance flights, is an example of the subtlety that would characterize all of Guinness's performances. Viewers who expect too much overt emotion are possibly allowing the actors on screen to experience it for them, rather than being drawn into the emotion and circumstance of the onscreen drama unfolding. Calling it a "stiff upper lip" may be one easy way to describe it, but one does have a sense in this film of people with some depth and substance, depicted with a visual honesty, who are caught in a life and death situation.

Of four stars, at least three *** without reservation.

Looking at the full cast list there is an actor Richard Leven - Soldier (uncredited). Richard (born Henry Richard Leven) was starting out after the war in theatre which never took off but his life was colourful and like many ex-servicemen there were difficult periods. His role during the war was a bomber pilot and he was a Squadron Leader at the age of 21. He was highly decorated, DFC, DFM and Belgium Croix de Guerre Palme and he flew more daylight bombing missions than any other pilot - 127. He died without family but at his funeral in 97 they had to start the service early; so many people wanted to speak about him and how he had helped them.

It is a gripping story that is told about the efforts made to make use of that stationary aircraft carrier in the middle of the Mediterranean. It is also poignant that Alec Guinness should play the part of a reconnaissance pilot because it is just this ruse that the British used to pretend that they hadn't broken the Italian and German ciphers thus enabling them to sink all the Gerry troop ships and always be just in time everywhere. A lame performance by the cast is diverted by the backdrop of a desperate situation on a tiny island that has been invaded by every great power since anyone can remember. If Ultra hadn't done it stuff these people would have been run over even though the Axis forces would have lost the war in the long run.

Very much a weekend afternoon film now, almost 50 years after it was made, this film gives an accurate portrayal of the wartime events which led to Malta's being awarded the George Cross. The footage of the air and sea battles is fascinating, but the acting is sadly wooden.

Jack Hawkins turns in his usual competent performance, but Alec Guiness is very bland. Flora Robson is an unlikely Maltese mother, symbolising the suffering of the island people. The other credited actresses, Muriel Pavlow and Renee Asherson, appear almost catatonic, and the two love affairs are utterly unconvincing.

A lot of the entertainment lies in spotting well-known faces in their younger days! No surprise to see Victor Maddern and Sam Kydd (whinging, but getting the job done!), Gordon Jackson (uncredited), a very young Rosalie Crutchley and an (almost) unrecognisable Nigel Stock!

Watch this to learn about Malta's wartime history, but choose another film if you want to see these famous names acting with some passion!

Having just read "Tobruk" by Chester Wilmot, a journalist who spent time in the Tobruk siege and reported diligently about it, this piece informed me of another similar siege that I was unaware of. The use of archive footage is fascinating, mixed in with a simple story of love that feels lighter and without the moralising heaviness and embarrassing "post modern" pretensions of many modern day films ... especially war films. Very much a product of it's time ... they really don't make them like this anymore. Some of it feels like a War time moral raising film. I even thought it was made in the war until I found out the 1953 date. But memories were still strong in those days of course, so there is a flavour of a story burning to be told to the world before times move on.