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7,4/10
5,8 mil
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Adicionar um enredo no seu idiomaThe World War II adventures of a British convoy escort ship and its officers.The World War II adventures of a British convoy escort ship and its officers.The World War II adventures of a British convoy escort ship and its officers.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 4 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Almost completely unsentimental (hooray!) portrayal of the life of those aboard a British corvette, HMS Compass Rose, during the Battle of the Atlantic. Jack Hawkins magnificent as its captain. Some harrowing scenes filmed with great reserve.
Easily the best film dealing with war at sea. Only "Das Boot" comes close.
Easily the best film dealing with war at sea. Only "Das Boot" comes close.
Archetypal British WW2 fare which is very clearly a cut above the rest. Jack Hawkins steers HMS Compass Rose, a small escort ship, through the perils of convoy duty and the ever present risk of U-boats.
Hawkins excels as the exhausted Captain in this no frills account of men battling against a constant and ruthless enemy - the sea. A melancholic soundtrack and the distinct lack of jingoism create a forlorn atmosphere as the ship's company endures periods of grinding boredom interrupted only by the sudden terror of U-boat attacks. In the tensest of scenes, during a rare heady pursuit, the radar gives Hawkins his firmest ever indication of an enemy submarine. "There are men in the water just there" he murmurs, realising that as Captain he is alone in making an agonising decision - whether to drop depth charges and risk killing a group of British survivors floating ahead of him. The attack is pressed home, killing the defenceless men but failing to hit the U-boat, and leads to a moving scene where Hawkins' resolute professionalism crumbles in a brief but heartfelt show of drunken emotion.
The trips to sea are punctuated by tableaux scenes on shore, where the tribulations of officers and crew are no less fraught with threats and worry. In a country under siege there can be no escape from air-raids or even an adulterous wife. "It's no-ones fault" says Hawkins "It's the war, the whole bloody war." A strong supporting cast, includes 'youngsters' Denholm Elliot, Donald Sinden and Stanley Baker.
This is a film that succeeds in telling how dangerously close to the edge the British came during the Battle of the Atlantic and of the enormous impact it had on ordinary individuals. The closing scene leaves the audience with a real sense of how, after five long years of war, a nation was left exhausted and emotionally drained.
Hawkins excels as the exhausted Captain in this no frills account of men battling against a constant and ruthless enemy - the sea. A melancholic soundtrack and the distinct lack of jingoism create a forlorn atmosphere as the ship's company endures periods of grinding boredom interrupted only by the sudden terror of U-boat attacks. In the tensest of scenes, during a rare heady pursuit, the radar gives Hawkins his firmest ever indication of an enemy submarine. "There are men in the water just there" he murmurs, realising that as Captain he is alone in making an agonising decision - whether to drop depth charges and risk killing a group of British survivors floating ahead of him. The attack is pressed home, killing the defenceless men but failing to hit the U-boat, and leads to a moving scene where Hawkins' resolute professionalism crumbles in a brief but heartfelt show of drunken emotion.
The trips to sea are punctuated by tableaux scenes on shore, where the tribulations of officers and crew are no less fraught with threats and worry. In a country under siege there can be no escape from air-raids or even an adulterous wife. "It's no-ones fault" says Hawkins "It's the war, the whole bloody war." A strong supporting cast, includes 'youngsters' Denholm Elliot, Donald Sinden and Stanley Baker.
This is a film that succeeds in telling how dangerously close to the edge the British came during the Battle of the Atlantic and of the enormous impact it had on ordinary individuals. The closing scene leaves the audience with a real sense of how, after five long years of war, a nation was left exhausted and emotionally drained.
Tony Cox's review is one of the best I have ever read on Imdb and says it all with heartfelt passion, accurately describing the drama and characters motivations in this realistic film of anti U-boat sea warfare throughout WWII.I won't try to emulate his brilliant narrative but just add a few thoughts of my own.Jack Hawkins is always very watchable in any of his films as an actor and seems to inhabit the part of Ericsson, the skipper of "Compass Rose" and "Saltash Castle".He vividly portrays the professional and emotional sides of his character, especially when he utters "...its the war, the bloody war" with tear stained eyes.
One has to disabuse your mind of later Donald Sinden parts and his rather stagey voice and look dispassionatly at his early carrer as he portrays the new No.1 with an interest in learning first aid which inevitably comes in useful when tending the many merchant seaman they meet who have become torpedo victims.Can someone please tell me what "snorkers" are when applied to sausages, as I have never heard this expression, despite living in London all my life.Evidently Stanley Baker loves them!!
This film effectively portrays the whole gamut of wartime emotions from the long Atlantic naval voyage boredom, short moments of high danger and excitement, guilt about not rescuing your own men who need help, sorrow at losing loved ones, training men on new sciences (asdic) and even romance (Viginia McKenna).At the end one feels as though you had actually been on the corvette yourself with the crew.One of the most realistic WWII dramas I have ever seen (and I have all the classics in my library).I rated it 8/10.
One has to disabuse your mind of later Donald Sinden parts and his rather stagey voice and look dispassionatly at his early carrer as he portrays the new No.1 with an interest in learning first aid which inevitably comes in useful when tending the many merchant seaman they meet who have become torpedo victims.Can someone please tell me what "snorkers" are when applied to sausages, as I have never heard this expression, despite living in London all my life.Evidently Stanley Baker loves them!!
This film effectively portrays the whole gamut of wartime emotions from the long Atlantic naval voyage boredom, short moments of high danger and excitement, guilt about not rescuing your own men who need help, sorrow at losing loved ones, training men on new sciences (asdic) and even romance (Viginia McKenna).At the end one feels as though you had actually been on the corvette yourself with the crew.One of the most realistic WWII dramas I have ever seen (and I have all the classics in my library).I rated it 8/10.
If my ship were going down, and I had that one last moment to grab a treasured something, my copy of the book, THE CRUEL SEA by Nicholas Monsarrat might well be what I choose. (That is supposing I already had my life vest on.) This book has affected my life deeply since I first came across it as a teenager. It is why I joined the US Navy. (where I ironically ended up in the submarine service.) It formed an invaluable step in teaching me what `duty' meant, and `honor.' It is therefore a bit more difficult for me to judge this motion picture than most. Were it horrid, I should still love it, I suppose. Fortunately it is not horrid. `The Cruel Sea is in fact first rate.
It is difficult to translate any full-length novel to the screen. There are too many `moments in time' to get them all in. So the adaptation of a novel by a screenwriter becomes a process of selection. Eric Ambler did his usual excellent job in writing this script, and if he left out some of the better bits, he also got the best bits in. Charles Frend directs it well within the style of the early 1950's. The special effects are above average for the time and not unacceptable by today's standards, although they are not spectacular. The film editing is clean and crisp with little to complain about. The musical score is not intrusive, but not up to the rest of the effort. It would be ten years before the art of Movie Music caught up to the rest, and here the score is no worse any other film of 1953. It is however the acting that gives this movie the push to get it far above the rest.
Jack Hawkins is marvelous in his understated competence as Captain Ericson, and the actors who play his officers (including a very young and very British Denholm Elliot) all turn in workman-like performances. It is however the overall excellence of the entire cast that is impressive. One of the major strengths of British films from the end of the Second World War through the 1970's was the incredibly fine ensemble casting that provided first-rate acting even in the smallest parts. Walter Fitzgerald in his 30 second role as the air raid warden shows true compassion when he says, `Yes, Mister Tallow, that was your house, wasn't it?'
All of the vivid, bloody color that made `Platoon' and `Saving Private Ryan' the two best combat films ever made are absent here. This was a different type of warfare, the blood, all of the color washed away by the cruel sea. The Battle of the North Atlantic was a very British battle. A five and a half year long stoic battle of endurance, of perseverance, of honor and duty. This is the side of the Second Word War that most lived, but few have ever been able to put into words. `The Cruel Sea' is much more than just a history lesson though. It is a very good movie, and it is a beautiful example of what British film could be in 1953. I highly recommend it.
It is difficult to translate any full-length novel to the screen. There are too many `moments in time' to get them all in. So the adaptation of a novel by a screenwriter becomes a process of selection. Eric Ambler did his usual excellent job in writing this script, and if he left out some of the better bits, he also got the best bits in. Charles Frend directs it well within the style of the early 1950's. The special effects are above average for the time and not unacceptable by today's standards, although they are not spectacular. The film editing is clean and crisp with little to complain about. The musical score is not intrusive, but not up to the rest of the effort. It would be ten years before the art of Movie Music caught up to the rest, and here the score is no worse any other film of 1953. It is however the acting that gives this movie the push to get it far above the rest.
Jack Hawkins is marvelous in his understated competence as Captain Ericson, and the actors who play his officers (including a very young and very British Denholm Elliot) all turn in workman-like performances. It is however the overall excellence of the entire cast that is impressive. One of the major strengths of British films from the end of the Second World War through the 1970's was the incredibly fine ensemble casting that provided first-rate acting even in the smallest parts. Walter Fitzgerald in his 30 second role as the air raid warden shows true compassion when he says, `Yes, Mister Tallow, that was your house, wasn't it?'
All of the vivid, bloody color that made `Platoon' and `Saving Private Ryan' the two best combat films ever made are absent here. This was a different type of warfare, the blood, all of the color washed away by the cruel sea. The Battle of the North Atlantic was a very British battle. A five and a half year long stoic battle of endurance, of perseverance, of honor and duty. This is the side of the Second Word War that most lived, but few have ever been able to put into words. `The Cruel Sea' is much more than just a history lesson though. It is a very good movie, and it is a beautiful example of what British film could be in 1953. I highly recommend it.
Fine English war movie of life aboard a convoy escort ship during WWII. It's original B&W format only adds to the overall feel of the movie. Great no-nonsense performances from the cast. The movie is notable in that it is almost free of propaganda and instead concentrates on showing the crews life on board in a realistic way.Jack Hawkins turns in a fine performance.
Você sabia?
- CuriosidadesJack Hawkins wrote in his 1973 autobiography "Anything for a Quiet Life" regarding this film, "All of us in the film were sure that we were making something quite unusual, and a long way removed from the Errol Flynn-taking-Burma-single-handed syndrome. This was the period of some very indifferent American war movies, whereas 'The Cruel Sea' contained no false heroics. That is why we all felt that we were making a genuine example of the way in which a group of men went to war."
- Erros de gravaçãoSome depth charges are clearly labelled "INERT FILLED."
- Citações
Watts: [repairing the engine] Come to see the fun, sir? It won't be long now.
Morell: Fine, chief, but the captain's a little worried about the noise. Could you do anything to... tone it down a bit?
Watts: Pretty well finished now, sir. We're just flabbin' up the nuts. Could you hear the hammerin' up top?
Morell: Hear it? There were U-boats popping up from miles around complaining about the racket.
- ConexõesFeatured in Bravos e Covardes (1957)
- Trilhas sonorasThe Chestnut Tree
or "The Spreading Chestnut Tree" (uncredited)
Author unknown, perhaps traditional song
Sung by the sailors in the raft to keep awake
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Cruel Sea
- Locações de filme
- Her Majesty's Naval Base, Devonport, Plymouth, Devon, Inglaterra, Reino Unido(Doubled for Liverpool)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração2 horas 6 minutos
- Cor
- Proporção
- 1.37 : 1
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