O Último Guerreiro

As opposed to the politically correct people here, i think this movie portrays the Indian more realistic than the politically correct image will have it. Fact is it wasn't only the white man who broke treaties and peace initiatives. It's not good to show this down the politically correct memory hole. That's why I think this kind of movies are important and should of course be shown on TV. Of course, I wholeheartedly disagree with the notion that this movie should be banned like some reviewers have hinted upon.

A strong performance by Palance and a fine Heston plus a very interesting storyline makes this one of my favorites.

Charlton Heston plays an Indian-hating scout very loosely based on famed frontiersman Al Sieber (who, in reality, was a German immigrant who not only didn't hate Apaches but often lived with them and spoke fluent Apache dialects; he spoke almost no English because he detested American whites and refused to learn any more English than he considered necessary). He goes up against Jack Palance, an Apache he knew from his boyhood who is returning from several years at an Indian agency school that is supposed to have "civilized" him (also based on fact; many Indian children were forcibly sent to such a school in Carlisle, Pennsylvania). Heston, unlike the local military and civilian authorities, doesn't believe that Palance has been "civilized" and suspects that he's secretly planning to lead the Apaches in attacking and massacring the local white population. This is a tough and, for its time, brutal little western, well written and directed by Charles Marquis Warren, and pulls no punches in its depiction of racism on both sides; Palance hates whites as much as Heston hates Indians, and both have no compunction about killing those on the "other" side they've known for years simply as a matter of course. Palance and Heston are suitably intense in their roles--Heston perhaps a bit too much so--and the action scenes are handled very well, although the final confrontation between Heston and Palance is a bit of a disappointment. A good supporting cast of veteran western actors--Milburn Stone, James Anderson, Robert J. Wilke (not playing a villain for once), among others--contribute greatly to the film's pace and atmosphere (although the rivalry between Heston and army officer Brian Keith over a girl at the post is a bit superfluous). Well worth your time.

(possible spoilers)

It's a shame that the world has gone so Politically Correct these days that a straight-forward film like ARROWHEAD is so maligned and probably couldn't be made today. It starts off with Charlton Heston as a very despicable and prejudiced cavalry scout who hates Apaches with a passion (he's grown up with them and claims to know their ways), and continually foils any efforts at peace talks between the Indians and the white men. When his bigotry results in the killing of a group of Apaches as well as his own people, he is fired and his boss Brian Keith wants nothing more to do with him. But even while ousted from his duties, nobody is spared Heston's personal wrath -- not even his pretty half-Mexican, half-Apache laundress (the beautiful Katy Jurado).

When the respected Indian Chief Toriano (Jack Palance) arrives on the frontier to make peace, Heston still warns not to trust him. And in an old-fashioned turn of events (by today's standards that is), everything Chuck has tried to impress upon his men from the very start actually turns out to be true... Toriano and his followers are in fact planning an ambush. So in a very bizarre twist, Heston's hateful character is hired back to help the fight and turns into the hero.

Not a "great" film, and a tad long at 105 minutes. But it's a strong depiction of the personal animosities and prejudices from both sides that often get in the way of progress. The performances of Heston, Palance and Keith are all good. Those who wish to change history and act as if these things never really happened should remember that this film was based on factual, real events. *** out of ****

Arrowhead, the mere mention of it in Western circles sometimes induces a sharp intake of breath, even a furrowed brow or two. Starring Charlton Heston and Jack Palance, directed by Charles Marquis Warren; who also adapts the screenplay from W.R. Burnett's novel, Adobe Walls, Arrowhead rewrites the Indian Wars and firmly paints the Apache as distrustful thugs.

Based in essence on real life Indian scout, Al Seiber, with Heston in the role but named as Ed Bannon here, story is set in Texas 1878 at the Fort Clark Cavalry post. Peace has been brokered and the good old Cavalry boys have arranged for the Apache, led by a newly educated Toriano (Palance), to be dog tagged and whipped off to some arid land in Florida. However, the pesky Toriano has been plotting a revolution and is ready to lead his people in an all out assault on whitey and to hell with the treaty. Only white dude who smells a rat is Bannon, who with some Indian blood coursing through his veins, hates the Redskins and will never trust them. But the Cavalry hate Bannon as well, because he is in the way, causing friction, a hindrance to their wonderful ideas for piece.

No surprises for guessing what happens next! If Warren and the big wigs at Paramount Pictures were aware of the racist overtones here in 1953? Is cause for debate. I tend to agree with the theory that puts this as a sort of anti-communist allegory, but of course that doesn't excuse the xenophobic narrative whoever is on the receiving end! Yet surely the makers were genuine in trying to make a good old Cavalry versus Indians actioner? That the picture often meanders and is not carpeted with action, is a little moot, but it is well put together, well acted and looks nice with its actual real Bracketville location filming (Ray Rennahan on cinematography). Paul Sawtell does one of his robust thematic musical scores, and fine acting support comes from Robert Wilke and Brian Keith.

It's a solid routine Oater, and can be enjoyed if you can forgive it its sins? Forgive them for they know not what they do...or something like that! 6/10

Considering the vast amount of Cavalry-vs.-Indians Westerns made during the genre's heyday, this emerges as a reasonably engaging entry – thanks to the pleasant Technicolor hues but, even more so, the scenery-chewing antics of its two stars (Charlton Heston and Jack Palance). I'd owned a copy of the bare-bones Paramount DVD for quite some time, but found the perfect opportunity to check it out now in tribute to Heston's recent passing.

He plays a maverick scout who, in the past, had spent some time with the Apaches; he knows them inside out and is, therefore, indispensable to the Cavalry because he can anticipate what their next move will be. The tribe has ostensibly capitulated and is heading towards the reservation but, when the current chief's son (Palance) arrives on the scene – having undertaken an education merely to fulfill a prophecy which would make him the savior of his people! – the attacks start anew, thus confirming Heston's skepticism of the whole deal (and which had practically ostracized him from his office). The film, whose title remains unexplained throughout, generally delivers in the action stakes (even if Heston and Palance's long-awaited showdown, the 'war' being resolved in single hand-to-hand combat between them, is a disappointingly hasty affair) – but is let down by a couple of obligatory romantic rivalries: Heston is torn between half-breed Katy Jurado, who's wasted, and Mary Sinclair, the widow of the Fort Commander who's also desired by his successor (Brian Keith).

Heston made a number of such minor genre fare (which, I have to admit, I had all but ignored all these many years) – including another Western penned by Charles Marquis Warren, PONY EXPRESS (1953) – before carving a niche for himself playing larger-than-life roles in a myriad big-budget spectaculars. Having mentioned the writer/director, I recently acquired another Western of his – the well-regarded and, reportedly, noir-tinged LITTLE BIG HORN (1951) which, naturally, revolves around Custer's infamous Last Stand.